5938 lines
236 KiB
Plaintext
5938 lines
236 KiB
Plaintext
PB-112 Her Animal Act by Author Unknown
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Chapter 1
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Right at my pussy, Paula thought, squirming uneasily. He's staring
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right at my pussy!
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The shabby Mexican boy was about Paula's age, fourteen, kneeling at her
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feet, holding and applying polish to her loafer with little slaps and
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rubs, the Juarez sun beating down very hot on them that summer
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afternoon.
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Paula regretted having stepped outside the leather-goods shop in which
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her parents were still browsing. She also regretted having worn her new
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short skirt. With her leg hiked up and the boy kneeling before her, she
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realized he could see everything! Of course she had panties on, and he
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couldn't actually see her blonde mound, but his hot gaze and amused
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grin unnerved her just the same. The dirty boy was seeing more of her
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than she'd ever shown her boy friend back home!
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"Watch it!" she snapped. "You're getting polish on my ankle!"
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He said he was sorry, but Paula doubted it from the way he chuckled.
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She wished she hadn't let him talk her into a shine, even though she
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did need one badly. What I don't need, she thought, is his big, brown
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eyes eating me up like they're doing! For a second she allowed herself
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the knowledge that the Mexican boy was darkly handsome, and during that
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second his gaze caressed her crotch quite pleasantly, actually starting
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her cunt on its automatic response and making it juice slightly.
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But she stopped that nonsense by shutting her eyes and raising her
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pretty face so she wouldn't have to look at him. Tossing her long,
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blonde hair, Paula opened her eyes and glanced inside the shop. Her
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parents were dickering over price, the salesman talking fast as he
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pointed out the quality of the hand-tooled leather purse her mother
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wanted.
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The sidewalk was teeming with other vacationing Americans. From three
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doors up music blared in spurts each time anyone entered or left the
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night club which seemed to be going full steam even though it was only
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the middle of the afternoon.
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Shops and bars, thought Paula. That's all Juarez is.
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She didn't like the border city. There was something about the
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looseness of both residents and visitors which threatened her. She
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couldn't put her finger on exactly what it was that made her uneasy,
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but it did affect her. She would be glad to leave in the morning and
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get back home to Tulsa.
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"Senorita?"
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"What?" Paula asked without looking down at the boy.
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"You want souvenir of Juarez?"
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"I already have a souvenir, thank you."
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"Not this kind, senorita. Look ... look what I got."
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Reluctantly Paula glanced down He was handsome, despite his smug grin.
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She allowed a half-smile to cross her delicate face, showing her white
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teeth as her unpainted lips parted and curled almost warmly.
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"Peechers," the boy said, reaching into his shirt pocket and coming out
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with an envelope, opening it and extracting a small stack of
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photographs. "Really good peechers, senorita. You want see them?"
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Having no idea what kind of pictures the boy was going to show her,
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Paula nodded naively and held out her hand. "What are they of, the
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bullfights?"
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"Much hotter than bullfights, senorita," he laughed. "You look. I sell
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them to you cheap. Ten dollars."
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Paula scowled as she took the small stack of photographs. She knew she
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wasn't going to buy them at that price, but she had to see what he
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thought was worth so much money. When she turned the pictures over and
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got a look at the first one, the smile instantly vanished from her
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lovely face. She gasped audibly, her hands beginning to tremble and her
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knees feeling weak.
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"You like, senorita?"
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"No. It's obscene," she whispered, tearing her gaze from the photo and
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glancing nervously around as she pushed them at him.
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But he was ignoring her, looking down at her shoe as he worked at it
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with a worn brush.
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"Here. Take them back. I don't want them."
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"They get better," he said without looking up. "Flip through them all.
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You'll see."
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"No ... I don't want to see," she protested, pulling the pictures close
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to her as a middle-aged couple and three children walked past.
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The boy wouldn't take them. He kept working at her shoe, starting to
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whistle as he put his brush away and began using a polish-stained rag.
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Not knowing what to do, Paula stood nervously with the pictures in her
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hand and her foot propped on the shine box. She had never seen anything
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like that awful picture, and her mind was still reeling from it. She
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thought of throwing the lewd pictures to the sidewalk and running back
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into the leather-goods shop. But she didn't. She merely stood there
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trembling, watching the boy finish her right shoe and letting him put
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her foot on the sidewalk and pull her left foot onto the box to shine
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her other shoe.
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As the shock wore off, she realized the photo had also had another
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effect on her. Butterflies seemed to be darting around in her stomach-
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the same butterflies that always tried to fly out of her when her boy
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friend kissed her passionately and struggled to put his hand under her
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dress.
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Feeling lightheaded and ashamed of herself, Paula brought the pictures
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up and furtively looked at the top one again. It was in color. A very
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dark Mexican man and a fair-skinned girl were lying on a bed, fondling
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one another's genitals as they kissed. Paula stared intently at what
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the girl held in her hand. Recently her boy friend had tried to put her
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hand on something very similar. She hadn't let him, of course, but it
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had excited her just brushing her skin through his trousers.
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She couldn't resist going on to the next photo, and it was even worse
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than the first. She heard herself gasp again as she gawked unblinkingly
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at the perverted act it depicted. The girl was on her knees, bending
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over the man, taking his big prick into her mouth! Paula felt a chill
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dart up her spine at the pleased expression on the girl's face. Feeling
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somewhat nauseated, she slipped the disgusting photo off and put it on
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the bottom of the stack.
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She didn't want to look at the rest of them-not really. But she
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couldn't tear her eyes away. The man was returning the girl's favor in
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the next shot, his face pushed between her spread thighs and his tongue
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licking deep into her hairy cunt. Paula stared at that one, feeling the
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butterflies in her stomach go wild as she read the obvious bliss in the
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girl's face.
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"Oh my God!" she muttered softly, ripping the picture eagerly off the
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top so she could see the next one.
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The camera had been between their legs for this one, and it had
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captured every detail. Paula choked back a moan as she saw the man's
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purplish knob pushing into the girl. She flipped to the next picture
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and let the moan escape her tensed throat. The male's cock was gone
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from view, embedded in the girl, his large testicles resting in the
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crack of her widespread ass.
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A sensation of whirling enveloped Paula as she hurriedly flipped
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through the rest of the photographs. And the last one was the lewdest
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of all. The man's cock was all shiny-wet, looking soft and red, poised
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just outside the girl's cunt. They'd finished, Paula realized, fighting
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the urge to scream as she stared in utter fascination at the semen
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trickling from the girl's open pussy.
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"Ten dollars," the boy said, "take them home and show to your girl
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friends."
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With a start Paula realized the boy was finished shining her shoes. "I
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don't want them!" she hissed, thrusting the pictures at him. "Here!
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Take them!"
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"You liked them."
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"I didn't!"
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He grinned, pointing at her loins. "You liked them. I see you are wet.
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Okay ... five dollars then."
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"You nasty thing!" she blurted, dropping the pictures as she jerked her
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foot off his shine box.
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While the boy was hastily picking up his dirty pictures, she dug a
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quarter from her purse and tossed it to the sidewalk, then spun around
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and stomped toward the door of the leather-goods shop. She'd never felt
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so insulted. Raging, she darted into the doorway only to bump into her
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parents coming out.
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"What's wrong, sweetie?"
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"Nothing, Daddy. The heat, I guess. Can we go back to the motel now?"
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"Let's stop at one more shop first," he said. "I want to get one of
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those black-velvet paintings with all the bright colors."
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"For heaven's sake, Elliott," her mother snapped. "You can get your
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grotesque painting tonight. Look at Paula's face. Why, she's near
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heatstroke!"
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"You are awfully red, sweetie," Elliott said. "Have you been standing
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right out in the sun? Stay here in the shade with her, Ruth. Let me get
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the air-conditioning going before you two get in the car."
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* * *
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When Elliott came from his shower, Ruth was standing beside the bed
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hooking her nylons to her garter belt. He stopped to watch the sensual
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scene. At thirty-five her body was even better than it had been when
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he'd married her sixteen years ago. And her face had mellowed rather
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than aged, making her a very beautiful woman indeed. Unlike most women
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her age, Ruth had no need for a bra. Elliott counted himself very
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fortunate to have married her, even though her sex drive was nowhere
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near as strong as his.
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And his sex drive was beginning to make itself known. The light glinted
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off her very blonde and carefully coiffured hair as she bent to her
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task, her fingers popping the fasteners into place to hold her hose up
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snug around her long, shapely legs. In that position her pink-tipped
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breasts stood out from her body to best advantage, jiggling as she
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fussed to get everything just right.
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All she had on at the moment was garter belt and hose. His cock coming
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to life, love for his beautiful wife welling up in his chest, Elliott
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sneaked up behind her. Being careful not to let his prick slip between
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her nude buttocks, because she didn't like that at all, he bent over
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her and cupped her tits, kissing her warm back and sighing.
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She jerked, then ignored him and went on fixing her stockings to her
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garter belt.
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"Ohh, how I love you!"
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"I love you too, darling," she said coolly. "Get dressed."
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"What's your rush? We've got all night. Come to bed and let's make love
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before we go out."
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"I'm not in the mood, Elliott."
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"It's been almost two weeks."
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"I'm still not in the mood. This place upsets me. I don't like it here
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... and I don't like what we're going to do tonight."
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Hurt, his cock wilting at once, he released her tits and stepped away.
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"You don't have to go with me, you know. Stay here if you'd rather."
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"Oh, no," she sighed. "You'll be drinking much more than you're used
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to. I do have to go with you. I wouldn't want you doing anything
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foolish."
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"Like what?" he asked tiredly, stepping into the fresh shorts she'd
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laid out for him.
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"Hah!"
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"Ruth, I'm a minister ... remember?"
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"You're also a man ... remember? And booze and pretty young girls have
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a way of making some ministers we've known forget how to behave
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properly. Now I'm not saying you'd make an ass of yourself like George
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did, but with me along you're much less likely to get into anything you
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shouldn't."
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"For crying out loud, Ruth!"
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"I'm going!"
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"All right!"
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"I don't see why this nonsense is necessary, but I'm going."
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"I'm writing a book on morals, dear ... on vacation morals, how people
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differ in their moral outlook when they're away from home and job and
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family. Tonight is research, pure and simple. A border town is still a
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wicked place. I expect to get enough material tonight for at least one
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chapter ... maybe two."
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"Some research!"
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Elliott jabbed his arm into the sleeve of his shirt.
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"Going to filthy bars where girls strip and all."
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"How else am I going to know what I'm writing about?"
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"Can't you imagine what goes on in such places? Do you have to go see
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it for yourself before you can condemn it?"
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"Yes, I can imagine what goes on; and yes, I have to go see if for
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myself. I've never written a book before, but I want mine to be factual
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and forceful ... not full of hot-air sermons."
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"All right, darling. I think I see your reasoning now," she said
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pleasantly, coming toward him with her panties on, turning and backing
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to him for him to hook her bra.
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At nine, Elliott and Ruth were dressed to go out. Both were somewhat
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nervous about the evening ahead, though neither would admit it to the
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other. Ruth had never seen anything like the sensuality they were
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venturing into, and she would have preferred not to ever. But she
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couldn't allow Elliott -- what with his strong drives and all -- to do
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his border town research on his own. He was more than a minister, and
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she could imagine him drunk and carrying on in one of those dens of
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iniquity, the alcohol causing him to forget decency temporarily. Of
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course he would hate himself for it later, if such a thing should
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actually happen, because he was a very moral person. But with her going
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along, she reasoned, he would drink less and she could thereby save him
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any embarrassment and later guilt. She didn't know why he wanted to
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write that silly book anyway. They certainly didn't need the money he
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might make from it -- not since he'd taken the big church he now
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pastored. But writing such a book had been on his mind for some years,
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and in a way she was relieved that at last he was going to do it and
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get it out of his system once and for all.
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Elliott would have preferred to leave Ruth behind. He'd seen a bit of
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border town night life many years ago, before he'd ever thought of
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becoming a minister. He'd never been in Juarez, but he supposed it was
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somewhat like Nuevo Laredo, which he'd visited with three of his
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soldier buddies while stationed in Texas. He would rather have spared
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his wife an evening he knew could only make her upset and
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uncomfortable. But she was adamant in her insistence on going with him
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to keep him out of the "foolishness" he was certain he wouldn't get
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into anyway. On the other hand, he admitted to himself as they went
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into Paula's room to tell her good night, Ruth's reaction might be
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useful to his book since she was a God-fearing woman and would be
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seeing such licentiousness for the first time. But at any rate she
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insisted on going, and it was easier to take her along than cause hard
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feelings and suspicions.
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Elliott knocked on the door between their connecting rooms.
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"It isn't locked. Come on in," Paula called, pulling the cover over her
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because she had on her shortie nightgown.
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"We're leaving now, sweetie," Elliott told her, crossing to her bed to
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kiss her good night. "It'll probably be late when we get back. Don't
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try to wait up for us, okay?"
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"I won't, Daddy. I'm going to watch TV for a while though. I can't
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understand a word they're saying, but the Mexican station fascinates me
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just the same."
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"You can get the El Paso stations too, you know," Ruth said, moving to
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offer her cheek for Paula to kiss, so she wouldn't smear her carefully
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applied lipstick.
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''Mother, you look absolutely beautiful! Doesn't she, Daddy?"
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"She always looks beautiful," Elliott said, smiling at Ruth.
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"Well, I think you look extra lovely tonight, Mother."
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"Thank you, Paula. Don't stay up too late, now ... and be sure to lock
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your door. Ours is already locked. You don't have to worry about anyone
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coming in through it."
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"I hardly think she has anything to worry about in this motel, Ruth."
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"You can't be too careful, Elliott. I want her to lock her door as soon
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as we leave."
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"All right, Mother. I will. You and Daddy have a good time. Don't worry
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about me. I'm big enough to take care of myself for a few hours."
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"A good time," Ruth muttered disdainfully to herself as she moved to
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the door.
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"Good night, sweetie," Elliott said. "Pleasant dreams."
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"Daddy," Paula called, stopping Elliott in the doorway. "Did I tell you
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how handsome you look?"
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Elliott chuckled as he shut the door.
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Still smiling at the faint embarrassment her compliment caused her
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father, Paula kicked back the covers and went to lock the door. When
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she climbed back on the bed to watch the Mexican TV program, she didn't
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bother to pull the cover over her again. The air-conditioning made the
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room quite pleasant but not at all chilly. She felt her mother was
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silly to worry about her being alone. The Juarez motel was new and
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plush, with the vast majority of the guests Americans like themselves.
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The few Mexicans she'd seen in the dining room were obviously from the
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better families. But of course she would have locked the door anyway.
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She always did lock the door at any motel -- because it was sensible --
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but not out of fear.
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The next program on the Mexican channel was less interesting, but she
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didn't bother to get up and switch to another station. Inside her mind
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another program was beginning to play, and it was like nothing TV had
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ever broadcast! One by one the obscene photographs she'd been so
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stunned by that afternoon kept flashing into her consciousness.
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At first it was upsetting and she tried to drive the horrid mental
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images away. But they refused to go. The more she fought them the more
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vivid they became. Soon Paula gave up, sighing as she shut her eyes.
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She realized instantly that shutting her eyes and relaxing had been a
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mistake, because her mental images grew even more vivid and lifelike.
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They were still awful, but now she found them exciting as well. She
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knew she shouldn't find such obscene trash exciting, and she tried not
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to let it affect her.
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It did affect her, though, and soon her pink nipples were turning hard
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and her stomach was literally full of those pleasant butterflies. The
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Mexican shine boy's face came before her, handsome and smug as he
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pointed at her crotch and said, "You liked them. I see you are wet."
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And she had been wet. When she'd undressed for a cool shower as soon as
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they'd returned to the motel, Paula had discovered her panty crotch was
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soaked with secretions.
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And she was secreting again, she realized with a start, even more than
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in the afternoon. The juices were beginning to boil inside her loins
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just from thinking about it. Her virgin pussy felt strange all hot and
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hungry and itchy!
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"What's happening to me?" she moaned softly. "Am I losing my mind?"
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My mind, she thought. It's only in my mind. It can't hurt anything if
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it's only in my mind. I feel so strange! I wish -- oh God, I really do
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wish I was the girl in those dirty pictures!
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And she became the girl in her mind -- not Paula Strickland, the
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minister's daughter, but a lustful worldly girl, taking great joy as
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she dove mentally into an orgy of sexual sinfulness. The man in the
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pictures became the shabby but handsome shine boy. They were lying
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together -- this other girl, not Paula Strickland -- kissing
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passionately and handling each other's sex organs. Then this other
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Paula -- this total stranger -- was kneeling over the dark boy's body
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and taking his hard cock eagerly into her mouth, sucking it wildly and
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moaning with lust.
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The moans were real, Paula realized dimly. They were coming from her
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own throat. Her nipples were so hard they hurt, and her young loins
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were threatening to burst into flames at any second. She reached
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quickly between her legs and cupped herself, moaning aloud at the
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thrilling contact, her fingers and palm feeling the wet, warm fluid
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which was oozing from her feverish cunt. She rubbed herself
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unashamedly, still thinking of her mouth -- no, the other girl's mouth
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-- on the hot male organ. She stuck two fingers into her mouth and
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sucked them loudly as her fingers worked under her soaked crotchband
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and began to trace the elliptical opening of her parting cunt lips.
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Then she -- no, the other Paula -- was on her back and the boy was on
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top of her, pressing his hard cock into her as the man had done in the
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picture.
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"I wish I'd bought the damned things," she muttered.
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No! a voice inside her snapped. You wouldn't want anything like that.
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Think how terrible it would be if your parents found them!
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"Right. I'm glad I didn't buy them, but I wish ... I wish ..."
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Paula didn't know what she wished. Her mind was being bombarded by
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extremely powerful but totally new sensations, and she felt utterly
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confused by it all. She pushed her panties down her thighs and kicked
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them completely off the bed, then spread her legs wide and rubbed her
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hairy mound and her puffy lips, letting her finger slide inside part
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way and tickle her throbbing clitoris.
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She abruptly changed hands, licking and sucking her own juice from her
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fingers as her spit-slick fingers began rubbing and dipping into her
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steaming cunt. She was careful not to damage her precious hymen. But
|
|
she did press against it until she felt pain, imagining the pain was
|
|
caused by the Mexican boy's hard cock entering her -- and loving the
|
|
sensation.
|
|
|
|
"Ohhh ... oh, fuck me!" she panted, shocked at hearing such a dirty
|
|
phrase rip from her mouth, but excited all the more by the lustful
|
|
sound of it.
|
|
|
|
Paula kept changing hands, sucking and fingering, getting hotter and
|
|
hotter as she saw the Mexican boy and the other Paula join together
|
|
inside her mind. It was so real she could almost feel his big cock
|
|
entering her own sweat-damp body.
|
|
|
|
"This is crazy," she moaned.
|
|
|
|
But it was terribly thrilling to think about, and she was only thinking
|
|
about it! It can't hurt, she told her conscience. It isn't really
|
|
happening! And her conscience, dulled by the lust which had overwhelmed
|
|
her young body, gave up and went away.
|
|
|
|
It was all pleasure for Paula after that. She writhed and rubbed,
|
|
sucked and groaned, secure in the knowledge that such a thing could
|
|
never actually happen to her! And since she was alone no one could ever
|
|
possibly know what she was thinking and doing to herself. It wasn't as
|
|
if she hadn't touched herself there before. She had, but never this
|
|
thrillingly, and never for this long.
|
|
|
|
"Good Lord!" she gasped, suddenly stiffening as an orgasm swept over
|
|
her for the first time in her life.
|
|
|
|
The room spun dizzily as her body twitched and jerked. She panted for
|
|
breath, whimpering and groaning as she bit her lower lip and tossed her
|
|
head wildly from side to side, giving herself up entirely to the
|
|
blinding joy of her first climax.
|
|
|
|
|
|
|
|
Chapter 2
|
|
|
|
|
|
As they neared the downtown section of Juarez, Elliott reached across
|
|
the seat of the taxi and took Ruth's hand. They'd decided it best to go
|
|
by taxi and leave their car at the motel, thinking rightly there would
|
|
be little available parking space during the early evening rush, and
|
|
fearing possible theft of the clothing and cameras in their car, if not
|
|
the car itself.
|
|
|
|
Feeling the tenseness in his pretty wife, Elliott suggested, "You can
|
|
still go back to the motel, honey."
|
|
|
|
She pulled her hand from his. "We've already been over that. I'm going
|
|
with you, and that's final."
|
|
|
|
"Where to?" the driver asked, turning onto the garishly lit main
|
|
street.
|
|
|
|
"You want to get your velvet painting first?"
|
|
|
|
"Naw, forget it. You're right. Those things are grotesque."
|
|
|
|
"Well, I'm relieved. You would've had to hang it in your study, you
|
|
know. I certainly wouldn't want one of those bright monstrosities in
|
|
the house."
|
|
|
|
"Drop it, will you?"
|
|
|
|
"Where to?" the driver demanded. "We are downtown. Some particular
|
|
place you want go?"
|
|
|
|
"No. Let us out here," Elliott said, taking out his wallet as the
|
|
driver pulled his cab to the curb and stopped.
|
|
|
|
"You lookin' for fun?" the driver asked.
|
|
|
|
"Yes," Elliott said. "We're going to take in a few shows."
|
|
|
|
"I take you to best night club in Juarez ... La Fiesta. Big names from
|
|
your country entertain there. Very high-class place."
|
|
|
|
"No. That isn't exactly the kind of entertainment we have in mind,"
|
|
Elliott said.
|
|
|
|
The pudgy Mexican face smiled knowingly. "Just strippers and dancers
|
|
here downtown. You want see a special show?"
|
|
|
|
"A special show?"
|
|
|
|
"You know, senor."
|
|
|
|
The tone of the man's voice made Elliott know. "Yes, I think I do know.
|
|
But I don--"
|
|
|
|
"Anything you want see. I take you."
|
|
|
|
"I'm sure you can, bu--"
|
|
|
|
"Real dirty show. Live. Anything you want see."
|
|
|
|
"No!" Elliott snapped, handing the driver a five and waiting for his
|
|
change.
|
|
|
|
"I'll be around if you change your mind," the driver called as Elliott
|
|
climbed from the taxi and held the door for Ruth.
|
|
|
|
"What was he talking about?" Ruth asked as they strolled up the
|
|
sidewalk.
|
|
|
|
"Live sex shows, I think."
|
|
|
|
"How disgusting! You're not planning to see anything like that, are
|
|
you, Elliott?"
|
|
|
|
He wasn't planning on any such thing, but he couldn't resist jabbing
|
|
back at Ruth for refusing him at the motel. "Maybe later. Are you going
|
|
with me?"
|
|
|
|
"You're not serious, Elliott!"
|
|
|
|
" About halfway!"
|
|
|
|
"Don't make a scene, darling," she said, calming down at once.
|
|
|
|
"Ruth, either get off your high horse or go back to the motel."
|
|
|
|
She could only push Elliott so far and she knew it. Though she didn't
|
|
like any of this, she decided to go along and keep her mouth shut for
|
|
the rest of the night. She smiled sheepishly, slipping her arm through
|
|
his and saying, "I have been a little bitchy, haven't I, darling?"
|
|
|
|
"That isn't exactly the way I would've phrased it, but yes, you have
|
|
been somewhat bitchy ever since we crossed the bridge this noon."
|
|
|
|
"I'm sorry, Elliott. It's the first time I've ever been out of the
|
|
United States, and I guess it upsets me more than I'd thought."
|
|
|
|
"I understand, honey. But you don't have anything to worry about. They
|
|
treat tourists very well here. Their economy depends on Americans."
|
|
|
|
"I know. I'm being silly."
|
|
|
|
"Not silly. Just overly cautious."
|
|
|
|
"Well, whatever. You lead the way, darling. I'll go with you
|
|
uncomplainingly for the rest of the night. After all, you do have to do
|
|
your research if you're going to write a good book, don't you?"
|
|
|
|
"That's what I've been telling you, honey."
|
|
|
|
"Okay," she said, gulping. "I'm ready for anything."
|
|
|
|
Elliott laughed. "You can relax. We're not going to one of those
|
|
special shows."
|
|
|
|
"Well now, I am relieved to hear that. But don't forego it on my
|
|
account. I'm willing if you really think it's necessary. I can shut my
|
|
eyes or something."
|
|
|
|
"Well," Elliott teased, "maybe later. If you're all that anxious to see
|
|
life in the raw --"
|
|
|
|
"Now, I didn't say that, Elliott."
|
|
|
|
He laughed, putting his arm around her and hugging her, sensing that
|
|
she was unwinding a bit, and glad of it. When she joined his laughter,
|
|
he said, "Come on. Let's go in here."
|
|
|
|
The emcee was doing his monologue when they entered the dimly lit night
|
|
club. A bored waiter motioned them toward a front table. Elliott shook
|
|
his head and pulled out a chair for Ruth at an empty table near the
|
|
center. He wanted to watch the club's patrons as much as the show
|
|
itself, and he couldn't do that comfortably from a front table. The
|
|
vacationing Americans were his prime interest of the evening. It was
|
|
their reactions and antics that he wanted to mentally record for the
|
|
book he was yet to start.
|
|
|
|
Ruth laughed heartily at something the emcee said. "Why, he's actually
|
|
good, Elliott."
|
|
|
|
"I didn't hear."
|
|
|
|
"It was a little off-color but not at all vulgar like I was afraid it
|
|
would be. He's quite funny."
|
|
|
|
A different waiter slapped an ash tray on the table and asked what they
|
|
wanted to drink.
|
|
|
|
"What do you want, Ruth?"
|
|
|
|
"Oh," she said, grinning as she watched the emcee make a face while he
|
|
talked incessantly on, "whatever you're having, darling. Make it
|
|
something Mexican, why don't you?"
|
|
|
|
"Something Mexican," Elliott told the waiter.
|
|
|
|
"Margaritas?" the waiter asked.
|
|
|
|
"That'll be fine."
|
|
|
|
The emcee was good, Elliott discovered, much too good for the strip
|
|
joint they were in. He did a long monologue of very humorous and only
|
|
slightly off-color material, interrupting it twice to sing a couple of
|
|
American standards in his rich baritone voice. By the time he was
|
|
finished with his act and introducing the first stripper, Ruth and
|
|
Elliott had absently sipped all of their margaritas and the waiter had
|
|
brought them two more without bothering to ask if they wanted them.
|
|
|
|
Ruth picked up her second drink and licked at the salt-covered rim of
|
|
the glass.
|
|
|
|
"Good drink, isn't it?" Elliott asked.
|
|
|
|
"Mmm ... delicious. I wonder what they put in them besides salt?
|
|
Grapefruit juice, I think. That's all I can taste. There's something
|
|
else ... can you tell what else?"
|
|
|
|
"Nope."
|
|
|
|
"Well," Ruth said, "I don't think we have to worry about getting drink
|
|
on these. They're good, but sort of weak. I always thought Mexican
|
|
drinks were supposed to be strong, didn't you, Elliott?"
|
|
|
|
The band played softly. The pretty Mexican girl danced sensually around
|
|
the small stage. Busy watching the stripper and the faces looking at
|
|
her, Elliott only half-heard what Ruth was saying. Something further
|
|
about the drinks, he realized.
|
|
|
|
Smiling seductively, the dark-skinned girl on stage reached behind her
|
|
and pulled open a zipper very slowly. Ruth quit talking and sat
|
|
stiffly, staring straight at the girl, watching her tease the dress off
|
|
her shoulders. One tit came into view, covered by a peekaboo lace bra
|
|
cup. The girl palmed the large breast, licking sensually at her red
|
|
lips.
|
|
|
|
Her knuckles turning white from gripping the glass so tightly, Ruth
|
|
brought the margarita to her lips and took a big swallow. Then the girl
|
|
had both her tits in her hands, walking around the stage and showing
|
|
them to the audience. Ruth wanted to jump up and rush out.
|
|
|
|
But she didn't. She forced herself to quit squirming. She glanced at
|
|
the people in the audience. She sipped her drink.
|
|
|
|
"Take it off!" someone called.
|
|
|
|
A chill shot through Ruth at the lewd cry.
|
|
|
|
"Take it all off!" a female voice yelled laughingly.
|
|
|
|
Ruth glanced back to the stage, gasping as she saw the girl's lacy bra
|
|
slide down her arms and fall to the floor. Immediately the stripper
|
|
kicked it away, the action causing her large globes to sway from side
|
|
to side.
|
|
|
|
Several men in the club groaned.
|
|
|
|
"She's really got 'em, huh?" the emcee asked, unseen and out of the
|
|
light. "I'll let you in on a secret, folks ... they taste better than
|
|
they look!"
|
|
|
|
"Prove it! Prove it!" two young soldiers at a front table demanded.
|
|
|
|
The stripper moved to the soldiers, bending over them, holding her bare
|
|
tits as she stooped and brought them near their faces. One soldier
|
|
reached boldly for a brown-tipped tit. The girl laughed and jumped
|
|
away. The audience roared with laughter as she strutted around the
|
|
stage taking off another piece of her costume.
|
|
|
|
Ruth elbowed Elliott. "How far does this go?"
|
|
|
|
He shrugged, trying to ignore her and concentrate on the crowd's
|
|
reaction to the stripper.
|
|
|
|
"It's getting vulgar, Elliott."
|
|
|
|
Elliott glared at Ruth. "You can leave any time you want!"
|
|
|
|
"No," she said, making herself smile. "Order us another drink."
|
|
|
|
"Already?"
|
|
|
|
"Well, they're so weak ... and they do taste good."
|
|
|
|
"Okay, honey," Elliott said, taking her hand under the table, giving it
|
|
a little squeeze as he motioned the waiter to bring them more drinks.
|
|
|
|
"I'll be all right."
|
|
|
|
"Sure you will, Ruth."
|
|
|
|
"I've never seen carrying on like this, that's all."
|
|
|
|
"Does it really upset you so much?"
|
|
|
|
She sighed. "Not really, I guess. But I don't like it very much."
|
|
|
|
"I'm glad you don't," Elliott told her, chuckling as he patted her
|
|
thigh.
|
|
|
|
"Do you like it, Elliott?"
|
|
|
|
"It isn't a question of whether I like it or not. It's research for my
|
|
book."
|
|
|
|
"She does have nice titties."
|
|
|
|
"What?"
|
|
|
|
"The stripper," Ruth said. "She's got nice ones ... sort of big,
|
|
though."
|
|
|
|
"Are you getting drunk on me, Ruth?"
|
|
|
|
"Don't be silly, Elliott. On these weak margaritas?"
|
|
|
|
Their fresh drinks came. Elliott watched his wife turn hers up and take
|
|
a big sip from it before she started licking the salty rim. He wondered
|
|
if the drinks were as weak as Ruth thought they were. He could feel a
|
|
glow beginning to make itself known in his own stomach, and he could
|
|
handle liquor better than Ruth. Neither of them could drink much,
|
|
though, because liquor simply wasn't served often in their social
|
|
circle.
|
|
|
|
"How about it, folks? You want see her monkey?"
|
|
|
|
The girl was down to high heels and G-string, holding her hands behind
|
|
her head, making a lustful face and bumping in time to the throbbing
|
|
drumbeat. She completely ignored the small amount of applause the
|
|
emcee's question brought forth.
|
|
|
|
"Well, do you want see her monkey or not?"
|
|
|
|
The applause grew louder. Several whistles and yells pierced the smoke-
|
|
filled air.
|
|
|
|
"Show us your monkey, baby," the emcee coaxed.
|
|
|
|
The attractive girl shook her head. But her smile was full of tease and
|
|
her hands began stroking her body.
|
|
|
|
"Ahh ... she's got a pretty monkey," the emcee sighed.
|
|
|
|
"No monkey," the girl said, running her fingers sensually down her
|
|
abdomen and over her G-string. "Castro!"
|
|
|
|
"Without a cigar," the emcee laughed. "Come on, baby. Show us Castro
|
|
without his cigar."
|
|
|
|
"What're they talking about?" Ruth mumbled, watching and listening to
|
|
everything now, finding a certain thrill in the very wickedness of it.
|
|
Her conscience was somewhat dulled by the smooth but potent margaritas.
|
|
The tequila drinks were having much more of an effect on her than she
|
|
thought.
|
|
|
|
The stripper, turning her back to the audience and looking teasingly
|
|
over her shoulder, slowly removed her G-string and swung it offstage.
|
|
When she faced the front, legs spread apart and wearing nothing but
|
|
high-heeled shoes, her crotch was in plain sight. And there was
|
|
Castro's beard, trimmed and dark and looking better on the girl than it
|
|
ever had on the Cuban.
|
|
|
|
Feeling her cheeks flush, Ruth looked away from the lewd sight on the
|
|
stage. Elliott paid no attention to the girl. He was too busy glancing
|
|
around the audience, studying the excitement in some faces and the
|
|
boredom in others.
|
|
|
|
The next girl was plump, almost fat, but she moved quite gracefully as
|
|
she danced to the loud, brassy music coming from the band. The Mexican
|
|
girl danced and stripped, her smile pasted on and artificial. When she
|
|
was down to beads and G-string, she began patting her loins, and
|
|
taunting the two young soldiers at the edge of the stage with, "Supper
|
|
time ... supper time."
|
|
|
|
The young men were drunk enough to go along with it. They called
|
|
encouragement to the stripper. She moved closer to them, looking down
|
|
at them as she spread her legs and ground her pelvis slowly for their
|
|
benefit. One of the soldiers grabbed her ankle.
|
|
|
|
"Put up or shut up, baby," he said.
|
|
|
|
She laughed, smiling down at him, ignoring his hand creeping up her
|
|
leg. When his fingers neared her loins, she pulled away and made a
|
|
circle around the stage, taking the beads off as she danced. Her beads
|
|
were made of plastic, the pop-apart type, and she quickly made four
|
|
small circles from the string, moving back to the young men and giving
|
|
each two of the circles.
|
|
|
|
"In your mouth," she said to one of the soldiers, squatting at the edge
|
|
of the stage and urging the young man to his feet. She put one of the
|
|
circles of beads in his mouth and palmed her tit close to his face.
|
|
"You get the idea, honey?"
|
|
|
|
He grinned, nodding and taking her by the waist, holding her still as
|
|
he tried to hook the small circle of beads onto her tit.
|
|
|
|
"You too, honey," the stripper urged the other soldier.
|
|
|
|
The plump Mexican girl made faces and sounds of delight as the two
|
|
drunken soldiers rubbed their noses and eyes over her tits, pretending
|
|
to try to hook the beads in place but obviously not caring a damn about
|
|
the beads. The ludicrous sight brought peals of laughter from the rest
|
|
of the crowd.
|
|
|
|
"Let's go to another club."
|
|
|
|
Ruth nodded in answer to Elliott's suggestion, getting to her feet at
|
|
once and following him from the club, her eyes smarting from the thick
|
|
haze of smoke that hung in the room. She was surprised to find herself
|
|
walking unsurely and feeling a bit dizzy. On the sidewalk, she inhaled
|
|
deeply in an effort to clear her fuzzy mind.
|
|
|
|
"La Fiesta?" a taxi driver asked from the curb.
|
|
|
|
Elliott shook his head, moving to Ruth and taking her hand.
|
|
|
|
"You want see a special show?" the driver asked confidentially, coming
|
|
to them and blocking their path.
|
|
|
|
"I don't think so," Elliott said, waving him away and leading Ruth up
|
|
the sidewalk.
|
|
|
|
Ruth giggled.
|
|
|
|
"What's funny?"
|
|
|
|
"There must be a lot of those special shows."
|
|
|
|
"I guess so."
|
|
|
|
"Maybe you ought to write about them."
|
|
|
|
"I wouldn't put you through anything like that, honey," he said. "I'd
|
|
have to go see one of them before I could write about it, you know."
|
|
|
|
"I know. Why don't we?"
|
|
|
|
Elliott stopped in his tracks. "You're not serious, are you?"
|
|
|
|
Again Ruth giggled.
|
|
|
|
"You're drunk."
|
|
|
|
"A little," she admitted, grinning back at him. "I guess those
|
|
margaritas aren't as weak as they taste."
|
|
|
|
"I'd better take you back to the motel."
|
|
|
|
"I don't want to go back. I wanna stay with you. I've gotta keep you
|
|
out of trouble."
|
|
|
|
"Some chaperon you turned out to be."
|
|
|
|
She laughed and hugged him.
|
|
|
|
"Come on. Let's go to another club," he said.
|
|
|
|
"Have you ever seen anything like those special shows, Elliott?"
|
|
|
|
"A movie once ... a long time ago."
|
|
|
|
"Aren't you curious?"
|
|
|
|
"Do you want to see one of them, Ruth?"
|
|
|
|
"I think maybe I do."
|
|
|
|
"I don't believe it."
|
|
|
|
"I'm not sure I believe it either," she said slowly. "I've never seen
|
|
anything like that ... but tonight I feel a little wicked."
|
|
|
|
"You're drunk."
|
|
|
|
"Yes, I am. And curious ... very curious."
|
|
|
|
"I guess it wouldn't hurt," Elliott said, thinking aloud.
|
|
|
|
"And it might help your book."
|
|
|
|
"Are you sure you wouldn't mind, honey?"
|
|
|
|
"I'm not sure of anything tonight." She squeezed his hand and smiled
|
|
expectantly. "This place does something to me. I feel strange ... sort
|
|
of turned on."
|
|
|
|
"Mmmmm ... let's go back to the motel."
|
|
|
|
"I'd like that, darling," Ruth cooed.
|
|
|
|
"I'll have to learn how to make margaritas so we can have them at
|
|
home."
|
|
|
|
"Often," she sighed.
|
|
|
|
"You're trembling, Ruth."
|
|
|
|
"I'm excited."
|
|
|
|
"You want to see one of those shows before we go to bed?"
|
|
|
|
"If you do."
|
|
|
|
"It's probably the only chance we'll ever have to do anything like
|
|
that."
|
|
|
|
"Uh-huh."
|
|
|
|
"It's wicked and sinful."
|
|
|
|
"It's research for your book," she said, smiling.
|
|
|
|
"Hmmm."
|
|
|
|
"We're total strangers here, Elliott. No one will ever know."
|
|
|
|
"I don't feel right about it."
|
|
|
|
"I want to go. Just once in my life I want to see something really
|
|
dirty."
|
|
|
|
"I've never seen this side of you."
|
|
|
|
"Me either, darling. Aren't I just awful tonight?"
|
|
|
|
"It's so unlike you."
|
|
|
|
"I know. Maybe I'm a voyeur ... do you think?"
|
|
|
|
He laughed. "I think you're drunk, that's all."
|
|
|
|
"Are you gonna take advantage of my loosened vacation morals, darling?"
|
|
|
|
"The show will probably be vulgar and depraved."
|
|
|
|
"I've never seen anything vulgar and depraved. I want to see that side
|
|
of life just once before I die. You'll be with me. Nothing could happen
|
|
to me, could it?"
|
|
|
|
|
|
|
|
Chapter 3
|
|
|
|
|
|
The taxi driver had been standing by, just out of earshot, waiting
|
|
patiently as they talked. When they turned and started walking toward
|
|
him, he swung open the back door of his cab and grinned broadly.
|
|
|
|
Ruth got in first, paying no attention to her dress as it slid well up
|
|
her thighs. She scooted to the center of the seat, laying her head back
|
|
and closing her eyes, sighing. Elliott got in beside her and took her
|
|
hand.
|
|
|
|
"This is crazy, isn't it?" she asked, her voice quavering with
|
|
excitement.
|
|
|
|
The taxi door slammed shut. The driver hurried around the car to get
|
|
beneath the steering wheel.
|
|
|
|
"No," Elliott said, "it isn't crazy. It's a little daring for decent
|
|
people like us, though."
|
|
|
|
"It isn't dangerous, is it, darling?"
|
|
|
|
"Of course not. It's just a show, and it is research for my book. It
|
|
isn't as if we were reveling in the thing itself."
|
|
|
|
"I'm being silly, I guess ... but it feels dangerous."
|
|
|
|
Elliott chuckled. He put his arm around her shoulder as the driver got
|
|
in and started the engine.
|
|
|
|
"Take us to one of those special shows, driver."
|
|
|
|
"Si, senor."
|
|
|
|
"Wait!" Ruth shouted, jerking up straight in the seat.
|
|
|
|
"What's wrong, honey?"
|
|
|
|
"I can't go, Elliott. I just can't do it."
|
|
|
|
"I thought we'd already decided."
|
|
|
|
" But what if I'm the only American woman there? Oh, I'd be embarrassed
|
|
to death!"
|
|
|
|
"I hadn't thought of that." Elliott leaned forward. "Driver, do many
|
|
people like us go to these shows?"
|
|
|
|
"Many, senor," the driver assured.
|
|
|
|
"How big a crowd is there, usually?"
|
|
|
|
"No crowd. You and your lady will be the only watchers. Very private
|
|
shows. Any kind you want see."
|
|
|
|
"What do you think, Ruth?"
|
|
|
|
"Just the two of us?"
|
|
|
|
"Yes, ma'am," the driver said, turning to look at her.
|
|
|
|
"Where?"
|
|
|
|
"In a room. Just you and your gentleman... and the performers of your
|
|
choice, of course."
|
|
|
|
"Oh that sounds altogether too intimate," she protested weakly.
|
|
|
|
The driver shrugged. "You'll be at one end of the room, on a couch; the
|
|
performers will be on the bed at the other end of the room."
|
|
|
|
"It sounds safe enough," Elliott said.
|
|
|
|
"Si. Thousands of couples like you have seen such shows. They are very
|
|
popular with American couples."
|
|
|
|
"It's entirely up to you, honey," Elliott said.
|
|
|
|
"It still sounds awfully intimate that way."
|
|
|
|
"It sounds like the best possible way to see a show like that, as far
|
|
as I'm concerned. Nothing could be more private."
|
|
|
|
"Very private," the driver said.
|
|
|
|
Ruth sat back. "All right. Let's go."
|
|
|
|
The taxi left the well-lighted main street and for about five minutes
|
|
Ruth and Elliott sat holding hands in silence, watching the darkened
|
|
buildings slip past them. They left the paved streets and onto dirt
|
|
ones, the buildings growing smaller and shabbier and the milling
|
|
tourists disappearing entirely. The area they were moving into was well
|
|
off the beaten path, and Ruth and Elliott grew somewhat nervous.
|
|
|
|
"Where are you taking us?" Elliott demanded.
|
|
|
|
"To a private club, senor. We are almost there."
|
|
|
|
"Why is it so far away from the main part of town?"
|
|
|
|
"These shows are not exactly legal."
|
|
|
|
"Oh my God!" Ruth gasped. "The police ... is there any danger of a
|
|
raid?"
|
|
|
|
The driver laughed. "No danger. The police know. They bother nothing so
|
|
long as the owner pays and leaves his club where it is."
|
|
|
|
Ruth put her face close to Elliott, whispering, "Remember that for your
|
|
book."
|
|
|
|
He nodded, patting her arm as the cab bounced to a stop in front of a
|
|
building which appeared to be empty. "It looks like an old store
|
|
building."
|
|
|
|
Many taxis were parked along both sides of the narrow dirt street. The
|
|
driver shut off his lights and engine. Darkness enveloped them
|
|
instantly, but they could hear music coming from the building. Ruth and
|
|
Elliott sat stiffly as the driver got out and came around the cab to
|
|
open the door for them.
|
|
|
|
"Come on. I take you in. I wait for you ... take you back to town when
|
|
you're ready."
|
|
|
|
"I'm not as brave as I thought," Ruth whispered.
|
|
|
|
"You want to back out?" Elliott asked, half hoping that she would.
|
|
|
|
"No. We're here. Let's go in." She laughed nervously. "I'm more curious
|
|
than yellow, I guess. "
|
|
|
|
"Nothing to worry about," the driver said.
|
|
|
|
"He keeps saying that," Ruth mumbled, letting Elliott help her from the
|
|
cab, her dress hiking up her legs nearly to her hips, giving the driver
|
|
a good view of her creamy thighs.
|
|
|
|
"He ought to know, honey."
|
|
|
|
"I suppose," she said, standing on the dirt street, smoothing her
|
|
dress. "My mind believes him ... wish my stomach would too."
|
|
|
|
The driver shut the taxi door and hurried past them to knock on the
|
|
heavy door to the building. Like something out of the American
|
|
Twenties, a small door within the door opened and a serious male face
|
|
peered out. The face recognized the taxi driver. The door swung open to
|
|
admit them, the music loud as it rushed out with a gust of smoky,
|
|
perfume-laden air.
|
|
|
|
The driver smiled and motioned for them to enter. Elliott cleared his
|
|
throat. Ruth clutched his hand, holding it tightly, walking close to
|
|
him on unsure legs as they went inside.
|
|
|
|
It was a bar, very dimly lit and fairly large, with tables at one end
|
|
of the room and chairs along a wall. The chairs faced the long bar.
|
|
Girls sat in the chairs, smoking and talking, eyeing the men, mostly
|
|
American soldiers, who sat at the bar. The girls all had one thing in
|
|
common -- they were pretty and young and eager.
|
|
|
|
"This way, please," the driver said, motioning them to follow him to
|
|
the table area.
|
|
|
|
Still clutching his hand securely, Ruth moved alongside Elliott toward
|
|
the tables. She felt a thousand eyes boring holes all over her body.
|
|
They had to walk between the girls in the chairs and the men at the
|
|
bar. The men eyed her up good, but none of them made a pass or said
|
|
anything out of the way. Strangely, it was the girls who bothered Ruth.
|
|
Some of them glared at her fabulous shape with envy; some of them
|
|
appeared amused at her presence; but one girl in particular upset Ruth.
|
|
|
|
"Hello, baby," the Mexican girl said in a throaty voice, her young eyes
|
|
dancing with more than casual interest as Ruth swept past. "You want
|
|
make some hot love with me?"
|
|
|
|
Ruth glanced at her, feeling suddenly dizzy as she looked into the
|
|
soft, smiling face. The girl couldn't have been more than eighteen, and
|
|
she was as beautiful as any Hollywood starlet. The girl pursed her full
|
|
lips and rubbed teasingly at her loins.
|
|
|
|
Her mouth hanging open in shock, her knees threatening to buckle at any
|
|
second, Ruth ripped her gaze from the hungry-eyed girl and hurried
|
|
Elliott on toward the tables.
|
|
|
|
The taxi driver pulled out a chair for Ruth, holding it and easing it
|
|
to the table as she sat down. Somehow his mannerly act made her a bit
|
|
less apprehensive, but she noticed her voice quavering as she mumbled,
|
|
"Thank you."
|
|
|
|
The driver stood patiently, smiling as Elliott seated himself. "I get
|
|
the manager for you. You want a drink, maybe?"
|
|
|
|
"I think we've had enough to drink already," Elliott said.
|
|
|
|
"One more, please," Ruth said, taking Elliott's hand under the table.
|
|
"I need it for my nerves."
|
|
|
|
Ruth's hand was damp and trembling. Elliott gave it a reassuring
|
|
squeeze and nodded to the driver.
|
|
|
|
As the driver walked away, Ruth asked, "Elliott, what kind of place is
|
|
this?"
|
|
|
|
Watching a girl lead a grinning soldier in from the hallway at the
|
|
back, he said, "Don't look now, sweetheart, but I think we're in a
|
|
Mexican whorehouse. "
|
|
|
|
Ruth's eyes grew wide and her breath sucked in harshly. A shudder
|
|
passed through her. "In a whorehouse?"
|
|
|
|
"I think so. I guess it's the logical place really, considering the
|
|
type of show we came to see."
|
|
|
|
"I'm scared, Elliott. We shouldn't be here."
|
|
|
|
"No, we shouldn't. But since we're here, we might as well stay and see
|
|
the show, don't you think?"
|
|
|
|
"I don't know what to think. I'm not thinking very well tonight --
|
|
period. All I seem able to do is feel, and right now I feel
|
|
threatened."
|
|
|
|
"How so?"
|
|
|
|
"For God's sake, Elliott ... sitting here in a whorehouse ... with all
|
|
those men? I am a woman, you know."
|
|
|
|
Elliott chuckled. "And the best-looking one in the place."
|
|
|
|
"What if one of those men tries to ...?"
|
|
|
|
"Relax, darling. They wouldn't dare. You're a customer."
|
|
|
|
"I don't like it. It makes me nervous!
|
|
|
|
"You'll be all right when we get in the private room."
|
|
|
|
"I suppose ... but I feel so strange."
|
|
|
|
"Yeah, me too," Elliott admitted.
|
|
|
|
Then the bartender was standing beside their table, asking, "What would
|
|
you folks like to drink?"
|
|
|
|
"I'll have another margarita," Ruth whispered to Elliott.
|
|
|
|
"Two margaritas, please."
|
|
|
|
"One for your driver?" the bartender asked, pointing to the bar where
|
|
the driver sat waiting for them.
|
|
|
|
"Of course," Elliott said. "Give him whatever he wants."
|
|
|
|
"Your driver has spoken to the manager. He said to tell you he'd he
|
|
with you shortly."
|
|
|
|
"Thank you."
|
|
|
|
As the bartender left their table, Ruth whispered, "He speaks awfully
|
|
good English."
|
|
|
|
"I imagine he's been talking to Americans every night for at least
|
|
twenty years, from me looks of him."
|
|
|
|
"These poor girls," Ruth said, glancing at the row of young whores but
|
|
dropping her gaze instantly when she noticed the one who'd spoken to
|
|
her smile and tease the tip of her tongue over her heavily lipsticked
|
|
lips. "Elliott, that girl over there ... did you hear what she said to
|
|
me?"
|
|
|
|
"I heard."
|
|
|
|
"Isn't that terrible?"
|
|
|
|
"Yes."
|
|
|
|
"What she suggested is so perverted. I can't imagine anything like that
|
|
actually happening."
|
|
|
|
"Oh, those kinds of things happen, all right. It wouldn't surprise me
|
|
to learn that she's made love with lots of curious American women."
|
|
|
|
"Well, don't look at me like that. I'm certainly not curious. Just the
|
|
thought of such a horrid thing as she proposed petrifies me. Here comes
|
|
our drinks ... good."
|
|
|
|
As soon as the bartender had placed her drink before her, Ruth picked
|
|
it up and took a big sip. "Could you please hurry the manager a
|
|
little?"
|
|
|
|
"Yes, ma'am. I'll see what I can do," the bartender answered, calmly
|
|
making change for Elliott as he spoke. "He's with a very important
|
|
gentleman, from Panama, I think: but I'll tell him you wish to see him
|
|
now."
|
|
|
|
"Thank you."
|
|
|
|
"Yes, ma'am," the stoical bartender said, and when Elliott gave him a
|
|
dollar tip, he added, "And thank you, sir."
|
|
|
|
Two giggling girls and a serious-faced soldier moved past their table,
|
|
heading for one of the rooms at the back of the building. The jukebox
|
|
played constantly but no one danced, even though there was room for it.
|
|
The men sat at the bar and the girls in their chairs, each group
|
|
talking among themselves, the girls casting inviting glances at the
|
|
men.
|
|
|
|
Only two of the tables were occupied -- Ruth and Elliott at one, and
|
|
three men and a woman at the other. Elliott's back was to the other
|
|
table, but Ruth had a clear view of it. She watched the bartender move
|
|
to it and speak to one of the men. Then he pointed at her and all of
|
|
them looked. She felt like crawling under the table. The dark-skinned
|
|
woman was dressed like a male flamenco dancer, but she wore no hat. Her
|
|
black hair was done up in a bun, making her thin lips and high
|
|
cheekbones appear even thinner and higher. The way she looked at Ruth
|
|
unnerved her. She felt herself being devoured by the woman's dark,
|
|
cruel eyes. And the slender man she seemed to be with looked even more
|
|
menacing, despite the smile that crept over his face as he appraised
|
|
Ruth. The massive Negro threw her only a brief glance before he turned
|
|
back to his drink. The other man, plump, middle-aged and typically
|
|
Mexican, got up and came toward their table as the bartender returned
|
|
to his work.
|
|
|
|
"I am Carlos, the manager. I'm sorry to keep you waiting. Your driver
|
|
told me of your desire. Come. Bring your drinks. We will take a room
|
|
and talk in private."
|
|
|
|
Smiling ingratiatingly, Carlos pulled back Ruth's chair as she got up
|
|
with her drink in one hand and Elliott's hand in the other. They
|
|
followed Carlos toward the back, passing close to the other table, so
|
|
near that Ruth thought she heard the woman say, "That one would be
|
|
perfect to replace Rose, don't you think, Pico?" And then, as they
|
|
moved into the hall, a male voice saying, "Muy bonita. So blonde ... so
|
|
fair!"
|
|
|
|
But she wasn't sure she'd heard anything, for her mind was reeling from
|
|
the open lust in the handsome man's dark face as he stripped her with
|
|
his evil eyes when she swept past their table holding tightly to
|
|
Elliott's hand.
|
|
|
|
Carlos stopped before a door and opened it cautiously, peering inside
|
|
before he swung it wide and motioned them to enter. "Very private in
|
|
here. Sit down, please ... there, on the couch."
|
|
|
|
It was a small room. The ancient, wrought-iron bed with its sagging
|
|
mattress and faded bedspread took up most of the space. The couch and
|
|
an easy chair sat on a foot-high platform, so as to give a good view of
|
|
the nearby bed.
|
|
|
|
Ruth set her jaw determinedly, allowing Elliott to help her onto the
|
|
platform and sitting down with him in the center of the couch. The bed
|
|
loomed up at her, looking large and lewd all by itself.
|
|
|
|
Carlos took the easy chair, leaning forward to offer cigarettes which
|
|
Ruth and Elliott both refused. "You want to buy some hot movies to take
|
|
home?"
|
|
|
|
"No."
|
|
|
|
"Pictures or books? I got good ones."
|
|
|
|
"No."
|
|
|
|
"Just a show?"
|
|
|
|
"That's all."
|
|
|
|
Carlos grinned and shrugged. "We got good hot shows. Anything you like.
|
|
What you like to see?"
|
|
|
|
"We don't have any idea," Elliott said.
|
|
|
|
"Well, we got nearly everything. I can give you a man and woman; two
|
|
women; two men; one woman with two men or one man with two women; a
|
|
woman with a big dog; a man wi--"
|
|
|
|
"A woman and a dog?" Ruth gasped, almost choking on a sip of her
|
|
drink."
|
|
|
|
"Si, Senora," Carlos grinned. "All for real, too. No put on. The girl
|
|
is only sixteen, very beautiful. She really loves her dog. She is a
|
|
farm girl from the back country. The dog is her own, and she do
|
|
everything with him."
|
|
|
|
"A woman and a dog," Ruth said again, numbly.
|
|
|
|
"Well, not really a woman. She's just a girl."
|
|
|
|
"That sounds disgusting," Elliott muttered.
|
|
|
|
"A woman and a dog!" Ruth exclaimed. "I've never heard of anything so
|
|
dirty!"
|
|
|
|
"We don't want that," Elliott said. Then he turned to Ruth. "But we
|
|
should see something different ... something perverted, to make my book
|
|
more powerful. How about the two girls?"
|
|
|
|
"Oh, no," Ruth protested. "Not two girls."
|
|
|
|
"No," Elliott snapped. "Just the idea of two men turns my stomach."
|
|
|
|
Carlos laughed. "Mine too ... but some like to see it."
|
|
|
|
Elliott made a face of distaste and shook his head vigorously.
|
|
|
|
"A woman and a dog," Ruth mumbled to herself.
|
|
|
|
Carlos took a cigarette from his pack and lit it. Exhaling, he said,
|
|
"The dog is rested. He no fuck any so far today."
|
|
|
|
"Elliott, I can't believe a woman and a dog."
|
|
|
|
"They make you a good hot show," Carlos grinned. "You ever see a dog
|
|
hump a woman, senor?"
|
|
|
|
"Certainly not."
|
|
|
|
"Something to see. Everybody ought to see it once before they die."
|
|
|
|
"I believe my wife and I can live quite well withou--"
|
|
|
|
"How much?" Ruth broke in.
|
|
|
|
"Fifty dollars."
|
|
|
|
"Pay him, Elliott."
|
|
|
|
"Ruth, you can't be serious."
|
|
|
|
"You can't stomach the men, and I absolutely refuse to watch two women.
|
|
You want something perverted and dirty to write about, don't you? What
|
|
in the world could be more perverted than a girl having sex with an
|
|
animal?"
|
|
|
|
"Well ... if you think you can stand to watch it."
|
|
|
|
"I can't believe it," she said. "It horrifies me. If you want to know
|
|
the truth, it fascinates me ... and I bet it will fascinate everyone
|
|
who reads your book."
|
|
|
|
"Do you really think so, honey?"
|
|
|
|
"I'd bet on it. I've got to see it. It'll probably make me ill ... but
|
|
I've still got to see it, Elliott."
|
|
|
|
"All right," Elliott said, getting out his wallet and giving Carlos the
|
|
money. "We'll see the girl and her dog."
|
|
|
|
"A good choice," Carlos assured. "You just relax. I'll have them here
|
|
in a jiffy." He stood, counting the money before he put it in his
|
|
pocket. "You want another drink sent in?"
|
|
|
|
"No, thank you."
|
|
|
|
"Okay, give me a couple of minutes. I get them in here as soon as
|
|
possible for you." He paused at the door. "The girl, she is very new
|
|
here ... speaks no English."
|
|
|
|
"We didn't come for conversation," Elliott said.
|
|
|
|
"I only tell you so you don't get angry if you ask her something and
|
|
she no answer. If you speak Spanish to her, she answer you; but she no
|
|
understand much English. Okay?"
|
|
|
|
"Okay. Just get them. I'm anxious to have it over with and get out of
|
|
here."
|
|
|
|
Carlos stepped into the hall and shut the door. He hurried toward the
|
|
main room, hoping to find Carmelita sitting unoccupied in one of the
|
|
chairs facing the bar. He was barely inside the room when Pico called:
|
|
|
|
"Carlos. Come here."
|
|
|
|
He approached their table unsurely.
|
|
|
|
"Sit down, my friend."
|
|
|
|
"I must take care of a business matter first. Then I come right back."
|
|
|
|
"Sit down, Carlos. We did not finish our business yet."
|
|
|
|
Carlos shifted uneasily under Pico's unblinking gaze. "Bu--"
|
|
|
|
"Sit down!"
|
|
|
|
Perspiration wetting his palms, his upper lip twitching slightly,
|
|
Carlos jerked out a chair and sat down.
|
|
|
|
"That's better." Pico smiled. "All I require at the moment is a little
|
|
information and a tiny favor."
|
|
|
|
Carlos nodded, trying to return Pico's smile.
|
|
|
|
"The gringos you just took in the back. Why are they here?"
|
|
|
|
"They come for a show," Carlos said. "I was going for Carmelita. They
|
|
want to see her with the dog."
|
|
|
|
Pico's hard eyes danced with interest. "Which one asked for the animal
|
|
show?"
|
|
|
|
Carlos shrugged. "The man paid me."
|
|
|
|
"The woman, la rubia, did she show much interest?"
|
|
|
|
"Si, more than the man."
|
|
|
|
Pico looked at the woman beside him, both of them nodding.
|
|
|
|
"Esa gringa es muy hermosa. Verdad?"
|
|
|
|
"Si," Carlos hastened to agree. "Ella es mucha mujer."
|
|
|
|
Grinning, Pico took out a thin, black cigar from his pigskin case,
|
|
licked it, bit off the end and spat it out, then lit it. "The room they
|
|
are in has a peephole?"
|
|
|
|
"Si, Pico."
|
|
|
|
"The peephole is mine. I will spy on la rubia while she watches the dog
|
|
fuck your Carmelita."
|
|
|
|
"Buy why?"
|
|
|
|
"You are not going to question me, are you, my friend? There is still
|
|
that unfinished business between us ..."
|
|
|
|
Pico bowed mockingly. "Gracias, amigo. Now, hurry and give the gringos
|
|
their show."
|
|
|
|
|
|
|
|
Chapter 4
|
|
|
|
|
|
The young Mexican girl entered the room where Ruth and Elliott were
|
|
waiting. She was pretty and smiling, leading her dog, a large collie
|
|
that was obviously well cared for, on a leash.
|
|
|
|
"Buenas noches," she said, shutting the door behind her and locking it.
|
|
Her hand moved to her chest as she looked at Ruth and Elliott and said,
|
|
"Se llama Carmelita." Then she reached down and patted the dog's head.
|
|
"Y lovar del Carmelita."
|
|
|
|
Elliott smiled stiffly and nodded. "Good evening."
|
|
|
|
Ruth only smiled a nervous smile and took the last sip of her drink,
|
|
watching the dog's long tongue as he licked his nose.
|
|
|
|
Kicking off her shoes, Carmelita spoke to the dog and removed the
|
|
leash. The dog barked once, then jumped onto the bed and lay wagging
|
|
his tail, watching as his mistress quickly stripped off her clothes.
|
|
|
|
"He seems well-trained," Elliott observed.
|
|
|
|
"I'm going to be ill, Elliott. I know I am."
|
|
|
|
"Shall I send them away? Would you like to go back to our motel now?"
|
|
|
|
"No."
|
|
|
|
"We don't have to stay and see it."
|
|
|
|
"Maybe you don't," Ruth said weakly. "But I do."
|
|
|
|
"But if it's going to make you sick ... I don't understa--"
|
|
|
|
"It's like one of those gruesome horror movies. You know something
|
|
terrible is going to happen but you can't quit watching. That's the way
|
|
I feel about this, Elliott."
|
|
|
|
Carmelita stood just a few feet in front of them, nude and smiling,
|
|
turning this way and that to show them her supple young body.
|
|
|
|
"She's very lovely."
|
|
|
|
Ruth nodded. "So young, too."
|
|
|
|
Then Carmelita went to the bed and squatted beside it, holding out her
|
|
arms to the dog. He crawled to her and began licking her face. Her arms
|
|
slid over the dog's body, one on his back and one on his stomach.
|
|
Stroking him, one hand moving through the fur on his back and one
|
|
working under him, Carmelita opened her mouth and began licking back at
|
|
his slender tongue.
|
|
|
|
Ruth stared in horrified awe as the girl teased the dog's tongue deep
|
|
into her mouth and sucked it eagerly.
|
|
|
|
Rising slowly, Carmelita offered her tits to the dog. He lapped at them
|
|
until both her brown nipples stood hard and pointed with desire. A
|
|
dreamy expression came over her face, and she sighed again and again.
|
|
Finally she pushed the dog away and looked over at Ruth, her face
|
|
asking if she'd like to join in and her hand motioning a welcome.
|
|
|
|
"Good Lord, no," Ruth gasped, shaking her head so hard her blonde hair
|
|
shook.
|
|
|
|
"The very idea!" Elliott snorted, his face turning red as he grabbed up
|
|
his drink and finished it off. "We'll have no more of that, young
|
|
woman," he said to Carmelita, forgetting that she couldn't understand
|
|
him.
|
|
|
|
But it seemed that she did understand his reaction, if not his words.
|
|
It amused her. She laughed openly, nodding her head in assent as she
|
|
climbed onto the bed. The old bed jiggled and squeaked as she scooted
|
|
to the center of it and lay down on her back. She propped her head up
|
|
with a pillow folded double, then spread her legs wide to give Ruth and
|
|
Elliott a clear view of her crotch.
|
|
|
|
Teasingly, she held the dog away with one hand and rubbed between her
|
|
legs with the other, her eyes on Ruth and Elliott every second.
|
|
"Pussy," she breathed, fingering her cunt open and showing the red
|
|
inside. "Good pussy ... no?"
|
|
|
|
Elliott squirmed uneasily, his knuckles turning white on the empty
|
|
glass still in his hand.
|
|
|
|
It was becoming hard for Ruth to breathe. She felt as if the room had
|
|
suddenly grown hot and stuffy.
|
|
|
|
Releasing the dog, Carmelita let her body go limp. He came at her
|
|
eagerly, licking her tits and belly, making her moan softly as his red
|
|
tongue left her skin wet and shiny everywhere it touched.
|
|
|
|
"Aqui, perro ... aqui," Carmelita hissed, taking his ear and pushing
|
|
his muzzle down to her cunt.
|
|
|
|
He jumped between her legs and licked her entire crotch. "Mmm ... Lame,
|
|
perro ... Lame!"
|
|
|
|
He licked furiously then, Carmelita holding the lips of her twat apart
|
|
so his flashing tongue could dip deep inside her body. She whimpered
|
|
with delight, digging her heels into the mattress and lifting her ass
|
|
off the bed, undulating it as the lewd sound of the darting tongue
|
|
filled the room.
|
|
|
|
"I feel faint," Ruth moaned.
|
|
|
|
"We must have been out of our heads for ever coming here," Elliott
|
|
said. He took Ruth's hand and squeezed it. "We'll leave any time you
|
|
want to, darling."
|
|
|
|
"All right."
|
|
|
|
"Now?"
|
|
|
|
"No ... not yet."
|
|
|
|
"When you've seen enough, just say the word."
|
|
|
|
"I will, Elliott ... soon, I think."
|
|
|
|
In the secret hallway behind the room Elliott and Ruth were in, Pico,
|
|
grinning broadly, took his eye from the peephole through which he'd
|
|
been watching Ruth's reaction. He turned to the woman standing beside
|
|
him. "Faustina, get Carlos back here ... quickly."
|
|
|
|
She hurried off, her full buttocks rolling in the tight flamenco
|
|
trousers. In less than a minute she led Carlos, smiling sickly, into
|
|
the secret voyeur's hall.
|
|
|
|
"Yes, Pico?" Carlos asked timidly.
|
|
|
|
"I will have la rubia."
|
|
|
|
"But ... her husband is with her."
|
|
|
|
"An easy obstacle to overcome, my friend. You will take them drinks,
|
|
compliments of the establishment. His will be heavily drugged, hers
|
|
very slightly so ... understand?"
|
|
|
|
"No, Pico. Please, no. I could go to prison for such a thing!"
|
|
|
|
"You will not go to prison if you do as I say," Pico said softly. Then
|
|
he smiled. "But if you refuse ..."
|
|
|
|
"Please, Pico," Carlos begged. "Don't make me do this thing!"
|
|
|
|
Faustina stepped forward and pinched Carlos' cheek painfully, glaring
|
|
into his eyes as she said icily, "Pico is running out of patience with
|
|
you, Carlos."
|
|
|
|
"Si," Pico agreed. "You owe me a great deal of money for your last
|
|
shipment of heroin."
|
|
|
|
"But I never received the shipment," Carlos protested. "The messenger
|
|
was killed. The police got the stuff."
|
|
|
|
"No matter, my friend," Pico said. "He was your errand boy, not mine.
|
|
You owe me. I assure you I will collect."
|
|
|
|
"I don't have the money to pay you," Carlos whined.
|
|
|
|
"Then do me this small favor and buy yourself some time. Do not cause
|
|
your wife to be a widow at such a tender age, Carlos."
|
|
|
|
Carlos shifted uneasily, the sweat of agonized indecision beading on
|
|
his brow. "I don't like it."
|
|
|
|
"No es importante. Your wife is young and pretty. She will find another
|
|
father for your children."
|
|
|
|
"No, Pico. A little time ... that's all I need."
|
|
|
|
"Then do as I say. Your action will buy you a month."
|
|
|
|
Carlos wiped his brow, nodded reluctantly, then left.
|
|
|
|
"Take a look, Faustina. Tell me what you think."
|
|
|
|
Faustina put her eye to the peephole, smiling as she saw Ruth put a
|
|
trembling hand to her cheek. "La rubia's eyes are big as tortillas. She
|
|
will make the perfect replacement for Rosa. The animal and girl hold
|
|
every ounce of her attention."
|
|
|
|
"Yes, my dear sister. She is quite fascinated by the sight before her.
|
|
I think she would secretly like to take the girl's place, don't you?"
|
|
|
|
Carmelita, shuddering in orgasm and pushing at the dog's head, moaned
|
|
brokenly, Pe-perro ... cesa! Cesa, perro!"
|
|
|
|
The dog backed his head away and sat between her thighs, licking his
|
|
moist chops and looking up at Carmelita's distorted face, listening to
|
|
her gasp for breath as her body grew still again.
|
|
|
|
"Ohhh ... perro ... vida mia!"
|
|
|
|
Biting her lip, holding her thighs firmly together, Ruth fought against
|
|
the urge to open her mouth and scream at the top of her lungs. She no
|
|
longer felt sick at her stomach. Another sensation was taking hold of
|
|
her. A warmth was building in her loins, a very upsetting warmth that
|
|
was most unwelcome to her inhibited mind. She was just about to tell
|
|
Elliott she'd had all she could take when a key rattled in the lock and
|
|
the door swung open.
|
|
|
|
Carlos, grinning sheepishly and carrying a tray with two drinks on it,
|
|
entered and came toward them.
|
|
|
|
"We didn't order another drink," Elliott said.
|
|
|
|
"These are on the house, senor. Please I want you should have them."
|
|
|
|
"I don't know about you, Elliott, but I need one!"
|
|
|
|
Carlos turned the tray as Ruth reached for a drink, making sure she
|
|
took the one intended for her. When Elliott took the other and drank a
|
|
large sip of it, Carlos sighed with relief.
|
|
|
|
"Thank you," Elliott said as Carlos moved quickly back to the door.
|
|
|
|
"Por nada, senor ... por nada. Drink and enjoy yourself."
|
|
|
|
As the door shut behind Carlos, Elliott blinked and moved his lips over
|
|
his teeth in an odd manner.
|
|
|
|
"My stars, Elliott!" Ruth exclaimed. "Look at them ... look what she's
|
|
going to do!"
|
|
|
|
With difficulty, Elliott focused on the bed, watching as Carmelita
|
|
turned the dog on his back and brought her mouth close to his skinny,
|
|
fiery-red cock.
|
|
|
|
"She's gonna suck the dog!" Ruth gasped.
|
|
|
|
Carmelita's tongue flashed out and licked the secretion from the
|
|
animal's long, slender cock. She swallowed and smacked her lips, then
|
|
opened her mouth and took in several inches of the inflamed prick.
|
|
|
|
As her lips tightened around the ugly shaft and her cheeks hollowed in
|
|
suction, Elliott shook his head and fought against the revulsion and
|
|
numbness taking hold of him.
|
|
|
|
"Oh, for heaven's sake!" Ruth yelped, jumping to the edge of the couch
|
|
and staring in fascinated horror, watching the hot prick jerk and
|
|
tremble as Carmelita began bobbing her head.
|
|
|
|
"Sickening," Elliott said, his voice sounding weak and strange to his
|
|
ears, the room starting to spin and the bed turning into a blurred
|
|
mass.
|
|
|
|
Elliott brought the glass close to his face, started to take another
|
|
drink to clear his head, then looked at it instead.
|
|
|
|
"Ruth."
|
|
|
|
But she didn't hear him, and she was sitting too far forward to see him
|
|
mouthing her name silently.
|
|
|
|
The glass slipped from his hand and fell silently to the cushion
|
|
between his legs, the liquid spilling and seeping wetly under him,
|
|
soaking his pants and the cushion. A thousand trucks ran over him all
|
|
at the same time. His brain jerked and bucked inside his skull. Then,
|
|
darkness enveloping him, he slumped unconscious to the couch, his head
|
|
flopping back and his mouth hanging open.
|
|
|
|
"Ahora, perro ... ahora mismo!" Carmelita shouted urgently, jumping to
|
|
her knees and bending into position, wagging her butt at the panting
|
|
dog.
|
|
|
|
Ruth turned up her drink and gulped the rest of it down, watching with
|
|
one eye as the dog mounted the girl and hunched into her.
|
|
|
|
"Ouuu," Carmelita moaned, dropping her face into the pillow as the dog
|
|
wrapped his front legs around her body and began humping her furiously.
|
|
Vida mia ... vida mia!"
|
|
|
|
Ruth wanted to turn away, but she couldn't force her gaze from the
|
|
sordid scene. She wanted to tell Elliott that she was ready to leave,
|
|
but she couldn't find her voice. All she could do was sit there on the
|
|
edge of the couch, holding her empty glass tightly, feeling suddenly
|
|
dizzy and reeling at the gross obscenity just a few feet before her
|
|
wide eyes.
|
|
|
|
The dog thrust so fast his ass made a blur. Carmelita moaned and
|
|
whimpered, clenching her hands into fists and beating weakly at the
|
|
mattress. Her toes curled snugly against the soles of her feet. Her
|
|
belly rose and fell rapidly, the sound of her harsh breathing filling
|
|
the room.
|
|
|
|
Then, when Ruth thought she would go right out of her mind if the
|
|
incredible union went on a second longer, the dog hunched in and held,
|
|
quivering and making noises of his own.
|
|
|
|
Carmelita grunted, then gasped, then wailed brokenly as she joined the
|
|
animal in a shuddering orgasm.
|
|
|
|
"Let's go, Elliott. Take me out of this awful place. "
|
|
|
|
But Elliott didn't answer, and Ruth still couldn't tear her gaze from
|
|
the perverse sight on the bed. The dog pulled his cock from the girl
|
|
and began licking the messy juice as it trickled from her swollen
|
|
pussy.
|
|
|
|
"Elliott. Let's go, darling."
|
|
|
|
The girl sat up on the bed, looking over at Elliott with a strange
|
|
expression on her face. Ruth looked at him then for the first time in
|
|
several minutes. He was slightly blurred, and it annoyed her that he'd
|
|
fallen asleep. She shook him.
|
|
|
|
"Elliott ... Elliott! Wake up!"
|
|
|
|
A key sounded in the lock. The door swung open.
|
|
|
|
Feeling as if she were moving under water, Ruth sat up straight and
|
|
glanced toward the door. There in the hall she saw a worried-looking
|
|
Carlos and another man she thought looked familiar. She knew she'd seen
|
|
the handsome Latin somewhere before, but she couldn't place him. It was
|
|
reassuring to see a familiar face though, so she motioned him to her.
|
|
He strode cockily into the room, smiling confidently as he held out his
|
|
hand.
|
|
|
|
"My husband. Help me wake him up. We have to get back to the motel."
|
|
|
|
"Don't worry about a thing," Pico said. "I'll take care of your
|
|
husband."
|
|
|
|
"Thank you."
|
|
|
|
"My name is Pico."
|
|
|
|
"I know you from somewhere," Ruth said. "But I didn't remember your
|
|
name. I'm Ruth."
|
|
|
|
"I'm very happy to know you, Ruth. Are you drunk, by any chance?"
|
|
|
|
"I don't think so ... but I do feel strange. Help me wake my husband up
|
|
now, please."
|
|
|
|
"Get them out of here," Pico told Carlos.
|
|
|
|
And as Carlos hurried Carmelita and the dog from the room, Pico bent
|
|
over Elliott and slapped his face resoundingly, making his head jerk
|
|
from the force of his blow.
|
|
|
|
"Don't! Don't hurt him!"
|
|
|
|
Pico shrugged. "I was only trying to wake him."
|
|
|
|
Ruth got to her knees, bending over Elliott and holding his head,
|
|
looking dumbly at his slack-jawed face. "Elliott ... Elliott! What's
|
|
wrong with him?"
|
|
|
|
Pico grinned. "I guess maybe he was tired and had a bit too much to
|
|
drink." Taking advantage of Ruth's kneeling position, he bent and
|
|
slipped off both her shoes.
|
|
|
|
"What are you doing? For heaven's sake ... give me back my shoes!"
|
|
|
|
"Lock it behind you. I'll call you when I want you again."
|
|
|
|
"Si, Pico," Carlos said, backing nervously from the room and locking
|
|
the door from the outside.
|
|
|
|
"Give me my shoes. Why's he locking the door?"
|
|
|
|
"Because I want to be alone with you."
|
|
|
|
"Help me with my husband. Please ... something's wrong with him!"
|
|
|
|
"You're a very beautiful woman."
|
|
|
|
"Thank you. But Elliott ... I think he's sick! Do something!"
|
|
|
|
"I'm going to do something."
|
|
|
|
"You'll help me get him to a doctor?"
|
|
|
|
"No, I won't do that. Your husband doesn't need a doctor."
|
|
|
|
"Then help me get him back to our motel. I feel so funny. Please give
|
|
me my shoes. Mr... ."
|
|
|
|
"Pico."
|
|
|
|
"I want my shoes, Pico. We have to go now. Dizzy ... I feel so weak all
|
|
of a sudden."
|
|
|
|
Pico took off his coat and laid it across the easy chair. Then his tie
|
|
and shirt followed.
|
|
|
|
"Don't," Ruth snapped, when she saw him undoing his pants and stepping
|
|
from them. "Don't do that! For God's sake, put your clothes back on and
|
|
help me!"
|
|
|
|
"I'm going to help you, rubia. I'm going to give you exactly what you
|
|
need." He pushed his shorts off and kicked them away, then grasped his
|
|
rising cock and stepped so close to Ruth it nearly poked her in her
|
|
startled face. "I'm going to give you this."
|
|
|
|
Ruth's mouth dropped open. She stared unbelievingly at the hardening
|
|
purplish cockhead.
|
|
|
|
"It's pretty, isn't it?"
|
|
|
|
"No," she gasped, backing away and shaking her head.
|
|
|
|
"Yes it is. I can tell by your eyes that you like to look at it. Wait
|
|
until you feel it, rubia. You'll love it."
|
|
|
|
"No."
|
|
|
|
"I'm going to fuck you, pretty gringa. Fight me all you want. I'd much
|
|
rather you fight like a tigress than give in too easy."
|
|
|
|
"No ... oh my God ... NO!"
|
|
|
|
Ruth shook Elliott frantically, trying futilely to rouse him, pleading
|
|
with him to wake up.
|
|
|
|
"He'll be no help to you for many hours. You see, rubia, I had him
|
|
drugged."
|
|
|
|
"No," she mumbled, then she screamed. "NO, NO, NO!!"
|
|
|
|
"Oh, yes. He is drugged. You too, rubia, but not as heavily as your
|
|
husband, of course. You feel funny? Dizzy? Weak?"
|
|
|
|
She looked at him with fear in her eyes.
|
|
|
|
"The effect of the drug," he explained. "It will harm neither of you."
|
|
|
|
"Don't touch me!"
|
|
|
|
"I'll do much more than touch you. When your husband again opens his
|
|
eyes, he will be quite thoroughly cuckolded."
|
|
|
|
"I'll scream."
|
|
|
|
"Go ahead. Scream to your heart's content. It will not be the first
|
|
time a woman has screamed in this room, nor the last. No one will come
|
|
to your aid. They will barely hear you in the bar, but only if you
|
|
scream very loudly. Even so, they will not bother to investigate. It is
|
|
illegal just to be here. Perhaps they will tell themselves it is none
|
|
of their affair, or reason that your scream is, after all, one of
|
|
bliss. Try it, rubia. Scream as loud as you can, why don't you?"
|
|
|
|
For a helpless moment Ruth stared at the cruel Latin face above her.
|
|
The she shoved him and ran to the door, twisting the knob, beating on
|
|
the door, putting her face to it and screaming with all her might until
|
|
her throat felt raw.
|
|
|
|
"What?" Pico taunted. "No United States Cavalry to the rescue?"
|
|
|
|
"You animal! You filthy animal!"
|
|
|
|
"Now that's the spirit," Pico said, looking up as he went on removing
|
|
his shoes and socks. "Get angry. Get fighting mad. If there's anything
|
|
I hate, it's a spineless gringa who just falls over and plays dead
|
|
while she is being fucked. Make me rape you, rubia! Fight me with every
|
|
ounce of your being!"
|
|
|
|
|
|
|
|
Chapter 5
|
|
|
|
|
|
Her mind dulled by the drug, Ruth flattened herself against the door,
|
|
watching Pico come toward her, naked and ready. His eyes glinted evilly
|
|
and his lips curled into more of a sneer than a smile. But his face
|
|
wouldn't hold her gaze. The most threatening part of him stood out
|
|
boldly from his brown muscular body, and it was there that Ruth finally
|
|
locked her faintly blurred gaze.
|
|
|
|
Gasping at the size of his rock-hard cock -- it was at least two inches
|
|
longer and a half inch thicker than the only prick she'd ever seen --
|
|
Ruth shook her head and let out a tiny moan.
|
|
|
|
"No ... please don't."
|
|
|
|
He said nothing, just chuckled and came on toward her, his rod swaying
|
|
stiffly from side to side.
|
|
|
|
When he stopped in front of her, so close she could feel his hot breath
|
|
on her face, Ruth looked up at him. Her upper lip trembled. Fear shone
|
|
in her pleading eyes as his fingers hooked over the neck of her dress.
|
|
|
|
"No."
|
|
|
|
He ripped away the front of her dress with one quick jerk, causing her
|
|
to fall forward. Her tits flattened against his hard chest. His cock
|
|
pressed into her soft stomach, feeling all hot and hard.
|
|
|
|
"Oh, my God! No!" She jumped away, turning sideways and cringing
|
|
against the door.
|
|
|
|
"Stand up straight. Look at me."
|
|
|
|
"Go to hell!"
|
|
|
|
"You shouldn't talk to me that way, rubia."
|
|
|
|
His voice sounded amused. Ruth hated him all the more for it. "I'd die
|
|
before I'd give in to you!"
|
|
|
|
"You are a proud bitch, aren't you? Good. I like your haughty manner.
|
|
It will make it more pleasurable for me."
|
|
|
|
"I'll give you no pleasure," Ruth hissed, trying to sound brave but
|
|
feeling anything but bravery at the moment.
|
|
|
|
"We'll see. Now stand up straight and look at me."
|
|
|
|
"No, damn you ... NO!"
|
|
|
|
"Don't curse me. I won't tolerate my women cursing me."
|
|
|
|
"I'm not your woman. I despise you!"
|
|
|
|
"That will change shortly," Pico said, then he grunted as he kicked her
|
|
ass and sent her sprawling face down on the floor.
|
|
|
|
He stood over her, gloating as she struggled to sit up, sobbing and
|
|
backing away, the fear so strong in her now that it could almost be
|
|
smelled. She scooted across the floor, finally backing herself into a
|
|
corner in her futile attempt to get away from him.
|
|
|
|
This can't be real! she thought. I'm having a horrible nightmare!
|
|
|
|
The drug caused everything she perceived to be distorted. The sounds,
|
|
even her own voice, had an unreal ring. It was impossible for her to
|
|
focus clearly. The very center of her field of vision was fairly sharp,
|
|
but the surrounding area was fuzzy, like an out-of-focus movie scene at
|
|
the beginning of a flashback. Her body felt numb and uncoordinated. Her
|
|
brain refused to help her. It took in her fear, acknowledged the need
|
|
to act, but was too sluggish to function properly.
|
|
|
|
Even the pain in her ass seemed unreal. It was a dull pain, exactly
|
|
like it belonged in a dream. But she knew it was no dream. Her mind was
|
|
trying to lie to her. She couldn't let that happen. Too much was at
|
|
stake. She couldn't let the two-legged animal standing over her and
|
|
laughing at her have his way. He was real -- not a monster in a
|
|
horrible dream -- and he intended to rape her! She had to resist -- to
|
|
prevent it at all costs!
|
|
|
|
Summoning every bit of strength she could muster, Ruth leaped to her
|
|
feet and clawed viciously at his handsome face. Through the veil of
|
|
tears covering her eyes, she saw her fingernails bring ugly red streaks
|
|
down both sides of his dark face. His smug expression was gone. He
|
|
yelled, cursed in his native language, slapped her small hands away.
|
|
She started to laugh crazily, thinking that she'd rebuffed him
|
|
sufficiently to dampen his lust. Then the breath whooshed from her
|
|
lungs as his fist buried deep into her guts.
|
|
|
|
Numb, her insides churning and burning from the force of his blow, Ruth
|
|
slumped to the floor, a pain-racked groan escaping her open mouth. She
|
|
lay there piteously, sobbing and desperately gulping for air, her body
|
|
being jerked ignominiously about as Pico ripped away her slip and bra.
|
|
She could barely hear him cursing her, and then cursing her panties
|
|
which refused to tear.
|
|
|
|
His voice came from high above her. "Take your panties off."
|
|
|
|
"No!"
|
|
|
|
"Take them off or I'll kick your teeth out!"
|
|
|
|
She saw his foot draw back and aim at her face. There was no choice but
|
|
to do as he demanded. Quickly she rolled to her other side, keeping her
|
|
back to him as she slipped her panties off and kicked them away.
|
|
|
|
"Turn over. I want to look at you."
|
|
|
|
Something deep inside her ached terribly from the brutal blow he'd
|
|
floored her with, and it was still very difficult for her to breathe.
|
|
She didn't dare resist him any longer. Her brain, though dull,
|
|
functioned well enough to know he would stop at nothing to have his
|
|
way. All her spunk was gone. She detested what was happening, abhorred
|
|
the thought of him using her body; but she retained enough common sense
|
|
to rationalize her plight.
|
|
|
|
Being raped is a horrible thing, she thought, but it isn't nearly as
|
|
horrible as being beaten to death!
|
|
|
|
Accepting her fate reluctantly, wanting to get it over with so he'd go
|
|
away and leave her alone, Ruth shut her eyes and rolled obediently to
|
|
her back. She could feel his hot gaze moving over her body, and it sent
|
|
a wave of revulsion through her.
|
|
|
|
"You are a true blonde ... one of the few I've ever seen. I like it.
|
|
Your bush is quite hairy for a blonde. A very attractive pussy indeed.
|
|
Spread your legs. Let me see if your lips are as pink as your nipples."
|
|
|
|
As her mind screamed a silent protest, Ruth spread her legs so he could
|
|
examine her.
|
|
|
|
"Wider."
|
|
|
|
She spread her legs until the cords connecting her thighs to her body
|
|
stood out tautly -- wishing she could faint so she wouldn't be aware of
|
|
what was happening to her. Then he touched her with his foot, probing
|
|
into her with his big toe, pulling her open. She fought the reflex to
|
|
jerk away, knowing if she did it would probably earn her a kick right
|
|
at her most tender part.
|
|
|
|
"Yes, a very attractive pussy, all in all. The lips are not as pink as
|
|
your nipples, but I like them. They should feel nice and tight around
|
|
me. Why are they so hot and slick, rubia? Do you feel passion already?
|
|
Perhaps the show you witnessed had this effect on you?"
|
|
|
|
Oh, good Lord! she thought. What a filthy animal he is!
|
|
|
|
But she said, "Get it over with. Do what you want and go away. Please
|
|
get it over with!"
|
|
|
|
"Ahhh. You do feel desire."
|
|
|
|
"No! I feel nothing but disgust!" she shouted.
|
|
|
|
"Don't raise your voice to me again," he said coldly.
|
|
|
|
The pain inside her was ebbing away. She could breathe normally again.
|
|
Do I dare? she wondered. I could kick his testicles and maybe stun him
|
|
long enough to beat him unconscious with that heavy ash tray.
|
|
|
|
She opened her eyes and looked up at his face. It was too far away. All
|
|
she could see was a blur. But his big cock was closer, and she saw it
|
|
clearly. His scrotum, too, hanging between his legs and swaying as he
|
|
toyed at her clitoris with his big toe.
|
|
|
|
Stop it. It doesn't feel good. I can't let it feel good!
|
|
|
|
But it did; and she squirmed reflexively.
|
|
|
|
Kick his balls, she told herself. Quickly, while there is still time!
|
|
But I can't ... he's standing between my legs and I can't kick him! His
|
|
balls are big -- like his penis. It would really hurt him if I could
|
|
just get my foot into position to kick them. But I can't. Damn it ... I
|
|
can't get at them!
|
|
|
|
He bent over her, still standing between her legs and making it
|
|
impossible for her to kick his vulnerable organs. His fingers bit into
|
|
her upper arms as he grabbed her roughly and jerked her to her knees.
|
|
The head of his cock pushed hotly at her tightly clamped lips. Frantic,
|
|
she turned her head, feeling the clear fluid his passion had caused
|
|
streak across her soft cheek.
|
|
|
|
"Kiss it. Kiss my cock."
|
|
|
|
"I'd rather die!" she wailed.
|
|
|
|
He snorted, then grabbed a handful of her hair and lifted her,
|
|
screaming, to her feet, bringing their faces close together. His eyes
|
|
were angry slits boring into hers. Then he smiled and shoved her toward
|
|
the bed.
|
|
|
|
Her legs couldn't move fast enough to keep up with her body. She
|
|
tumbled to the hard floor and slid part way under the bed before she
|
|
stopped. He was at her instantly, grabbing her ankle and dragging her
|
|
from beneath the bed, her tits and palms squeaking on the worn
|
|
linoleum.
|
|
|
|
"I'm through toying with you. Get up. Get on the bed."
|
|
|
|
Ruth struggled to her feet. Trying to stall for time, she asked, "Do
|
|
you want me to take off my stockings and garter belt?"
|
|
|
|
He took his cock in one hand and Ruth's left nipple in the other,
|
|
squeezing both until she was whimpering with pain.
|
|
|
|
"You're hurting me!"
|
|
|
|
He twisted her tender pink bud, pulling down as he did, forcing her
|
|
once again into a kneeling position before him.
|
|
|
|
"Ohhh ... don't! Please don't."
|
|
|
|
"Kiss my cock or I'll twist your tit off!"
|
|
|
|
The intense pain in her nipple made Ruth do as he said. She brought her
|
|
full lips quickly to the blood-engorged head of his cock and kissed it.
|
|
|
|
"Lick it."
|
|
|
|
She hesitated; but when he twisted her abused nipple harder, she let
|
|
her lips part and licked his hot glans. His hand cupped the back of her
|
|
head and pulled her mouth forward, sending his bulging knob between her
|
|
teeth and over her rapidly retreating tongue. It bumped the back of her
|
|
throat, making her gag and choke.
|
|
|
|
His dick left her mouth as quickly as it had entered. His hands hooked
|
|
under her arms and lifted her from the floor. Ruth couldn't see
|
|
anything. Her eyes were full of tears from the awful pain in her tit
|
|
and the gagging and choking his cock had caused. She felt him toss her
|
|
into the air, and she gasped at the helpless falling sensation. Then
|
|
she hit the bed, the mattress sagging with her weight and the springs
|
|
groaning in protest.
|
|
|
|
The old bed was still bouncing when Pico leaped on it and covered her
|
|
body with his. His knees worked between hers, forcing her legs apart.
|
|
|
|
"Oh, dear God!" Ruth moaned, feeling his hot, hard glans probe at her
|
|
vulva.
|
|
|
|
She squirmed in an effort to evade him, sobbing and beating at his
|
|
shoulders as fast and hard as she could.
|
|
|
|
"That's it," he panted. "Fight. Fight me, rubia!"
|
|
|
|
"Animal ... you miserable animal," she moaned, raking her fingernails
|
|
across his back so harshly it hurt her fingers.
|
|
|
|
"Aargh! Again!"
|
|
|
|
When she realized her scratching was bringing him more pleasure than
|
|
pain, she buried her face into the crook of his neck and bit with all
|
|
her might. His glans pressed into her hairy opening, dilating her,
|
|
stretching her painfully. She bit him harder.
|
|
|
|
He screamed, suddenly hunching forward, filling her completely as he
|
|
lunged in to the very hilt. His heavy balls made a splatting noise as
|
|
they arched forward and hit into the crack of her ass.
|
|
|
|
Ruth sucked in her breath raggedly, quivering from head to toe as the
|
|
searing pain from his brutal thrust raced through her. She knew he'd
|
|
ripped her apart with his thick cock. The whole room spun dizzily
|
|
around. She clenched her hands into tight fists, lying beneath him
|
|
docilely now, biting her lip against the pain in her loins. Her chest
|
|
heaved as she fought desperately for air. Her eyes clenched firmly
|
|
shut, she threw back her head and rolled it from side to side, sobbing
|
|
and gasping.
|
|
|
|
"Hot," Pico sighed contentedly. "So hot and tight!"
|
|
|
|
Ruth refused the kiss he tried to give her. She jerked her head to the
|
|
side and snarled, feeling his mouth cover her ear and his tongue lick
|
|
wetly inside it. It sent a chill up her spine. She could feel the head
|
|
of his rod deep inside her belly. Never had Elliott penetrated her so
|
|
thoroughly. His ass began moving in a tiny circle, causing his glans to
|
|
flip maddeningly at her cervix.
|
|
|
|
All too soon her pain was gone. She wished it back, preferring it to
|
|
the new sensations rushing in to take its place. Wetly, his tongue
|
|
worked snakelike in her ear, affecting Ruth despite her resolve to
|
|
ignore it. She tried hard to ignore his tongue, but she couldn't; nor
|
|
could she ignore the incessant massage his cockhead was giving the
|
|
mouth of her womb. It was too much for her. Before she realized it she
|
|
was rolling her hips along with his, rubbing her awakening clitoris at
|
|
the sharp bone under his pummeling pubic mound.
|
|
|
|
Stop it! her conscience barked.
|
|
|
|
But I can't help it ... he's raping me, her body protested.
|
|
|
|
You don't have to like it, her conscience snapped back. Only whores
|
|
like it! Lie quietly, the way you usually do with Elliott!
|
|
|
|
"Wha-What are you doing?" Ruth gasped, looking up at Pico's lust-racked
|
|
face, struggling to keep him from pinning her hands helplessly to the
|
|
mattress.
|
|
|
|
He chuckled, easily forcing her arms to the bed on either side of her
|
|
body and holding them there. "The preliminaries are over. I think
|
|
you're ready to be fucked now. Give me a good ride, rubia."
|
|
|
|
She groaned as his cock began thrusting with long, slow strokes. He was
|
|
right, she knew. She was ready -- more ready than she'd ever been in
|
|
her whole life! But she wouldn't let herself enjoy it. She couldn't
|
|
permit that! It was unthinkable! A decent woman just couldn't find rape
|
|
to be a thrilling experience!
|
|
|
|
"My husband will kill you."
|
|
|
|
"You scare me," he said, smiling down at her frightened face.
|
|
|
|
"You'll go to prison. Stop ... stop right now and I won't tell my
|
|
husband or the police."
|
|
|
|
"That's very kind of you ... but no. I won't stop until I've given you
|
|
a bellyful of my sperm."
|
|
|
|
His cock was stroking faster now, setting her loins on fire as he
|
|
plunged deep into her with long, rhythmic movements.
|
|
|
|
Oh, God, Ruth thought, it is good. I can't help myself. He's so
|
|
masterful -- so big and hard and hot.
|
|
|
|
Stop it! her conscience demanded.
|
|
|
|
"I can't," she moaned back.
|
|
|
|
"I can't!"
|
|
|
|
"You can't what?"
|
|
|
|
"Huh?"
|
|
|
|
"What is it that you can't?"
|
|
|
|
"Oh good Lord!" she gasped, realizing that she'd spoken aloud, ashamed
|
|
for forgetting herself, wondering how much she'd said.
|
|
|
|
She looked up at him. He was smirking down at her, enjoying her
|
|
confusion and helplessness.
|
|
|
|
"You bastard!"
|
|
|
|
He laughed.
|
|
|
|
With a last effort which she knew wouldn't succeed, Ruth tried to
|
|
wrench her arms free and force him from her. It only amused him. He
|
|
held her almost effortlessly, going right on filling her weeping cunt
|
|
again and again.
|
|
|
|
"You dirty bastard," she groaned, falling back and giving up her fight.
|
|
|
|
Like lightning, he released her hand long enough to slap her a stinging
|
|
blow on the face, then pinned her arm again before she could move it.
|
|
|
|
"You -- you --"
|
|
|
|
"Consider that a warning. Curse me again and I won't let you off so
|
|
easy."
|
|
|
|
Ruth sniffed and blinked her eyes.
|
|
|
|
He fucked her in silence for more than a minute, the bed creaking and
|
|
singing raspily. Ruth stared up at him all the while, trying not to let
|
|
the sensations in her loins get out of hand again. His slap had driven
|
|
them out and sobered her somewhat, and she wanted to keep it that way.
|
|
But it was impossible. His big cock made entirely too much friction as
|
|
it stroked back and forth through her swollen cunt lips. Soon she was
|
|
responding again, thinking how handsome he really was.
|
|
|
|
When he lowered his face to kiss her, she didn't turn away. She let him
|
|
press his surprisingly soft and warm lips to hers as his cock dipped
|
|
rapidly to the very depths of her vagina. She shut her eyes and closed
|
|
off her conscience, allowing his tongue to force her lips and teeth
|
|
apart and enter her mouth.
|
|
|
|
His tongue tasted strongly of tobacco. Ordinarily she hated even the
|
|
smell of tobacco. But now, because of the spears of pleasure his
|
|
plunging cock sent careening through her, she found the taste not at
|
|
all offensive. She licked back at his invading tongue, letting it fill
|
|
her mouth until she was moaning softly and sucking it.
|
|
|
|
"It's getting good to you?"
|
|
|
|
"No," she lied.
|
|
|
|
"Oh, you're a stubborn one, rubia."
|
|
|
|
Then he was kissing her again, more passionately this time, his tongue
|
|
whipping at hers, teasing it into his mouth. Losing all sense of shame,
|
|
Ruth stuck her tongue deep into his moist mouth and whimpered softly as
|
|
he sucked it.
|
|
|
|
"Ahhh. Now that's better ... much better!"
|
|
|
|
"I hate you," Ruth said weakly, bringing her legs up and locking her
|
|
ankles over his hunching ass.
|
|
|
|
"You have a very nice way of showing it."
|
|
|
|
"Mmm ... hate you," she sighed, throwing her pelvis up to him, jerking
|
|
him into her with her legs.
|
|
|
|
"Is it good?"
|
|
|
|
"Uh-huh. Good ... oh damn!"
|
|
|
|
He laughed.
|
|
|
|
"Turn my arms loose ... please!"
|
|
|
|
"You promise not to scratch?"
|
|
|
|
"I won't scratch. I want to hold you ... please let me hold you."
|
|
|
|
As soon as he released her hands, Ruth threw her arms around his back
|
|
and hugged him fiercely. She felt as if she'd lost her mind. But it
|
|
didn't matter. Nothing in the world mattered except the fantastic
|
|
feelings churning in her steaming loins. It was so very sinful and
|
|
wicked, but Oh God, she thought, is it ever good!
|
|
|
|
"Darling ... oh, darling," she moaned, sliding her damp palms over his
|
|
back as she kissed him wildly.
|
|
|
|
Over his shoulder she could see Elliott slumped on the couch. She
|
|
didn't want to see Elliott at the moment -- didn't want to think about
|
|
him even. She knew she'd hate herself when this wonderful moment was
|
|
over, but for the present she wanted to enjoy it to the fullest. She
|
|
shut her eyes to close out her husband as well as the rest of the
|
|
world. Nothing mattered -- nothing but the thrill of Pico's big, sweet
|
|
cock jabbing so hotly at her.
|
|
|
|
Clinging to him, sucking his tongue, she moved with him as if they were
|
|
of one mind. The tempo grew faster and faster as they drew near orgasm.
|
|
It got better and better. Sweat broke out on Ruth's abdomen, the
|
|
dampness making slapping sounds as Pico's stomach hit hers with rapid-
|
|
fire action.
|
|
|
|
"Ohhhh ... oh God!"
|
|
|
|
"Hunch me, baby. Stay with me."
|
|
|
|
"Ouuu ... ouuu," Ruth crooned, throwing her cunt up to meet his
|
|
inrushing prick, licking absently at her puffy lips.
|
|
|
|
"Is it good?" Pico grunted. "Tell me how good!"
|
|
|
|
"Hooo ... oh, Pico! Darling man!"
|
|
|
|
His hands moved under her and cupped her working buttocks, holding her
|
|
to him as he ground his pelvis harshly against hers. The head of his
|
|
cock stirred her guts delightfully, sending waves of pure pleasure
|
|
washing out to every nerve in her body.
|
|
|
|
"Wonderful!" she shrieked, unlocking her ankles and letting her legs
|
|
fall to the bed, digging her heels into the mattress and grinding her
|
|
pelvis at him. "Big cock ... oh, what a big, sweet cock!"
|
|
|
|
Pico let his body fall on hers, his chest mashing her tits flat as he
|
|
jarred her intestines with his fully inserted cock. He grunted and
|
|
groaned, then sucked in his breath and bit the side of her neck.
|
|
|
|
His teeth were sharp, causing her a great deal of pain as he chewed her
|
|
flesh and made little animalistic sounds in his throat. She whimpered
|
|
mournfully, writhing beneath him, still grinding her cunt at him as she
|
|
grabbed the tensed cheeks of his ass. Her fingernails dug into his
|
|
buttocks. She jerked at him frantically. His cock was twitching and
|
|
throbbing inside her seething cunt, his nuts drawing up tight against
|
|
his body. Nothing had ever felt better to her. She knew he was hanging
|
|
on the verge of orgasm, just as she herself was. She wanted him to cum
|
|
-- wanted desperately to feel his thick cock jerking deep inside her
|
|
belly.
|
|
|
|
"Come, darling! Come, come, come!!"
|
|
|
|
His hands moved up her back, his fingers hooking over her shoulders and
|
|
pulling her clitoris down roughly against the top of his dick.
|
|
|
|
"Mmmm ... mmm!"
|
|
|
|
"Rubia!"
|
|
|
|
"I'm ready! Shoot it ... oh, shoot it!"
|
|
|
|
He grunted, mashed her ass deep into the mattress and held her there,
|
|
his cock jerking wildly.
|
|
|
|
"Ohhh," she moaned. "Oh, shit!"
|
|
|
|
She pulled her legs up until her feet were almost to ass level and her
|
|
soles were flat on the mattress. Using the strength of her leg muscles,
|
|
she pushed up, lifting her ass from the bed, holding there, supporting
|
|
his body with her upthrust pelvis. She shuddered from head to toe as
|
|
the first jet of hot sperm blew from his dancing cockhead and washed
|
|
over the mouth of her convulsing womb.
|
|
|
|
Then every ounce of strength left her as her own orgasm burst within
|
|
her loins. It was a blinding flash of unbearable joy. She screamed
|
|
shrilly, falling back to the bed, her body twitching and jerking as he
|
|
shot jet after jet of his copious load into her. Her hands held
|
|
tremblingly to his hard butt, keeping his spurting glans pulled snugly
|
|
into her sensitive cervix, every nerve in her sweat-soaked body
|
|
thrilling as his hot cum sprayed into her. Her legs flailed weakly.
|
|
|
|
She sobbed brokenly through it all, then lay exhausted and spread-
|
|
eagled as he pulled out and got off the bed.
|
|
|
|
A mass of cum oozed from her stretched pussy and trickled warmly down
|
|
the crack of her quivering ass. Ruth shut her eyes, feeling disgust
|
|
rise within her now that the heat of her insane lust was past. She felt
|
|
soiled, totally unworthy of her decent husband and her position in
|
|
life. A sick feeling swept over her as she realized nothing would ever
|
|
be the same again. Poor Elliott, she thought. He must never know. How
|
|
could I have responded to that animal? How can I live with the
|
|
knowledge of my sin? Dear God ... help me ... help me bear the heavy
|
|
burden of this wicked night!
|
|
|
|
* * *
|
|
|
|
|
|
A hand was on her shoulder, shaking her, a voice calling as if from a
|
|
distance. "Wake up, rubia."
|
|
|
|
Ruth opened her eyes. Pico's smug face loomed above her. "What are you
|
|
doing still here? How long have I slept?"
|
|
|
|
"About fifteen minutes is all. You know, you're not a bad fuck ... for
|
|
a gringa, that is."
|
|
|
|
"Drop dead! Go away. You got what you wanted ... now go away and leave
|
|
me alone!"
|
|
|
|
"I am going away. It's time for me to return to Panama."
|
|
|
|
"Good. Have a rotten trip!"
|
|
|
|
"Don't wish me any bad luck. You're going with me."
|
|
|
|
"You're out of your mind. I wouldn't go to a dog fight with you."
|
|
|
|
"I'm not asking you to go. I'm taking you."
|
|
|
|
"What?"
|
|
|
|
"You are going to be one of my women ... and a special one, at that."
|
|
|
|
"Wha ... wha-what are you talking about?"
|
|
|
|
"You're a whore now, rubia. My whore. You liked my cock so well that
|
|
I've decided to take you to Panama and put you in my whorehouse. You'll
|
|
get lots of cock there ... miles and miles of it."
|
|
|
|
"You're insane," Ruth gasped, sitting up and cringing away, seeing the
|
|
others for the first time. "Oh my God!"
|
|
|
|
Faustina and the Negro were sitting on the couch beside Elliott, who
|
|
was still unconscious. Both of them were smiling at her. Carlos stood
|
|
just inside the door, looking quite pale and nervous, his sheepish eyes
|
|
refusing to meet her gaze. Ruth tried to cover her breasts and cunt
|
|
with her hands.
|
|
|
|
"Here. Put this on," Pico said, tossing a faded old dressing gown at
|
|
her.
|
|
|
|
She slipped it on, buttoning what buttons where left intact with
|
|
shaking fingers. "I'm not going anywhere with you! Get out of here! All
|
|
of you!"
|
|
|
|
Pico grabbed her hair and dragged her across the bed. He slapped her
|
|
hard, backhanded her, kept it up until she was crying and sniveling and
|
|
docile.
|
|
|
|
"You'll do as I say, puta! I am your master now. The sooner you accept
|
|
that fact the better off you'll be!"
|
|
|
|
"I'd rather die," Ruth sobbed. "Oh, God ... I'd rather die!"
|
|
|
|
"That can be arranged," Pico said coldly, reaching into his pocket,
|
|
coming out with a wicked-looking switchblade and snapping it open. He
|
|
pressed the knife blade threateningly against Ruth's throat. "Decide!"
|
|
|
|
"Oh, dear God!"
|
|
|
|
Carlos gasped. His mouth dropped open. He started toward the bed, then
|
|
stopped and turned his back.
|
|
|
|
"Well?" Pico demanded. "Which is it, rubia? You may live and be my
|
|
whore, or I'll slit your throat ... if that's what you really want.
|
|
Decide!"
|
|
|
|
"I don't want to die," she begged, her large eyes pleading up at him.
|
|
"Don't hurt me ... please don't cut me!"
|
|
|
|
"Then you choose to be my whore?"
|
|
|
|
The sharp edge of the knife blade pressed at her skin. There was no
|
|
time for indecision. Any life, even that of a whore, was better than no
|
|
life. Ruth gulped, nodding her head carefully, shutting her eyes,
|
|
feeling the scalding-hot tears of humiliation stream down her cheeks.
|
|
|
|
"Say it. Tell me!"
|
|
|
|
"Your whore," she gasped. "I'll be your whore."
|
|
|
|
Instantly the knife left her throat. "A wise choice," Pico said calmly,
|
|
shutting the knife and putting it back into his pocket.
|
|
|
|
"There was no choice," she moaned. "And you know it."
|
|
|
|
He laughed, extending his hand and helping her from the bed. "Come,
|
|
meet my sister and Jose. Faustina ... Jose ... this is rubia our new
|
|
puta."
|
|
|
|
Jose and Faustina nodded, both of them looking her up and down but
|
|
saying nothing. Ruth cringed at the gleam in Faustina's dark-brown
|
|
eyes. They shone with interest, glinted with cruelty. Jose was very
|
|
black and big, a giant Negro with an Afro haircut which made his head
|
|
appear twice as big as it really was. He was all muscle, his turtleneck
|
|
shirt clinging to his tapering torso like a second skin.
|
|
|
|
"Jose is a mute. He understands only Spanish but can't speak or write.
|
|
He is my personal body guard. Strong as a bull, that one is ... with a
|
|
cock like a mule!"
|
|
|
|
"You're very beautiful," Faustina said.
|
|
|
|
Ruth shivered. "Thank you."
|
|
|
|
"As beautiful as this delicate morsel," Faustina went on, holding up a
|
|
snapshot. "In a more mature sort of way, of course." ~-
|
|
|
|
Ruth felt the room do a double flip-flop. "That's my daughter," she
|
|
blurted. "Where did you get that picture?"
|
|
|
|
The evil smile swept back over Faustina's face, and Ruth knew she'd
|
|
made a terrible mistake. She saw Elliott's wallet on the cushion beside
|
|
Faustina. "Paula's at home," she said quickly. "In Tulsa."
|
|
|
|
"You lie, puta," Faustina taunted.
|
|
|
|
"No. No, I didn't. Paula's at home ... going to summer school. She
|
|
couldn't come with us because she had to make up a subject."
|
|
|
|
"I'll take the wheep to you if you're lying to Faustina," she said
|
|
happily.
|
|
|
|
"Enough," Pico barked. "We must go."
|
|
|
|
"My car is waiting at the back," Carlos said, his voice breaking. "I
|
|
got rid of their taxi driver ... like you said."
|
|
|
|
"Bueno. This will extend your time to six months, Carlos," Pico said.
|
|
Then he turned to Jose. "Carry the man out to the car. Carlos will
|
|
drive up to the airport."
|
|
|
|
Jose picked Elliott up as easily as if he were a child, carrying him in
|
|
his arms and following Carlos into the hall.
|
|
|
|
"Come, rubia," Faustina ordered, dangling the key to their motel room
|
|
before Ruth's face. "We will stop for your clothing ... and see if you
|
|
were lying to me."
|
|
|
|
|
|
|
|
Chapter 6
|
|
|
|
|
|
The car sat in a darkened corner of the motel parking lot. Elliott
|
|
slumped in the back seat, breathing rhythmically as he slept.
|
|
|
|
Ruth was in the front seat, flanked by Carlos and Faustina. Carlos
|
|
squirmed and smoked constantly, lighting one cigarette from the butt of
|
|
each previous one. Faustina held a gun in her right hand, hiding it
|
|
with a sweater, keeping the muzzle poked threateningly into Ruth's
|
|
side.
|
|
|
|
Her eyes shut, her hands clasped together, Ruth prayed silently that
|
|
Pico and Jose would not discover Paula in the room adjoining hers and
|
|
Elliott's. She couldn't remember whether Elliott had shut the door
|
|
after they'd gone in to tell Paula good night, but she hoped he had --
|
|
she hoped to God he had!
|
|
|
|
Please, Lord, let the door be shut... let it be locked on Paula 's side
|
|
-- please, please, please! Those awful men are up there now. Don't let
|
|
them get my baby in their evil clutches too!
|
|
|
|
* * *
|
|
|
|
|
|
Pico slipped the key into the lock, turned it, then opened the door
|
|
slowly and moved quietly into the darkened motel room. Jose followed
|
|
him inside, moving even more quietly than Pico despite his large size.
|
|
After determining there was only one bed, and that it was empty, Pico
|
|
switched on a lamp and motioned for Jose to close the door.
|
|
|
|
The rooms were all adjoining, like some American motels, but both doors
|
|
were closed. Pico found the suitcases and put them on the bed, opened,
|
|
motioning for Jose to fill them with Ruth and Elliott's clothing from
|
|
the drawers and closet. Then, as Jose began packing, he moved to one of
|
|
the doors and checked it. It was locked. He crossed the room to the
|
|
other door and grasped the knob, finding it locked too.
|
|
|
|
"It looks like rubia was telling the truth," he said, more to himself
|
|
than to Jose, for he'd spoken in English.
|
|
|
|
Then he spoke in Spanish, louder, telling Jose to hurry up and be sure
|
|
to get all the clothing. He wanted no traces left behind, nothing which
|
|
would arouse suspicion. Ruth and Elliott would simply disappear and
|
|
never be heard from again. Carlos had agreed to see that their car was
|
|
conveniently "stolen," and that it, too, should disappear. Carlos would
|
|
profit handsomely from that, Pico knew; for once the car was repainted
|
|
and the identifying markings removed, it could be taken to Mexico City
|
|
and sold with no questions asked. Carlos had promised to give Pico the
|
|
money from the illegal sale, as partial payment on what he owed. But
|
|
Pico wasn't concerned about Carlos paying up. He knew he would manage
|
|
to get the money together in time. He was too scared to refuse.
|
|
|
|
"Carlos is like a pollo," he said, laughing.
|
|
|
|
Jose glanced at him and grinned, nodding his head. He'd understood only
|
|
two words -- Carlos and chicken -- but it was enough to give him the
|
|
meaning of Pico's spoken thought. Still looking at Pico, Jose pulled
|
|
too hard on the dresser drawer he was opening. It came completely out;
|
|
and in his attempt to catch it before it fell to the floor, he
|
|
overreacted and set the light drawer banging loudly against the wall.
|
|
|
|
Startled by the sudden noise, Paula jerked awake and sat up in bed. For
|
|
a moment she didn't know where she was, and her heart beat faster as
|
|
she glanced around the strange room in an effort to orient her sleep-
|
|
dulled mind.
|
|
|
|
Then she relaxed, remembering all. Her parents were back from their
|
|
night on the town. She could hear movement in their room. Wondering
|
|
which one of those bright, wild paintings her father had bought, and
|
|
wanting to kiss them both good night, she slid from her bed and slipped
|
|
on her robe. She padded barefoot across the room and unlocked the
|
|
connecting door, swung it open and went through it, rubbing her eyes.
|
|
She was well into the room when she noticed the dark, lean man and the
|
|
big muscular Negro looking at her. Gasping, she clutched her robe
|
|
tightly around her neck and stopped.
|
|
|
|
Pico, thinking and acting very quickly, smiled and said, "You must be
|
|
Paula."
|
|
|
|
"Yes," she answered, staring at him in utter confusion. "How did you
|
|
know my name? What are you doing in here? This is my parents' room."
|
|
|
|
"Your parents," Pico said, stalling for time as his mind groped for a
|
|
way to calm her and keep her from calling out.
|
|
|
|
Paula was much too young and naive to be as frightened as she should
|
|
have been. She said. "Yes, my parents."
|
|
|
|
"Your parents ... Ruth and ..."
|
|
|
|
"Elliott. Ruth and Elliott Strickland."
|
|
|
|
"Yes. Strickland. I'm sorry I could not recall their full names."
|
|
|
|
"What are you doing with their things?" she gasped, just noticing what
|
|
was going on. "Who are you?"
|
|
|
|
"Don't be alarmed, Paula," Pico soothed.
|
|
|
|
"But you're packing their things! What are you doing that for? Has
|
|
something happened to them?"
|
|
|
|
"Yes. I'm afraid so."
|
|
|
|
"An accident! They haven't had an accident?"
|
|
|
|
Smiling inwardly at the unintentional help she'd given him, but forcing
|
|
his face to look concerned and serious, Pico nodded.
|
|
|
|
"Oh, no! What happened?"
|
|
|
|
"The taxi in which they were riding was struck by another car. Now
|
|
don't become alarmed, Paula. Calm yourself, my child."
|
|
|
|
"They're hurt! How bad are they hurt? They're not dead ... tell me
|
|
they're not dead!"
|
|
|
|
"No, no, no," he said, moving to her and putting his hands on her
|
|
quaking shoulder. "They are going to be fine. They are shaken up pretty
|
|
badly though. They'll be in the hospital a couple of days. They are
|
|
there now. That's why Jose and I are here ... to take their things to
|
|
them."
|
|
|
|
"I'm going too," Paula said.
|
|
|
|
"Of course you are, my child. I've arranged to have a bed for you put
|
|
into your mother's room. She insisted on it."
|
|
|
|
"I'll get dressed, Mr... ."
|
|
|
|
"Pico. Just call me Pico."
|
|
|
|
"You'll wait for me, Pico?"
|
|
|
|
"Certainly. And, Paula," he called, stopping her in the doorway. "Pack
|
|
your things."
|
|
|
|
"All of them?"
|
|
|
|
He nodded. "Everything. You won't be coming back to this motel."
|
|
|
|
"I'll hurry."
|
|
|
|
"Please do."
|
|
|
|
Paula shut the door, not bothering to lock it now that she knew the men
|
|
were there to help. She laid out the things she would wear, then got
|
|
her suitcase and began packing.
|
|
|
|
Jose stood beside the bed, neglecting his duties, staring after Paula.
|
|
|
|
Pico noticed the gleam in his eyes, the lustful yet tender expression
|
|
on his face. He also noticed the bulge in his trousers. A new act for
|
|
the sex show put on nightly in his large whorehouse was immediately
|
|
born in his mind. It would be a very erotic act, what with Jose so big
|
|
and black and Paula so small and blonde. And so young and tender, too.
|
|
A mock rape, he thought, smiling, pleased with himself as the scene
|
|
unfolded in his mind. Or a real rape, if Paula wouldn't go along
|
|
willingly with his idea.
|
|
|
|
At any rate, Jose would go along. He'd do anything Pico told him to do.
|
|
Pico grinned. The act would be perfect to precede Ruth and the donkey
|
|
waiting for her in the shed behind his place.
|
|
|
|
"Do you like the girl, Jose?" he asked in Spanish.
|
|
|
|
Still looking longingly at the door Paula had gone through, Jose nodded
|
|
and motioned as if taking her in his muscular arms.
|
|
|
|
"Then you shall have her, my friend ... every night."
|
|
|
|
Grinning broadly, Jose nodded and rubbed the growing bulge his massive
|
|
prick was causing. He made sign language to indicate he wanted Paula
|
|
all to himself.
|
|
|
|
"No, Jose. The girl will have to take care of customers too."
|
|
|
|
Jose looked disappointed but acquiescent.
|
|
|
|
"You can't keep her all to yourself. She will be very popular with the
|
|
customers, especially the older ones. But when we are closed and there
|
|
are no customers to pay for her, then you may have her."
|
|
|
|
Jose pointed to the bed. He pretended to hold Paula in his arms,
|
|
shutting his eyes as if sleeping.
|
|
|
|
"Of course, my friend," Pico said. "Every night if you wish it."
|
|
|
|
Obviously very happy with the promised arrangement, Jose went eagerly
|
|
back to packing Ruth and Elliott's things.
|
|
|
|
Fully dressed and ready to leave, Paula reentered the room, struggling
|
|
with her heavy suitcase. Pico sat calmly in a chair, smoking a thin,
|
|
black cigar. The packing finished, Jose was bird-dogging the door,
|
|
waiting impatiently for it to open. Paula was barely into the room when
|
|
he rushed to her and, smiling, took the suitcase from her hand.
|
|
|
|
"Thank you," Paula said, returning his smile as best she could in her
|
|
worried state of mind. His face wasn't at all handsome, what with his
|
|
broad nose and thick lips, but he seemed very pleasant and helpful. "I
|
|
didn't get your name."
|
|
|
|
"His name is Jose," Pico said, rising.
|
|
|
|
"Thank you, Jose."
|
|
|
|
Jose beamed, smiling and nodding, looking directly into her blue eyes.
|
|
|
|
"He can't answer you, Paula. Jose is a mute, and he understands only
|
|
Spanish."
|
|
|
|
"Oh, the poor man!" Paula gushed. "And he seems so nice."
|
|
|
|
Pico grinned. He picked up both suitcases and handed them to Jose, who
|
|
put one under his arm so he could carry all three. Pico strode to the
|
|
door and opened it, holding it and motioning Paula to come as Jose led
|
|
the way. He offered his arm. Paula took it, switching her purse to her
|
|
other hand and thinking how gallant Latin men were. Holding to his
|
|
reassuring arm, anxious to get to her injured parents, Paula hurried
|
|
along beside Pico as they crossed the motel parking lot.
|
|
|
|
"I feel so sorry for Jose."
|
|
|
|
Pico patted her hand, then locked his fingers through hers and led her
|
|
on toward the waiting car.
|
|
|
|
Holding his hand was more reassuring than holding his arm. Paula
|
|
squeezed it gratefully, half running now to keep up with his long-
|
|
strided gait. "I hope my mother's face wasn't hurt. She's got such a
|
|
pretty face."
|
|
|
|
"There's not a scratch on her face."
|
|
|
|
"I'm relieved to hear that ... I really am. Just how bad are they
|
|
hurt?" she asked as they drew near Carlos' car. "Were you in the wreck
|
|
too? I saw your face was hurt."
|
|
|
|
"You ask too many questions," he said, stepping quickly behind her and
|
|
clapping his hand over her mouth as he jerked her arm painfully and
|
|
bent it up her back.
|
|
|
|
His action was fast; the pain sharp. For a stunned second Paula didn't
|
|
understand. She whimpered and struggled, her feet off the ground and
|
|
kicking the air. Jose had the door open. Paula's head bumped the top of
|
|
the car as Pico stuffed her into the back seat. The impact addled her,
|
|
made her dizzy and numb. She moaned softly as she hit the seat and fell
|
|
against her father.
|
|
|
|
"Paula! Paula!" Ruth yelled shrilly. "Oh, my God ... Paula!"
|
|
|
|
A loud splat sounded as Faustina slapped Ruth viciously. "Shut up,
|
|
puta! Shut up or I'll kill you! Carlos! Open the trunk! Help Jose put
|
|
the bags in ... quickly! "
|
|
|
|
"Daddy ... Mommy! What is it! What's happening? They told me you were
|
|
in an acci-"
|
|
|
|
Pico was in the seat beside Paula, jerking her head back by her long
|
|
blonde hair, clapping his hand over her mouth even as the door slammed
|
|
shut. "Shut up, little one. Not another peep out of you!"
|
|
|
|
Frantic, Paula tried in vain to claw and elbow and kick.
|
|
|
|
"No, Paula! Don't," Ruth begged. "He'll kill you if you don't do as he
|
|
says!"
|
|
|
|
"Listen to your mother, little one, and no harm will come to you."
|
|
|
|
Her eyes wide, extremely frightened, Paula nodded. The grip eased on
|
|
her hair. She sighed into the tobacco-scented hand covering her mouth
|
|
and nose.
|
|
|
|
"What are you going to do with her?" Ruth asked fearfully.
|
|
|
|
"Her fate is the same as yours, rubia. I haven't decided about your
|
|
husband yet."
|
|
|
|
"Let them go," Ruth begged, looking pleadingly into the back seat.
|
|
|
|
Carlos got in and started the car. Jose got in the back seat on the
|
|
other side of Elliott, pushing him over, crowding Paula tightly between
|
|
her unconscious father and Pico's hard body. The back door thumped
|
|
shut. Carlos backed the car around, then drove cautiously from the
|
|
parking lot.
|
|
|
|
"Please, please let my daughter and husband go," Ruth cried, watching
|
|
the motel fade into the distance behind the accelerating car. "You've
|
|
got me. I'll do anything you say ... anything! Only for God's sake let
|
|
my husband and child alone!"
|
|
|
|
"Faustina," Pico said calmly. "Silence la rubia."
|
|
|
|
Delighted with her assignment, Faustina stiffened her open hand and
|
|
gave Ruth a sharp judo chop at the base of her skull.
|
|
|
|
Ruth's head jerked. Her eyes snapped shut. She slumped limply against
|
|
Faustina.
|
|
|
|
"Perhaps we'd better give this one the same treatment," Pico said,
|
|
pushing Paula forward, bending her so Faustina could chop the back of
|
|
her neck too.
|
|
|
|
But as Faustina's hand lifted for the blow, Jose jumped forward and
|
|
grabbed her arm. He looked over Paula's back at Pico, his eyes
|
|
pleading.
|
|
|
|
"All right," Pico said. "But you'll have to hold her and keep her
|
|
quiet. One more word out of her and she gets the same treatment rubia
|
|
got."
|
|
|
|
Jose nodded, picking Paula up and lifting her, putting her in his lap
|
|
with her legs across her father's lap.
|
|
|
|
Paula screamed and kicked. Then her teeth rattled as Jose shook her
|
|
violently. Stark fear showing in her eyes, her mouth hanging open in
|
|
shock, Paula cringed in his lap and glanced up at his face. He was
|
|
smiling, putting his finger to his lips, then to hers, then wagging it
|
|
no. She felt the warmth of his body, saw an even greater warmth in his
|
|
eyes. Sobbing bitterly, she buried her face in his chest and clung to
|
|
him.
|
|
|
|
The car raced on toward the airport, Carlos driving and puffing
|
|
nervously at his cigarette.
|
|
|
|
Paula sobbed, her chest heaving, her body jerking as she gasped for
|
|
breath. Jose's big hands were patting and stroking her, trying to
|
|
reassure her. Slowly, very slowly, she realized she and her parents
|
|
were in no immediately danger. She had no idea what lay in store for
|
|
them. But that was in the future; and at fourteen, the future is never
|
|
as important as the present. At the present she was being held and
|
|
comforted. Little by little her sobs diminished until she was sniffling
|
|
and rubbing her tear-streaked face against Jose's muscular chest. His
|
|
cheek rubbed back and forth over the top of her head, his hands
|
|
constantly patting and stroking her back.
|
|
|
|
Finally, heaving a double sigh, Paula relaxed completely. What's wrong
|
|
with my father?"
|
|
|
|
"Drugged," Pico said. "He'll be all right."
|
|
|
|
"My mother ... what was she talking about? What are you going to do
|
|
with us?"
|
|
|
|
Pico glared angrily at her. "I am very weary of explanations, little
|
|
one. Ask your mother when she wakes up. Now shut your mouth!"
|
|
|
|
Afraid to disobey Pico, but not nearly as frightened as she had been,
|
|
Paula shut her eyes as well as her mouth. She put her cheek against
|
|
Jose's comforting chest. His strong arms cradled her to him and he
|
|
began to rock her like a child. It produced a pleasant sensation, a
|
|
calmness, which she enjoyed in spite of her mind going like a computer.
|
|
|
|
Kidnapped, she thought, we're being kidnapped!
|
|
|
|
She knew she should be horrified. But she wasn't. She was thrilled. A
|
|
shudder swept over her, followed by a sense of exhilaration. She was in
|
|
danger for the first time in her life, and it was ever so exciting to
|
|
her young mind. They'd be taken to some hideout, she supposed, some
|
|
really terrible and run-down shack.
|
|
|
|
I wonder if they'll tie us up? No, that's too corny! Beans and
|
|
tortillas -- that's probably all they'll give us to eat while we wait
|
|
for ransom to be arranged. I wonder how long it'll take? A day ... a
|
|
week? Two days would be ideal, three at the most -- after that things
|
|
would get awfully boring
|
|
|
|
Unless they raped us! Oh cripes! I wonder if they'll rape me and
|
|
mother? Mother would just die if they did! No, I'm being silly. They've
|
|
got a woman with them, the mean bitch! I wonder how it feels to be
|
|
raped? It gives me the shivers to think about it. If I am raped, I hope
|
|
Jose is the one. He's so big and black! Ohhh ... wouldn't that be
|
|
something? He'd never do it though. I don't have to worry about that.
|
|
He's much too kind and gentle. I like him ... even if he is a Negro.
|
|
|
|
The car turned into a private airport and pulled to a stop in front of
|
|
the only hangar. Pico's plane, a small cargo job, old but in good
|
|
repair, was tethered just a few feet away from the car, sitting in the
|
|
open, gassed up and ready to go.
|
|
|
|
"Are we still going to stop in Acapulco?" Faustina asked as they
|
|
climbed from the car.
|
|
|
|
Paula's head snapped up. "We're going to Acapulco?"
|
|
|
|
"We have to," Pico told Faustina, ignoring Paula.
|
|
|
|
"Acapulco! Oh, how groovy!"
|
|
|
|
Pico said something in Spanish, and Jose picked Paula up.
|
|
|
|
"Put me down. I can walk. Carry poor Daddy. I imagine you had to drug
|
|
him because he put up such a fight, huh?"
|
|
|
|
Pico spoke again. Jose put Paula down and went to the car for Elliott.
|
|
Carlos carried Ruth, still unconscious, to the plane. They boarded it
|
|
and Pico started the engines. Carlos unhooked the plane. Pico taxied
|
|
out to the runway, waited until the engines were warm enough, then took
|
|
off for Acapulco.
|
|
|
|
|
|
|
|
Chapter 7
|
|
|
|
|
|
There were no seats in the back of the plane, just some sleeping bags
|
|
and emergency food supplies. Only the cabin, where Pico and Faustina
|
|
sat, was heated. Once the plane reached cruising altitude Paula found
|
|
herself shivering. She got a sweater from her bag and put it on, then
|
|
mastered sign language enough to coax Jose into helping her get
|
|
blankets from two of the sleeping bags to cover her parents.
|
|
|
|
Elliott was still unconscious from the drug, but Ruth was awake. They
|
|
were both bound and gagged, Faustina having come back from the cabin
|
|
long enough to accomplish the task. Paul sat cross-legged on one of the
|
|
sleeping bags, looking at her mother's frightened face. She'd tried to
|
|
talk to her for a while but had finally given up when she realized Ruth
|
|
could only mumble through her gag in answer to the questions she asked.
|
|
|
|
An expression of adoration on his coarse-featured face, Jose sat beside
|
|
Paula. His eyes never left her for a minute. Finally he took her hand,
|
|
smiling into her face as he locked his fingers through hers and scooted
|
|
so close their hips touched.
|
|
|
|
Reluctant to rebuff him, Paula let Jose hold her hand. It was almost
|
|
nice when he squeezed it affectionately and brought it to his lips. She
|
|
wondered why her mother's eyes looked so wide and fearful at such an
|
|
innocent action. Because Jose was such a big ugly Negro, she supposed.
|
|
But Paula wasn't at all afraid to Jose. He did look awfully menacing,
|
|
but in his case she felt looks were deceiving. Jose had protected and
|
|
comforted her when she needed it, and she liked him a great deal for
|
|
it. She'd never been prejudiced against Negroes like some of the kids
|
|
her age. Her father had taught her to judge people as individuals -- by
|
|
their actions rather than their race or looks.
|
|
|
|
And she found Jose to be a warm individual. He wouldn't take advantage
|
|
of her, she felt sure. Holding his hand was a comforting thing. She
|
|
could feel strength passing from him to her. And the way he kissed the
|
|
back of her hand so tenderly was very reassuring. She wondered how such
|
|
a gentle giant could be mixed up with kidnapers. Pico was obviously the
|
|
boss of the gang, with mean Faustina taking second place. Faustina
|
|
fascinated Paula, but she didn't like her.
|
|
|
|
Jose let go of her hand and put his arm around her shoulders.
|
|
Stiffening slightly, Paula let him pull her body snugly against his.
|
|
Her mother's eyes looked frantic. She was mumbling through her gag,
|
|
trying to get up.
|
|
|
|
"What is it, Mother? Are you uncomfortable? Would you like a sleeping
|
|
bag under you?"
|
|
|
|
Ruth shook her head, mumbled something, nodded toward Jose, then shook
|
|
her head vigorously and mumbled some more.
|
|
|
|
"He isn't going to rape me, Mother. Is that what you think?"
|
|
|
|
Ruth nodded sharply.
|
|
|
|
"Oh, for goodness sakes. He's as kind and gentle as any man I've ever
|
|
known. Don't be silly."
|
|
|
|
Ruth shook her head from side to side, mumbling incoherently.
|
|
|
|
Shrugging, Paula said, "Well, there's no need to worry about it. If
|
|
Jose did want to rape me, which I'm sure he doesn't, I don't see how I
|
|
could stop him ... do you?"
|
|
|
|
Ruth groaned and lay still.
|
|
|
|
"You're overreacting, Mother. Jose is just being nice to me ... trying
|
|
to comfort me. That's all. We're going to Acapulco -- isn't that
|
|
exciting? If you've got to be kidnapped, I can't think of a more exotic
|
|
place to be taken to, can you? I don't care if it takes a whole week to
|
|
arrange for the ransom to be paid."
|
|
|
|
Ruth began to cry.
|
|
|
|
"I'm sorry, Mother. I guess I am being childish, but this is the only
|
|
really exciting thing that's ever happened to me. Don't worry so much.
|
|
I don't think they'll hurt us any ... and the church is sure to raise
|
|
the ransom money real quick. We'll be back home before you know it.
|
|
|
|
"Just think how interested everybody will be! I wish I had a notebook
|
|
so I could write everything down. Gosh ... I can't wait to tell all my
|
|
friends!"
|
|
|
|
Ruth shut her eyes and moaned mournfully.
|
|
|
|
"I wish she wouldn't take it so har-" Paula started to say, turning her
|
|
head to look at Jose; but he pulled her to him and kissed her, shutting
|
|
off her words, catching her by surprise.
|
|
|
|
Stunned by his sudden action, Paula was unable to protest instantly.
|
|
His soft lips covered hers entirely, pressing warmly and firmly. A
|
|
shiver was Paula's first reaction. Her heart skipped a beat, then
|
|
thumped wildly. She'd never been kissed this way by a man. It took her
|
|
breath and made her feel all funny in the pit of her stomach. By the
|
|
time she'd regained her senses, she realized Jose's kiss thrilled her
|
|
tremendously.
|
|
|
|
She pushed him away and looked blinkingly into his deep-brown eyes.
|
|
"You shouldn't have done that, Jose."
|
|
|
|
He smiled confidently, not understanding her words; misinterpreting her
|
|
soft, quavering voice.
|
|
|
|
Then he kissed her again, holding her tightly, flattening her breasts
|
|
against his hard chest. His face moved constantly, his lips rolling
|
|
hotly on hers. The tip of his tongue darted out and teased intimately
|
|
between Paula's lips, urging them apart, coaxing her mouth open.
|
|
|
|
Her heart sounding like a tom-tom in her ears, Paula whimpered and let
|
|
his tongue creep wetly over the sharp edges of her parting teeth. It
|
|
rushed deep into her mouth, licking and caressing as it came. Before
|
|
she knew what she was doing, her own tongue was licking back at his.
|
|
|
|
Catching herself, fighting the strong urge to throw her arms around his
|
|
powerful body, Paula jerked away. She put her hands on his chest and
|
|
held him away. She was trembling all over, her eyes clamped shut and
|
|
her chest heaving for breath.
|
|
|
|
"Don't ... please don't, Jose," she moaned weakly.
|
|
|
|
Again it was her tone of voice and not her words that Jose responded
|
|
to. She sounded excited and reluctant, both of which pleased him
|
|
greatly. He tried to pull her mouth back to his.
|
|
|
|
"No!" Paula snapped, looking away from him, her eyes locking on her
|
|
mother's tortured face.
|
|
|
|
Looking hurt, Jose followed her gaze. Then he smiled and got to his
|
|
feet. He went to Ruth and turned her, putting her face toward the wall
|
|
of the plane so her large eyes couldn't see Paula. He pulled the
|
|
blanket over her head and held her firmly in position long enough to
|
|
make her understand she was not to turn over again. Standing and
|
|
pulling his turtleneck shirt over his head, he glanced questioningly at
|
|
Paula.
|
|
|
|
His V-shaped torso drew her gaze and held it. She gasped at all the
|
|
muscles and the dense patch of curly hair on his chest. His upper arms
|
|
looked as big as her thighs, and much more powerful.
|
|
|
|
His fingers groping at his belt, Jose came toward her.
|
|
|
|
Paula threw up her hands, wagging them as well as her head.
|
|
|
|
Again Jose misunderstood. Thinking her hands were pointing at the
|
|
lights, that she wanted them out, he strode to the cabin and opened the
|
|
door. Using sign language, he informed Pico of his intentions and asked
|
|
him to turn off the lights in the back of the plane.
|
|
|
|
Pico nodded approval and turned off the lights in the cargo area. In
|
|
Spanish, not a word of which Paula understood, Pico said, "The girl is
|
|
all yours for as long as we are in the air. Have her; enjoy her."
|
|
|
|
Also in Spanish, Faustina said, "Let me hear her scream when you enter
|
|
her, Jose. Don't bother being gentle with her; break the little bitch
|
|
in right! "
|
|
|
|
Smiling weakly, Paula sat huddled in a ball as Jose turned from the
|
|
cabin. While he was shutting the door, she got a quick glance at his
|
|
face. He looked angry for the first time since she'd met him, and Paula
|
|
was struck numb by his distorted face. She had no way of knowing his
|
|
anger was directed at Faustina. She thought he was angry with her for
|
|
refusing him.
|
|
|
|
Her teeth chattering, she clutched her knees to her chest, holding her
|
|
breath as he shut the door and cut off all light save the faint
|
|
moonlight coming in the two small windows. Two thumps sounded as he
|
|
kicked off his shoes. A pause, then a zipper sounded, followed by the
|
|
rustle of clothing which she barely heard over the soft drone of the
|
|
engines. A shadowy figure now, he padded barefoot toward her. When he
|
|
passed the opposite window, she got a frightening glimpse of the
|
|
swaying cock standing out from his loins. He was going to rape her. She
|
|
was sure of that now, and the thought of his big prick pushing into her
|
|
made her feel faint.
|
|
|
|
But she dared not refuse him again. If one refusal could make him as
|
|
angry as he was already, what would a second rebuff do? She shuddered
|
|
at the thought, visualizing herself beaten to a pulp with Jose getting
|
|
what he wanted anyway.
|
|
|
|
Then he was beside her, pulling her down onto the sleeping bag, taking
|
|
her in his arms and holding her to his nude body. His large cock, hot
|
|
and hard and throbbing, lay between them. Paula felt a tremor sweep
|
|
over her as the long instrument pressed intimately against her stomach.
|
|
His lips were moving over her face, starting on her forehead and
|
|
kissing very tenderly toward her mouth.
|
|
|
|
It was all she could do to lie still and allow him to kiss her eyes and
|
|
nose and cheeks. His lips felt hot, and he was breathing harshly; but
|
|
he was being gentle, and she was grateful for that. She didn't want to
|
|
be beaten and raped. The very thought of it terrified her. He intended
|
|
to possess her, though. There was no doubt in her mind as to what he
|
|
wanted -- especially when his large hands cupped her asscheeks and
|
|
pulled her pussy snug against his hard cock.
|
|
|
|
She tried to pull away. But he held her, hunching lightly as his mouth
|
|
descended and his lips claimed hers. His mouth was open, his lips
|
|
covering hers, his tongue probing for admittance. A tiny sigh of
|
|
resignation sounding through her nostrils, Paula opened her mouth and
|
|
let his wet tongue come spearing in.
|
|
|
|
They kissed for a long time. Paula's fear was driven out by the growing
|
|
number of those strange butterflies fluttering so wildly inside her
|
|
stomach. In a daze, she put her arm around him and began to suck
|
|
willingly on his ever-moving tongue. His thick shaft pressed between
|
|
the lips of her cunt, feeling hot and hard even through the thickness
|
|
of her clothing. Soon her clitoris crept from beneath its protective
|
|
hood and started bombarding her mind with thousands of wonderful
|
|
sensations.
|
|
|
|
Jose kept their mouths together, pulling his tongue back slowly,
|
|
teasing hers into his mouth, then sucking it hungrily.
|
|
|
|
Her open hand moved jerkily over his back; her loins beginning to hunch
|
|
back at him, Paula moaned through her flared nostrils and stuck her
|
|
tongue so deep into his mouth that she was licking at the back of his
|
|
throat. Her boy friend back in Tulsa had never thrilled her the way
|
|
Jose was thrilling her. With him, she'd always been in control of the
|
|
situation. With Jose it was entirely different. He was a man; he was in
|
|
control; he was going to fuck her -- and there was absolutely nothing
|
|
she could do to stop him!
|
|
|
|
With Jose she felt so weak and helpless. And to her utter amazement,
|
|
she found she liked feeling that way. She felt uneasy about liking it,
|
|
but she did anyway. Every nerve in her young body began to sing a new
|
|
and exciting song. Her response to Jose's passionate kisses and
|
|
stroking hands was awfully depraved, she knew -- but she couldn't help
|
|
it. He was so big and black, so gentle yet masterful. Very much aware
|
|
of his blackness now, thrilled all the more because of it, Paula threw
|
|
her leg over his hip and rubbed her cunt eagerly up and down his
|
|
pleasure-giving cock.
|
|
|
|
And it was giving her pleasure. Her clitoris, hard and throbbing by
|
|
this time, was being massaged ever so delightfully by the bumpy under-
|
|
surface of his thick shaft. The walls of her vagina began to secrete
|
|
copiously, the slippery fluid seeping out and covering her swollen cunt
|
|
lips, soaking the crotchband of her nylon panties. Her loins felt hot
|
|
and hungry as never before. Soon she was raging with desire, wanting to
|
|
be penetrated and made a woman, wishing Jose would hurry and take her.
|
|
|
|
And her unspoken message got across to Jose. He pulled up her dress and
|
|
tugged her panties down her legs.
|
|
|
|
Paula kicked them off along with her shoes, then lay on her back,
|
|
shivering as she looked up at his gentle face, letting him take the
|
|
rest of her clothing off, rolling and lifting herself to help him.
|
|
|
|
"You won't hurt me?" she asked.
|
|
|
|
The dim moonlight shone on him. The adoration in his eyes and the
|
|
worshipful expression on his face told her she had no cause to worry.
|
|
She wondered dimly what he would do if she put her clothes back on and
|
|
refused to cooperate. His eyes seemed to be full of loving tenderness.
|
|
But she supposed he'd get angry if she rebuffed him again ... and she
|
|
didn't like him angry. She liked him this way -- tender and passionate.
|
|
No, she didn't want to anger him again. In fact, she didn't want to
|
|
refuse him. The fire he'd set in her loins was a demanding thing. She
|
|
didn't want to stall him any longer. And though she was shivering with
|
|
fear at what lay ahead, she hungered for the experience.
|
|
|
|
Impulsively she reached out and grasped his cock, sucking in her breath
|
|
at the size of it. Trying in vain to make her fingers encircle its
|
|
girth, she breathed, "It's so big and hard!"
|
|
|
|
Ruth began to sob piteously, her body jerking as she lay helpless under
|
|
the blanket.
|
|
|
|
Until her mother sobbed, Paula had completely forgotten there was
|
|
anyone else in the world but her and Jose. She glanced at her, then at
|
|
her unconscious father. A sense of shame swept over her. She knew it
|
|
was wrong to let herself enjoy Jose's lovemaking. But wrong or not,
|
|
shame or no shame, she did want him. And since he would take her,
|
|
willing or not, she decided to hell with the shame, determining to make
|
|
the most of a situation she had no power to direct.
|
|
|
|
Then there was no time to think, because Jose was bending over her and
|
|
loving her in three places. His hand covered her tit, massaging it,
|
|
tweaking her hard pink nipple as his mouth and tongue worked warm and
|
|
wet at her other nipple. His hand was between her thighs, stroking her,
|
|
brushing her cunt, rubbing it.
|
|
|
|
With him doing all that, it was an easy matter for her to close her
|
|
ears to her mother's sobs. She gripped his feverish dick tightly,
|
|
squeezing it and moving her hand up and down by instinct. Her other
|
|
hand came up to his head. She moaned softly, rubbing his mass of kinky
|
|
hair, pulling his mouth firmly over her tit.
|
|
|
|
Slowly his hand moved up her thigh and cupped her cunt. Fingers worked
|
|
her open, making room for another finger which slid between her spread
|
|
cunt lips and bumped her hymen. She jerked reflexively, then caught
|
|
herself and pushed back at the invading finger. It hurt very little as
|
|
it slipped deep into her moist vagina. Paula sighed with relief,
|
|
thinking her hymen had been broken and wondering why girls lied about
|
|
it hurting so much.
|
|
|
|
But her membrane was not broken, as she thought. It was merely
|
|
stretched a little and pushed to the side.
|
|
|
|
As Jose's middle finger stroked gently in and out of her cunt, Paula
|
|
sighed again and again. She was a woman at last, and she gloried in her
|
|
new status. Sex was terribly good -- getting better and better all the
|
|
time -- and she wondered how people could think anything which gave so
|
|
much pleasure could possibly be bad.
|
|
|
|
"Oh, darling," she whispered, so her mother couldn't hear. "I'm ready
|
|
now. Take me ... put it in me!"
|
|
|
|
When he kept sucking her tit and fingering her pussy. Paula pulled his
|
|
head up and kissed him abandonedly, thrusting her tongue into his mouth
|
|
and jerking at his cock in an effort to urge him on top of her.
|
|
|
|
That, Jose understood. Leaving their mouths pressed wetly together, he
|
|
swung between her legs and brought the head of his massive cock to her
|
|
cunt.
|
|
|
|
Paula held her breath, waiting for him to penetrate her, spreading her
|
|
legs wider apart to make it easier for him. It felt wonderful lying in
|
|
the outer folds of her steaming opening, and she wanted to have it
|
|
inside her at once now that her hymen was already broken.
|
|
|
|
But she wasn't prepared for the pain his bulging glans caused as he
|
|
pressed slowly in. It entered her larger lips quite easily; but when
|
|
she felt it spreading her inner lips tautly, she jerked her mouth from
|
|
his and flung her head to the side. The pain was a tearing, dreadful
|
|
thing. She gasped, jerked convulsively, then bit her lower lip to keep
|
|
from screaming aloud.
|
|
|
|
"Stop ... oh, please stop," she begged. "It's too big for me!"
|
|
|
|
Ruth was crying brokenly. She could hear what was happening to Paula --
|
|
every sordid detail of it.
|
|
|
|
Recognizing the sound of pain in her voice, Jose pulled his glans from
|
|
her at once. He bent and kissed her cheek, then scooted down and kissed
|
|
her pussy.
|
|
|
|
By the third kiss her pain was gone, but Paula wasn't about to push his
|
|
mouth from her vulva. His lips felt awfully good there. She lay as
|
|
still as her trembling would allow, holding her legs far apart and
|
|
patting his head. Then his tongue shot into her and Paula thought she
|
|
would die, it was so good.
|
|
|
|
Everything but her pleasure completely forgotten, Paula crooned softly
|
|
and held his face to her crotch with both hands. Up and down her hole
|
|
he licked, darting in occasionally and stuffing her as full of his
|
|
precious tongue as her virgin pussy could take, whipping her to new
|
|
heights with each lick and thrust, thrilling her until she couldn't
|
|
stand another second of the unbearable bliss.
|
|
|
|
"Oh ... oh cripes!" she wailed, pushing him away before she passed out
|
|
from the intensity of it.
|
|
|
|
Her mind reeling with lust, she recalled the girl in the dirty picture,
|
|
then struggled up and knelt over Jose as soon as he'd flopped onto his
|
|
back. Without a second's hesitation she grabbed his shaft and lowered
|
|
her face to his loins. Pursing her lips, she pulled his cock to her and
|
|
kissed his glans. It felt hot and moist. Those butterflies in her
|
|
stomach numbered in the millions as she stuck out her tongue and licked
|
|
Jose's feverish cockhead.
|
|
|
|
Moaning, out of her head with insane lust, Paula opened her mouth wide
|
|
and took in all the hot, hard cock she could manage, sucking down
|
|
harshly on it and bobbing her head up and down frenziedly. Caught up in
|
|
the lewd act, reveling joyously in it, Paula would have gladly sucked
|
|
his big prick all night.
|
|
|
|
But Jose had other ideas. He pulled her mouth from him, a loud,
|
|
lascivious slurp sounding as her lips lost their happy suction.
|
|
|
|
"I'm dying ... I'm burning up!"
|
|
|
|
Jose placed her once more on her back and mounted her, pushing his
|
|
spit-slick cockhead between the puffy lips of her cunt and bearing down
|
|
hard.
|
|
|
|
Paula was too far gone to care about the pain. She threw her arms
|
|
around him and pushed with him, helping him stretch her inner lips and
|
|
give her what she was starving for. Because of her raging need, it
|
|
popped through her inner ring with only a dull ache. Then his hot glans
|
|
bumped her hymen, still very much intact, and before Paula could tell
|
|
him to stop, it was too late.
|
|
|
|
A searing pain spread out from her loins as his thick cock tore her
|
|
membrane and rushed snugly up her tight cunt. Then his heavy nuts
|
|
slapped into the crack of her quivering ass and his glans shoved her
|
|
womb higher into her belly.
|
|
|
|
"Oh God ... oh God!" Paula shrieked, thinking for sure she was ripped
|
|
asunder.
|
|
|
|
Jose's mouth found hers, his lips closing over her lips and his tongue
|
|
filling her gasping mouth. She bit his tongue, sucking air through her
|
|
flared nostrils as her body quaked beneath him.
|
|
|
|
The pain never did go away completely, but it ebbed enough that she
|
|
quit chewing Jose's tongue and lay numbly beneath him. In a state of
|
|
semi-shock, she felt his enormous shaft stroking gently. Then he sucked
|
|
in his breath and stiffened, his cock jerking wildly as a great mass of
|
|
hot fluid bathed her unfeeling cunt.
|
|
|
|
|
|
|
|
Chapter 8
|
|
|
|
|
|
In a basement room, one end of which was designed to look exactly like
|
|
a medieval torture chamber, sat five very wealthy and jaded men. Each
|
|
man had a woman with him; two had brought along their equally jaded
|
|
wives, three their very young and beautiful girl friends of the moment.
|
|
They sat on couches arranged in a semicircle before the torture chamber
|
|
section of the room, smoking and sipping drinks, chatting among
|
|
themselves, waiting for the special show they'd paid one thousand
|
|
dollars each to witness.
|
|
|
|
None of the couples had met any of the others before this day. Each of
|
|
the men had been contacted via telephone by the vice-lord Pico. One of
|
|
the men was an aging Hollywood star who'd brought the girl beside him -
|
|
- a stunning red-haired starlet of nineteen -- to Acapulco for fun and
|
|
games, promising to see that she got a juicy role in his next film. One
|
|
couple, middle-aged and married, was from Germany, in Acapulco for a
|
|
week's holiday. The others were Latin Americans, one a local married
|
|
couple who owned several hotels and bars, the others from South America
|
|
-- an exporter and his lady from Brazil and a rancher and his current
|
|
flame from Argentina.
|
|
|
|
The men, at least, all had one thing in common -- depravity -- and the
|
|
sex show they'd been promised greatly appealed to them. An American
|
|
family -- a minister and his wife and fourteen-year-old daughter --
|
|
both striking blondes -- was soon to be brought in and ravished before
|
|
their very eyes. Juan, the vice-lord host, had assured them it wouldn't
|
|
be an act, but the real thing.
|
|
|
|
One by one from their separate rooms, as inescapable as prison cells,
|
|
Ruth, Elliott and Paula were brought in naked and struggling.
|
|
|
|
Ruth was spread-eagled and manacled with her back to the wall. Most of
|
|
the fight and fear was gone from her now. She hadn't eaten for the
|
|
three days they'd been held captive in Acapulco. Jose had brought her
|
|
all the water she'd wanted, but nothing more. She was weak and
|
|
defeated, horrified but docile. Tears of humiliation streamed down her
|
|
blushing cheeks as her ankles and wrists were fastened securely to the
|
|
wall by the heavy iron manacles. The ten pairs of eyes in the faces
|
|
grinning with anticipation bored into her, evoking a deep sense of
|
|
shame as she sagged helplessly before them.
|
|
|
|
Elliott was led in next, his hands tied in front of him. He'd had all
|
|
he wanted to eat and was well over the effects of the drug he'd been
|
|
given in Juarez. Full of righteous indignation, he was fighting every
|
|
step of the way as Jose slapped and kicked and shoved him into the
|
|
room.
|
|
|
|
"Jesus ... it sure looks real," the starlet breathed.
|
|
|
|
"For a thousand bucks apiece, it better be," her escort muttered.
|
|
|
|
Elliott raged when he saw his wife hanging from the wall. He broke free
|
|
of Jose and ran to her, grabbing the chains and trying to rip them out
|
|
of the concrete they were set in.
|
|
|
|
"Go along with them, Elliott," Ruth pleaded.
|
|
|
|
"No, honey ... NO!"
|
|
|
|
"They'll kill us if you don't! There's nothing we can do!"
|
|
|
|
"They'll have to kill me!" he hissed, turning away to glare at the
|
|
watchers, sweating from his exertion with the chains.
|
|
|
|
His voice echoing loudly around the room, Elliott ran toward the
|
|
onlookers screaming, "Stop them! Don't let them do this! We're decent
|
|
people!"
|
|
|
|
Grabbing Elliott up like a sack of potatoes, Jose held him, kicking and
|
|
helpless, hooked over his hip.
|
|
|
|
"We've been abducted! Don't you understand? Help us! For God's sake,
|
|
help us!!!"
|
|
|
|
Pico stuffed a gag in his mouth, tying it in place as Elliott shook his
|
|
head and tried in vain to spit it out. When he was silenced, Jose stood
|
|
him on a box and forced his tied wrists over a hook in a ceiling beam.
|
|
Then, before Elliott could jerk off the hook, Pico kicked the box from
|
|
beneath him and laughed cruelly as he swayed, helpless and mumbling.
|
|
|
|
The audience was tense with emotion, watching attentively as Elliott
|
|
kicked and jerked on his hook and Ruth sobbed and sagged pitifully by
|
|
her manacles.
|
|
|
|
The German wife reached into her husband's lap and took out his erect
|
|
dick, her hand trembling as she gripped it harshly. "This is real,
|
|
Karl! Those people are not actors!"
|
|
|
|
Karl pulled her dress up and gripped the inside of her thigh until she
|
|
sucked in her breath and sighed, "It's going to be a delicious show ...
|
|
worth every mark we paid. The woman has a whip, do you see?"
|
|
|
|
Jose hurried from the room, returning a moment later with Paula. She
|
|
had a worried smile on her pretty face as he led her through the
|
|
doorway. Then she saw her father hanging from the ceiling and her
|
|
mother fastened to the wall. Stopping in her tracks, she jerked her
|
|
hands up to her face and screamed shrilly.
|
|
|
|
"Mommy ... Daddy! Oh good cripes! What have they done to you? What's
|
|
going on?"
|
|
|
|
Then she saw the audience and tried to hide behind Jose. His expression
|
|
very strained, Jose picked Paula up and carried her to the padded
|
|
massage table where Faustina was waiting.
|
|
|
|
"Put her pretty little butt here," Faustina ordered, patting the very
|
|
end of the table. "That's it ... now hold her on her back while I tie
|
|
her ankles."
|
|
|
|
Paula, who'd also been fed and cared for, fought so hard Pico had to
|
|
help his sister pull her legs apart and tie her ankles to the table
|
|
legs. When her ankles were secure, her legs spread wide apart and her
|
|
squirming butt hanging on the edge of the table, Pico and Faustina
|
|
moved up and each took one of her wrists from Jose.
|
|
|
|
His eyes pleading, Jose tapped Pico on the shoulder and pointed to
|
|
Paula.
|
|
|
|
"It's all right, my friend," Pico assured. "Your precious Paula will be
|
|
harmed in no way. Now, go sit down out of the way. I'll call you when
|
|
you're needed."
|
|
|
|
As Jose moved reluctantly away, Paula felt her body being stretched
|
|
tautly. Her arms were pulled out straight above her head, then apart,
|
|
Ropes were fastened around her wrists as she whimpered and bit her lip.
|
|
Then, in turn, her wrists were tied to the opposite table legs from her
|
|
ankles.
|
|
|
|
"The young girl is first," Juan, sitting off to the side, announced. "I
|
|
regret you cannot see her lose her virginity. I'm told the Negro took
|
|
that from her during the flight from Juarez, where the family was
|
|
abducted. Nevertheless, you will see her reaction to her first
|
|
experience with Lesbianism. When you're ready, my dear."
|
|
|
|
Faustina, wearing boots, leather skirt and bra, all black, nodded to
|
|
Juan, then bowed to the audience. Smiling, she moved to the table and
|
|
began running her hands over Paula.
|
|
|
|
Cringing, Paula said, "Don't ... please don't touch me like that."
|
|
|
|
Ignoring her, Faustina rubbed her palms over Paula's soft abdomen and
|
|
cupped one of her firm young tits. "She is very lovely, no?"
|
|
|
|
Paula squirmed, trying to move away from Faustina's hot hands.
|
|
|
|
"And so reluctant to be loved by a woman," Faustina added, taking
|
|
Paula's pink nipple between thumb and forefinger, pinching slowly down
|
|
on it.
|
|
|
|
Paula whimpered.
|
|
|
|
Her grip tightening, Faustina brought her face over Paula's and smiled
|
|
cruelly down at her.
|
|
|
|
"You're h-hurting me! Stop ... p-please stop!" Paula gasped, her upper
|
|
lip twitching and her eyes wide with fear.
|
|
|
|
"Kiss me, little one. Maybe I'll stop hurting you then ... if you kiss
|
|
me passionately enough."
|
|
|
|
"No! I w-won't kiss you!"
|
|
|
|
Her teeth clenched, Faustina twisted Paula's nipple with all her might.
|
|
|
|
Screaming at the top of her healthy lungs, Paula bucked her body up
|
|
from the table only to have the ropes bite painfully into her wrists
|
|
and ankles. She fell, shuddering and sobbing, back to the table,
|
|
Faustina's evil fingers gone from her tit but the pain lingering on.
|
|
|
|
"Cripes," she moaned. "Oh, cripes!" Then she felt Faustina taking her
|
|
sore nipple between her thumb and forefinger again. "No! I'll kiss you
|
|
... oh, God! I'll kiss you!"
|
|
|
|
Elliott kicked his legs wildly, trying to get himself free of the hook
|
|
so he could rush to his daughter's aid.
|
|
|
|
"That's better," Faustina said, gloating into Paula's pain-racked face.
|
|
"I don't want to hurt you, sweet one. Love is what I desire with you.
|
|
Give it to me and you will feel no more pain."
|
|
|
|
"All r-right," Paula stuttered, not sure she could believe Faustina
|
|
because she could feel her fingers holding lightly to her abused,
|
|
throbbing nipple.
|
|
|
|
"I'll kiss it and make it well," Faustina cooed, moving her head to
|
|
Paula's breast.
|
|
|
|
Her head slid down Paula's stomach, cupping her cunt as she pursed her
|
|
lips and kissed the pink tip of her tit. Her mouth opened. She took
|
|
Paula's tender bud inside and began sucking and licking her, her
|
|
fingers moving jerkily through the blonde pubic hair. A slurp sounded
|
|
as she lifted her head.
|
|
|
|
"Is that better, little one?"
|
|
|
|
Afraid to do otherwise, Paula nodded.
|
|
|
|
Faustina laughed, then dropped her head and took nearly all of Paula's
|
|
tit into her hot mouth. Sucking softly, she rolled her face and stroked
|
|
her hand intimately over Paula's loins. Her fingertips traced lightly
|
|
from asshole to clitoris, going up the inner slope of one cunt lip and
|
|
down the other, making Paula squirm and shut her eyes.
|
|
|
|
"Why," Faustina exclaimed with mock surprise, "I think you like what
|
|
I'm doing to you, little one!"
|
|
|
|
"I don't," Paula moaned. "Not a bit."
|
|
|
|
"I think you lie to Faustina. Look at your nipple. It's becoming hard,
|
|
no? And what is this?" she asked, lifting her hand from her pussy and
|
|
rubbing her fingers together. "Do I feel the moisture of love coming
|
|
from you already?"
|
|
|
|
"No, no, no!"
|
|
|
|
"Oh, yes, yes, yes," Faustina chuckled.
|
|
|
|
"Leave her alone," Ruth sobbed. "For God's sake ... leave my little
|
|
girl alone!"
|
|
|
|
Faustina's head snapped around, her eyes turning instantly cruel and
|
|
threatening as she glared at Ruth. "Shut up, puta! This one no longer
|
|
is yours. She now belongs to Pico and me! Another word out of you will
|
|
earn you a taste of my wheep!"
|
|
|
|
"Whip her!" the German woman hissed. "Whip her!"
|
|
|
|
But Faustina paid no attention to her. She stared Ruth down, then
|
|
turned, smiling warmly, back to Paula. "Now I'm going to make the love
|
|
with you. Before I'm finished, I think you will not be able to deny you
|
|
find it good."
|
|
|
|
Her heart beating wildly, Paula watched Faustina's face move over hers.
|
|
It descended quickly, lips finding lips, fitting together eagerly and
|
|
hotly. Faustina kissed Paula wetly, her lips trying to work the girl's
|
|
open, her hands moving constantly on both firm young tits.
|
|
|
|
Trying to think of anything but what was happening to her, Paula lay
|
|
very still. She didn't want to respond to this perversion, and she felt
|
|
sure she wouldn't because of her hatred of the woman forcing it upon
|
|
her. But little by little she realized her body was betraying her. Her
|
|
nipples began to harden under the incessant barrage of light pinches
|
|
and tweaks. Faustina's darting tongue was between her lips and teeth,
|
|
leisurely licking back and forth over the smooth inner surface of her
|
|
lips, trying to coax her teeth apart and enter her mouth.
|
|
|
|
A glowing heat built slowly but surely in her loins, until finally
|
|
Paula found it impossible to remain still. It was hard for her to
|
|
breathe. She couldn't seem to suck in enough air through her nostrils.
|
|
|
|
Ripping her mouth from Faustina's, flinging her head to the side, Paula
|
|
groaned and fought for breath, her chest heaving with the effort.
|
|
|
|
"Yes, baby ... yes!" Faustina cried, licking down Paula's sweat-damp
|
|
throat to her tits, then going rapidly from one to the other, planting
|
|
wet kisses on her hardened pink nipples. Her hand shot down and felt
|
|
the girl's cunt. "You're all wet now ... nice and ready for love!"
|
|
|
|
"No," Paula panted, feeling two fingers enter her and another toying
|
|
with her clitoris. "Please don't ... please ... I don't want you to
|
|
touch me there!"
|
|
|
|
But Faustina's gaze was fixed hotly on her blonde cunt, and if she
|
|
heard Paula she didn't show any sign of it. She moved between her legs,
|
|
bent over, spread Paula's tensed thighs, then her cunt.
|
|
|
|
"Now, little one ... now I'll make your body sing with joy!"
|
|
|
|
Holding Paula's slippery cunt lips apart with her fingers, Faustina
|
|
lowered her head and pressed her face to the girl's loins. Her lips
|
|
covered Paula's wet cunt; her tongue shot deep inside.
|
|
|
|
"Ohhhh ... ohhhh," Paula moaned, suddenly very weak and willing.
|
|
|
|
It was the same as it had been in the plane. She'd melted then, just as
|
|
soon as Jose had begun loving her with his mouth. She melted now as
|
|
Faustina made oral love to her. Not wanting to like it didn't matter in
|
|
the least. It was a bodily response her mind had no control over. She
|
|
lay quivering and panting as Faustina's lips sucked at her and her
|
|
tongue thrust hotly up her weeping cunt.
|
|
|
|
"Don't stop!" Paula yelled, when a moment later Faustina lifted her
|
|
face and smiled wetly up at her. "Suck me ... suck me some more!"
|
|
|
|
Chuckling with victory, Faustina pressed her lips to Paula and smacked
|
|
a loud kiss dead center of her swollen cunt, then she hurried up the
|
|
table and took Paula's face between her hands, bringing her sex-slick
|
|
mouth down for a kiss.
|
|
|
|
There was no hesitation this time. Paula gladly opened her mouth and
|
|
accepted the woman's kiss. She allowed her tongue to jab easily into
|
|
her oral cavern, sucking it immediately, finding the exciting taste of
|
|
herself clinging to it.
|
|
|
|
"More," Paula moaned, when Faustina pulled away.
|
|
|
|
"You'll get much more, little one," Faustina said, climbing onto the
|
|
table.
|
|
|
|
"What are you doing?"
|
|
|
|
"Making girl love!" Faustina exclaimed, straddling Paula's face and
|
|
flipped up her leather skirt. She bent over her then, bringing her face
|
|
to Paula's loins and her loins to Paula's face. "You want me to suck
|
|
you more?"
|
|
|
|
"Yes, yes!"
|
|
|
|
"Then you have to suck too," she sighed, lowering her hips, pushing her
|
|
hairy twat close to Paula's mouth.
|
|
|
|
"I don't know how!"
|
|
|
|
"Do like I do," Faustina ordered.
|
|
|
|
"I don't want to ... kiss you there!"
|
|
|
|
Faustina brought her lips to the top of Paula's cunt, taking her
|
|
protruding clitoris between them, rolling it as she sucked and licked
|
|
maddeningly at it.
|
|
|
|
"Mmmm ... so good!"
|
|
|
|
And those moaned words were the last Paula uttered for several
|
|
pleasure-laden moments, for the next instant Faustina's dripping hot
|
|
cunt pressed demandingly over her mouth. As if by instinct, Paula
|
|
formed her lips to the perfumed slit and jabbed her tongue inside. The
|
|
heady taste was wildly thrilling, the sex smell overpowering. With mild
|
|
shock, she discovered that kissing Faustina's dark-lipped pussy was
|
|
every bit as satisfying as sucking Jose's coal black cock -- which
|
|
she'd done for him three times since their arrival in Acapulco, taking
|
|
him all the way to orgasm and drinking his hot juice each time.
|
|
|
|
Just as she did when she was sucking Jose, she forgot everything else.
|
|
"Cut me loose!" she yelled, her words muffled by the cunt over her
|
|
mouth. "Cut me loose!"
|
|
|
|
"Do it!" Faustina barked, lifting her mouth from Paula's puffy cunt
|
|
only long enough to speak the two words, then going at her hungrily
|
|
again.
|
|
|
|
One ankle came free, then the other. Paula threw her legs up beside her
|
|
body so Faustina's wonderful tongue could reach even deeper into her
|
|
spasming cunt. Then her wrists were cut free and she wrapped her arms
|
|
around the moaning woman above her, her hands gripping her buttocks and
|
|
holding her messy cunt tightly to her mouth.
|
|
|
|
In seconds both Paula and Faustina plunged into a shuddering
|
|
simultaneous orgasm, each holding to the other, moaning and groaning
|
|
out their bliss with their mouths still locked firmly to one another's
|
|
juicy cunts.
|
|
|
|
When it was over, Paula lay weakly on the table, watching Faustina jump
|
|
up as refreshed as if she'd just had a good night's sleep rather than a
|
|
soul-sapping climax, as Paula had experienced.
|
|
|
|
With no show of affection at all, Faustina walked away from the table.
|
|
"Take your girl friend back to her room and lock her in, Jose. We're
|
|
through with her now. Hurry back. We'll need you shortly."
|
|
|
|
Jose, happy that Paula hadn't been hurt, nodded quickly and strode to
|
|
the table. He picked her up and cradled her in his arms, kissed her
|
|
forehead, then took her from the room.
|
|
|
|
Faustina picked up the whip.
|
|
|
|
"The woman!" a voice called raggedly. "Whip the woman! "
|
|
|
|
"I'm sorry," Pico said. "The woman must not be marked. She is too
|
|
valuable to us." He paused. "But the man is worthless ... would you
|
|
settle for him?"
|
|
|
|
"Whip him!"
|
|
|
|
"Stripe him good!"
|
|
|
|
"Kill him! At least whip him until he passes out!"
|
|
|
|
"Take the gag out of his mouth! Let us hear him!"
|
|
|
|
"You animals!" Ruth screamed, jerking at her bonds. "You blood-thirsty
|
|
animals!"
|
|
|
|
Faustina strutted over to Ruth and slapped her viciously, jerking her
|
|
head to the side and bringing a trickle of blood from the corner of her
|
|
mouth.
|
|
|
|
Her knees buckled and Ruth hung by the manacles attached to her wrists,
|
|
shaking her head in horror, sobbing brokenly at their helplessness. The
|
|
sharp edges of the iron bracelets dug brutally into her flesh. She
|
|
struggled to her feet, painfully, weakly, totally beaten in body and
|
|
spirit.
|
|
|
|
Standing on the box which he'd kicked from under Elliott's feet,
|
|
holding Elliott's lower body away from him so he couldn't kick him,
|
|
Pico untied the gag and jerked it from his mouth.
|
|
|
|
"You filthy swine!" Elliott spat, making fists as best he could. His
|
|
hands were swollen and turning blue. He swung himself around to face
|
|
the excited onlookers. "For God's sake! Don't just sit there! Get up
|
|
off your tails and help us! Please ... at least help my wife and
|
|
daughter! I'm begging you!"
|
|
|
|
"Break his spirit! Whip him!"
|
|
|
|
Faustina cracked the whip for drill, making it explode the air just
|
|
scant inches from Elliott's ear. Then she doubled the wicked instrument
|
|
and stepped closer to him, smiling as she reached out and swatted his
|
|
balls and cock with it.
|
|
|
|
"Ung!"
|
|
|
|
"That's it, gringo bastard! Grit your teeth!" she taunted.
|
|
|
|
"You bitch," he groaned. "God will punish you ... if I don't get to you
|
|
first!"
|
|
|
|
"You talk very brave for a man in your position," she smirked, whacking
|
|
his nuts again, harder this time.
|
|
|
|
"Oomph!"
|
|
|
|
"Lash him! That's what we want to see!"
|
|
|
|
"And you will!" Faustina hissed, stepping back and readying her whip.
|
|
|
|
Taking careful aim, she swung the leather snake with all her might,
|
|
making it pop loudly as she sent the tip biting into the nearest cheek
|
|
of his tensed ass.
|
|
|
|
"Aargh!" Elliott screamed, his body jerking wildly as a long weal rose
|
|
on his quivering buttock.
|
|
|
|
Faustina lashed him unmercifully then, throwing her whole body into
|
|
each blow, raising welts on his back and down his chest and stomach,
|
|
many of them oozing blood. He screamed until his voice was gone, then
|
|
grunted and moaned as she kept raining blow after vicious blow on him.
|
|
When she quit, he was drooling at the mouth and mumbling incoherently.
|
|
She stepped up onto the box, wiped the sweat from her face, then
|
|
reversed the whip and knocked him unconscious with the handle.
|
|
|
|
"Cut him down," she said, trembling from her strenuous labor as she
|
|
went to sit down.
|
|
|
|
Using his switchblade, Pico cut Elliott loose, letting him fall to the
|
|
floor with a thump, there to be temporarily forgotten now that they
|
|
were finished with him. Stepping over his limp form, Pico took a key
|
|
from his pocket and went to Ruth.
|
|
|
|
She was so weak she fell when he unlocked the final manacle and turned
|
|
her loose. She looked up at him from the floor, feeling faint, not
|
|
knowing what to expect after the terrible beating Faustina had given
|
|
Elliott.
|
|
|
|
"Juan?" Pico called.
|
|
|
|
"One steak coming up," Juan called back, jumping to his feet and
|
|
hurrying out the door. In less than a minute he reentered the room
|
|
carrying a covered serving tray, giving it to Pico before he sat back
|
|
down.
|
|
|
|
"Take your pants off and come over here, Jose."
|
|
|
|
Jose got up and shed his trousers, then walked over to where Pico stood
|
|
over a cringing Ruth.
|
|
|
|
Pico lifted the lid from the tray and passed it under Ruth's nose.
|
|
|
|
Oh Lord, but it smells good! she thought, sniffing and making a too-
|
|
late grab for the thick steak on the platter.
|
|
|
|
"Not so fast," Pick taunted, holding her away from it with his foot.
|
|
"This steak may be a bit tough. It's been sitting for more than an hour
|
|
in a warm oven."
|
|
|
|
"I don't care how tough it is!" Ruth wailed, trying to grab it as Pico
|
|
held her barely out of reach. "Give it to me ... give it to mee!"
|
|
|
|
"Are you hungry?"
|
|
|
|
"Hungry," she moaned, nodding and gulping. " So hungry!"
|
|
|
|
A small bite from the tenderest part of the steak had been cut off
|
|
already, just large enough to tantalize Ruth and make her all the more
|
|
eager for the rest of the steak when she tasted it.
|
|
|
|
"It has been a long time since you've eaten, hasn't it, rubia?"
|
|
|
|
"It seems like a week! Please ... let me have it!"
|
|
|
|
"It's only been three days," Pico said, picking up the bite of steak,
|
|
watching Ruth's eyes as he brought it slowly to his mouth. Then, just
|
|
as he got it to his lips, he let it drop.
|
|
|
|
It hit the floor and skidded, Ruth crawling after it, picking it
|
|
eagerly off the dirty floor and popping it into her mouth. She
|
|
whimpered as she chewed it up and gulped it down.
|
|
|
|
"Was it good?"
|
|
|
|
"Delicious!"
|
|
|
|
"Would you like the rest of this large, succulent steak?"
|
|
|
|
"Please ... oh, please!"
|
|
|
|
"I'll give it to you ... but first you have to suck Jose's cock."
|
|
|
|
"Oh, God," she moaned, staring at the long, black hose hanging between
|
|
his legs.
|
|
|
|
"It won't hurt you, rubia. Your daughter sucks it willingly. She even
|
|
likes to drink his semen."
|
|
|
|
"No," Ruth gasped. "Oh, no!"
|
|
|
|
"Yes. I'm afraid your daughter is a natural-born cocksucker. But it's
|
|
your turn now. As soon as you bring the cum up from Jose's balls and
|
|
swallow it down, I will give you the rest of this tender steak. Are you
|
|
ready to begin?"
|
|
|
|
"Please. I've never done that ... not even for my husband."
|
|
|
|
"Don't you want the steak?"
|
|
|
|
"Yes. I'm starving to death!"
|
|
|
|
'Well?"
|
|
|
|
Feeling nausea build in her stomach just thinking about it, Ruth
|
|
nodded. "I'll do it."
|
|
|
|
"Somehow I knew you would," Pico said, taking her hand and helping her
|
|
up. "Sit on the edge of the table, Jose. Spread your legs so our guests
|
|
will have a good view."
|
|
|
|
When Jose sat on the table, Pico led Ruth to him and pushed her head
|
|
down to his loins.
|
|
|
|
Tears of humiliation misting her eyes, Ruth braced herself by resting
|
|
her arms on his thighs, then opened her mouth and took his limp prick
|
|
quickly into her mouth. Shutting her eyes, she sucked and licked until
|
|
his cock grew thick and firm. Then, thinking about the steak, she
|
|
bobbed her head rapidly back and forth, sucking harshly to make him cum
|
|
as soon as possible and get it over with. The wet slurps her mouth made
|
|
as it raced up and down his shaft rang obscenely in her ears, but she
|
|
kept it up, feeling his cock acutely as it began to twitch against her
|
|
lapping tongue.
|
|
|
|
She knew he was near orgasm, and the knowledge brought a mixture of
|
|
revulsion and relief. More than anything she dreaded the moment when
|
|
his sperm would gush into her mouth and she would have to swallow it.
|
|
But then Pico would give her the steak, and she wanted it much more
|
|
than she dreaded Jose's semen.
|
|
|
|
Intensifying her efforts, Ruth clung weakly to his thighs and sucked
|
|
frantically on his enormous cock. It jerked, throbbed, then erupted --
|
|
sending a mass of hot cum over her tongue and washing down her throat.
|
|
Fighting the impulse to gag and pull away, Ruth shuddered with each new
|
|
jet of his load, letting it spurt warm and slick into her mouth as she
|
|
gulped and gulped until she thought he'd never stop coming.
|
|
|
|
But finally he did stop, and when she took her mouth from his limbering
|
|
prick, she staggered off to the side and puked wretchedly.
|
|
|
|
Pico was naked when she turned back, standing beside the table where
|
|
her steak sat waiting. She rushed to her food and picked it up with
|
|
shaking hands, bringing it to her mouth and tearing at it like an
|
|
animal. In her rush to get to the steak she hadn't noticed Pico's
|
|
erection. And when he stepped behind her and bent her over the table,
|
|
she almost didn't notice that.
|
|
|
|
He pushed her tits flat against the table. She held the steak close to
|
|
her face, still eating ravenously, her chin bumping the leather
|
|
covering as she chewed and swallowed. Then Pico grasped her hips and
|
|
pushed his cock between her buttocks.
|
|
|
|
"Don't!" she shouted, her protest coming out garbled around her
|
|
mouthful of meat. "No ... no, please ... not that! Aargh! Ung ... ung
|
|
... ung!"
|
|
|
|
Then his cock was in her asshole, thrusting rapidly, making it hard for
|
|
Ruth to eat as he jostled her back and forth.
|
|
|
|
* * *
|
|
|
|
|
|
They arrived at the small airport on the outskirts of Acapulco early
|
|
the next morning. The sun was just beginning to show in the eastern
|
|
horizon when Paula stepped from the car and stood waiting while Pico
|
|
and Jose dragged her parents out.
|
|
|
|
Ruth's hands were tied in front of her body. She wasn't gagged, because
|
|
now she shut up immediately when she was told to do so, and she seemed
|
|
to have little to say anyway.
|
|
|
|
Elliott's hands were bound securely behind his back. He was also
|
|
gagged. Despite his weakened condition, the beating hadn't taken the
|
|
fight out of him. He'd blackened Pico's eye when he and Jose entered
|
|
his room that morning.
|
|
|
|
Only Paula had been left unbound and ungagged. She presented no threat
|
|
to her abductors. Ever since the brief talk with her mother just before
|
|
they'd left Juan's mansion, she seemed to be in a state of shock. She
|
|
now knew there would never be any ransom, that she and her mother were
|
|
being taken to Panama where they would remain forever as whores in
|
|
Pico's sin palace. It was too horrible a fate for her young mind to
|
|
accept, and she moved zombie-like as Faustina guided her toward the
|
|
waiting plane.
|
|
|
|
Elliott was still struggling and mumbling through his gag when Jose
|
|
stuffed him into the cargo area of the plane and climbed in behind him,
|
|
shutting the door and slipping the makeshift two-by-four bolt into
|
|
place to hold it shut.
|
|
|
|
"What are you going to do with the man?" Faustina asked as Pico started
|
|
the engines.
|
|
|
|
"Get rid of him, I suppose," Pico answered.
|
|
|
|
Faustina and Pico were in the cabin, but the door to the cargo area was
|
|
still open, letting their voices drift back over the sound of the
|
|
revving engines.
|
|
|
|
"Good. You have no use for him."
|
|
|
|
"I could have use for him," Pico said. "I'd keep him if you'd come and
|
|
whip him every Saturday night."
|
|
|
|
"No."
|
|
|
|
"It would make a good act for my show ... something none of the other
|
|
houses offer."
|
|
|
|
"I can't."
|
|
|
|
"Just on Saturdays. Who would ever know? You could wear a mask to hide
|
|
your identity."
|
|
|
|
"It is tempting," Faustina said.
|
|
|
|
"You'll think about it?"
|
|
|
|
"I'd enjoy it ... you know I would."
|
|
|
|
"Then you agree?"
|
|
|
|
Faustina sighed. "No. It's out of the question, Pico."
|
|
|
|
"Because of your husband?"
|
|
|
|
"Yes. He must never know. He wouldn't understand. Besides, his position
|
|
... I dare not risk it."
|
|
|
|
"He still doesn't know about me?"
|
|
|
|
"He knows I have a brother. That's all. He thinks you live in Japan.
|
|
No, Pico, forget it. I don't dare come to your place even once, let
|
|
alone every Saturday night. Get rid of the man. He'll be trouble if you
|
|
don't."
|
|
|
|
"I'll have to do it in a way that his body will not be discovered."
|
|
|
|
"How?"
|
|
|
|
"I don't know, Faustina. I don't know yet."
|
|
|
|
"I have a suggestion," she said.
|
|
|
|
"Tell me."
|
|
|
|
"Fly out over the ocean. We'll open the cargo door and push him out."
|
|
|
|
"His body might drift into shore."
|
|
|
|
"No, it won't. I'll cut him. The sharks will come to the blood. His
|
|
bones will settle to the floor of the ocean and remain there."
|
|
|
|
The engines were warm enough. Pico began to taxi out to the strip for
|
|
takeoff. Ruth hadn't heard anything of their conversation. She was so
|
|
beat she'd fallen asleep as soon as she'd been laid on one of the
|
|
sleeping bags. Paula sat huddled in a corner, her eyes open but
|
|
unseeing, her ears registering the sound vibrations but her numbed
|
|
brain refusing to take them in.
|
|
|
|
But Elliott, lying just inside the door, had heard them. He didn't know
|
|
why they were speaking in English, but they were, and he hung on every
|
|
word either of them uttered. His blood ran cold as he listened to them
|
|
plan his murder. He had to do something, he realized -- and soon! The
|
|
plane was on the runway, picking up speed for takeoff!
|
|
|
|
"Well?" Faustina asked.
|
|
|
|
"All right," Pico said. "We'll dump him over the ocean."
|
|
|
|
Jose's attention was on Paula, Elliott saw. The big Negro was sitting
|
|
cross-legged before her, his gaze glued to her emotionless face. It was
|
|
now or never, Elliott knew; and if he was going to die, he preferred it
|
|
come as a result of an attempt to escape. At least this way he had a
|
|
slim chance!
|
|
|
|
With great effort, the sores from Faustina's whip smarting at the
|
|
slightest movement, Elliott got quietly to his feet. He backed to the
|
|
wall of the plane, now approaching takeoff speed, and inched carefully
|
|
toward the cargo door.
|
|
|
|
The plane lifted off the runway just as Elliott pulled the two-by-four
|
|
bolt from its slots. Holding the wooden bar behind his back, his
|
|
squatted in front of the door. The board made a noise as he dropped it,
|
|
and both Jose and Faustina jerked their heads around.
|
|
|
|
"The fool is trying to jump from the plane!" Faustina shouted in
|
|
English. Then, in Spanish, she yelled at Jose, "Get him! Grab him
|
|
before he gets the door open!"
|
|
|
|
But Elliott already had the door part way open by the time Jose lunged
|
|
at him. Slamming his feet forcefully on the cargo deck, he used all the
|
|
power he could coax from his trembling legs to throw his back against
|
|
the door. It swung open. He was tumbling out -- head first and backward
|
|
-- when Jose grabbed his foot.
|
|
|
|
The plane was about ten feet in the air and climbing rapidly. For a
|
|
split second Elliott hung here, Jose holding his foot and the door
|
|
biting his shin as the force of the wind pushed against it. Then his
|
|
shoe came off in Jose's hand and his shin scraped nerve-shatteringly
|
|
against the sharp edge of the door. His body jerked as his foot caught
|
|
in the door; then he was falling through the air with the plane soaring
|
|
above him. The paved runway rushed up at him. He tried to jerk his body
|
|
so he would hit on his side.
|
|
|
|
But there wasn't time. He hit the runway not knowing in what position
|
|
he was in, his body skidding and rolling and flopping, lights flashing
|
|
in his head, pain bursting him apart, trying to scream but never making
|
|
it, a great and total blackness consuming him as a mass of blood gushed
|
|
from his gaping mouth.
|
|
|
|
"Circle around and land!" Faustina screeched. "Pick him up!"
|
|
|
|
Pico nodded, doing as she said, turning the plane to return and land.
|
|
"The fool! He's probably dead this minute. No one could live through
|
|
that."
|
|
|
|
"But you can't leave his body there!"
|
|
|
|
"Don't panic. We'll get him and dump him at sea."
|
|
|
|
By the time they'd circled the field, Juan's car was gone. But another
|
|
car was down there, speeding along the runway toward where Elliott lay.
|
|
|
|
"Of all the rotten luck!" Pico growled, pulling back on the controls
|
|
and giving the plane full throttle, lifting away from the runway.
|
|
|
|
"Land, Pico ... land and get him!"
|
|
|
|
"I can't! The runway could be swarming with people by the time we got
|
|
him into the plane!"
|
|
|
|
"Oh, sweet Mother of Christ," Faustina breathed, crossing herself.
|
|
"What if his body is identified ... what if --"
|
|
|
|
"Hush, Faustina. Did you get a look at him when we passed over. He's a
|
|
mess. I think he will not be identified." Pico smiled tensely, reaching
|
|
into his side coat pocket, coming out with Elliott's wallet and
|
|
personal things he'd had in his pockets. "His suitcase is in the plane,
|
|
and I have everything from his pockets. I took them from him after he
|
|
attacked me this morning."
|
|
|
|
Faustina sighed. "Fly out over the ocean. I'll throw his things out --
|
|
just to be on the safe side."
|
|
|
|
|
|
|
|
Chapter 9
|
|
|
|
|
|
Living in Pico's sin palace was like an unending nightmare for Ruth and
|
|
Paula. They spent the first night locked in an upstairs room. Some of
|
|
the louder noises drifted up to them from the large bar below, where
|
|
Pico had said they'd be working the following night. Horrified at the
|
|
sordid life ahead of them, they lay huddled naked together on the bed.
|
|
The rooms on either side of theirs were busy, one or the other of the
|
|
beds nearly always rasping under the weight of fucking bodies. It went
|
|
on until a faint light began to filter in through the one barred
|
|
window, signaling that the night was drawing to a close.
|
|
|
|
It was then, at dawn, when Ruth broke the news to Paula about her
|
|
father's death. Paula stared dumbly at her mother for several moments,
|
|
then buried her face between Ruth's breasts and broke down completely.
|
|
Ruth held her, both of them crying for over an hour before a hopeless
|
|
fatigue set in, bringing a deep sleep with it.
|
|
|
|
They were awakened and fed at three the next afternoon, their first
|
|
meal in the whorehouse dining room (one end of the main barroom)
|
|
consisting of flour tortillas, bacon, scrambled eggs, refried beans,
|
|
orange juice, milk and coffee. The food was good. Ruth wolfed hers
|
|
down. But Paula, still numbed by her situation and the news of her
|
|
father's death, could only force a few bites down. She sat sipping
|
|
orange juice, staring blankly at the other whores, listening to them
|
|
chatter away in Spanish as if all was right with the world.
|
|
|
|
There were fifteen girls in all, varying in age from midteens to late
|
|
thirties, most of them in their twenties. One looked Oriental, two
|
|
Indian, and one was black with flashing white teeth. The others were
|
|
Latin American. Ruth and Paula were the only Anglo girls, and their
|
|
light skin and blonde hair made a striking contrast. Their fairness set
|
|
them apart from the others. A couple of the younger girls seemed
|
|
friendly, but most showed amused resentment when Ruth and Paula saw
|
|
them glancing their way.
|
|
|
|
Pico and a plump, bored-looking woman he called Rosa sat at the table
|
|
with Ruth and Paula. Rosa was by far the oldest and least attractive
|
|
woman in the house. She spoke fair English, but nowhere near as well as
|
|
Pico.
|
|
|
|
At the table next to them sat Jose, watching Paula with a worried
|
|
expression as he ate. Two Latin men, almost as big and muscular as
|
|
Jose, also sat at that table. One had an ugly scar running the full
|
|
length of his left cheek, the other showed three front teeth missing
|
|
when he laughed or smiled.
|
|
|
|
Five of the girls hurried through their meal, then four of them stood
|
|
hopefully off to the side as the fifth came to the table and spoke to
|
|
Pico in Spanish. He asked her a question. She pointed to the scarred
|
|
man as she answered. Pico nodded. The scarred man came over. Pico gave
|
|
him some money, then he and the five girls left.
|
|
|
|
"They are going to a movie," Pico explained as the front door banged
|
|
shut. He grinned at Ruth. "Perhaps you and Paula will earn similar
|
|
privileges one day."
|
|
|
|
A ray of hope flashed in Ruth. If she and Paula could get out of the
|
|
building, even with one of those men along, there was a chance of
|
|
escape.
|
|
|
|
"But of course I'd never permit you both to go out at the same time,"
|
|
Pico added, smirking, exploding the hope just as suddenly as he'd
|
|
raised it.
|
|
|
|
Ruth shivered and lowered her gaze from his cruel eyes. She knew she
|
|
could never escape and leave Paula behind. But there was a way. There
|
|
had to be a way she could get Paula and herself out of this terrible
|
|
place once and for all! And she determined to find a way if it was the
|
|
last thing she ever did.
|
|
|
|
"I can read your mind, rubia."
|
|
|
|
"What?"
|
|
|
|
"You're thinking of escape."
|
|
|
|
"No," she lied.
|
|
|
|
"No matter. Think of it all you wish ... just don't be foolish enough
|
|
to try it. If either of you should succeed, it will be at the expense
|
|
of the other."
|
|
|
|
"What do you mean?"
|
|
|
|
"The one left behind will die," he said calmly, lighting a cigar. "Very
|
|
slowly and very painfully."
|
|
|
|
Ruth gasped. "You wouldn't!"
|
|
|
|
He laughed.
|
|
|
|
A chill swept over Ruth. She hugged herself and shuddered.
|
|
|
|
"Both of you go bathe and make yourselves pretty. Two of my most valued
|
|
patrons are coming shortly. They've graciously agreed to let you
|
|
practice your new profession on them. Rosa will instruct you what to do
|
|
and when to do it. I would advise that you eagerly obey her every
|
|
command. Don't force me to punish you. Cooperate. Your lives will be
|
|
much more pleasant for it."
|
|
|
|
The instant they were alone in their room, Paula dove onto the bed and
|
|
began crying bitterly. Ruth sat down beside her, patting and stroking
|
|
her, trying to console her.
|
|
|
|
"I don't wanna be a whore, Mommy!" she wailed. "I want to go home!"
|
|
|
|
Tears misting her own eyes, Ruth slapped Paula hard. "Get hold of
|
|
yourself! Stop crying and listen to me!"
|
|
|
|
Sniffling and rubbing her cheek, Paula sat up obediently.
|
|
|
|
"We will go home, baby. I promise you that."
|
|
|
|
"But how? Pico won't let us!"
|
|
|
|
"Hush now! Don't start that again!"
|
|
|
|
Paula shook herself and wiped her eyes.
|
|
|
|
"I don't know how yet," Ruth went on, "but there has to be a way! I'll
|
|
find it. I'll get you out of here."
|
|
|
|
"It's hopeless, Mother, and you know it."
|
|
|
|
"No, it isn't. It can't be! Believe that, Paula. We'll get out of here.
|
|
It'll take time, though, and for now we'll have to do as they say."
|
|
|
|
"I don't know if I can," Paula moaned.
|
|
|
|
"You have to. There's no choice."
|
|
|
|
"I'll try."
|
|
|
|
"We'll act like we've accepted things as they are. Don't cross Pico in
|
|
any way ... no matter how disgusting it becomes. Make him think you're
|
|
trying to adapt. Okay?"
|
|
|
|
"Okay."
|
|
|
|
"Good girl. I know it's going to be horrible. But we have to go along
|
|
for now. When he's convinced we're broken, they won't watch us so
|
|
closely. We'll find a way, Paula. We have to. And when the time is
|
|
right ..."
|
|
|
|
"It could take months."
|
|
|
|
"Then help me, Paula. Study everything. Help me come up with a plan."
|
|
|
|
"But what if we can't find a way?"
|
|
|
|
"We can. Believe that, or we're lost already. I promise to get you out
|
|
of this, and I've never broken a promise to you, have I?"
|
|
|
|
"But this is different, Mother."
|
|
|
|
"I'll get you out of here, even if I have to stay behind."
|
|
|
|
"No! I won't let you do that! Pico would kill you!"
|
|
|
|
Ruth smiled sadly. "If we can't both escape, you'll be the one to go.
|
|
Do you understand me, Paula? I'd rather be dead than have my daughter
|
|
live her life as a whore."
|
|
|
|
Paula gulped.
|
|
|
|
"But we'll find some way. We're more intelligent than they are. We can
|
|
do it if we put our minds to it ... if we think it out carefully and
|
|
find the most logical plan before we attempt it."
|
|
|
|
"I'll help you, Mother. If Jose could only talk, I believe I might get
|
|
him to help us. He's in love with me, I think."
|
|
|
|
"He does what Pico says, and he only understands Spanish."
|
|
|
|
"I'll learn Spanish as fast as I can. I'll feel Jose out."
|
|
|
|
"It can't hurt, that's for sure. Come on. We'd better get cleaned up
|
|
and go back before Pico comes after us. We want him to think we've
|
|
given up hope and are trying to make the best of it."
|
|
|
|
"I guess it's the only way, for now," Paula said resignedly, her mind
|
|
already turning over what she'd say to Jose once she could speak enough
|
|
Spanish to talk to him.
|
|
|
|
The men were sitting at a table with Pico when Ruth and Paula, both of
|
|
them forcing smiles, came down the stairs.
|
|
|
|
"They're so old," Paula said out of the corner of her mouth as she and
|
|
her mother approached the table.
|
|
|
|
Ruth took her hand and squeezed it. The two men were old, one of them
|
|
bald and skinny, the other fat and round-faced, with his gray hair
|
|
clipped in a stiff crewcut. Now that she saw the men who were to be
|
|
their first customers, Ruth knew she'd never be able to go through with
|
|
it. She glanced at the table. The door was clear across the room. No
|
|
one was near it.
|
|
|
|
"The door," Ruth whispered. "Let's try for it."
|
|
|
|
"Now?"
|
|
|
|
"Right now. Run!"
|
|
|
|
Their heels clicked rapid-fire as Ruth and Paula raced past the table
|
|
and ran for the door. They could hear Pico laughing uproariously even
|
|
as they approached it. Then, standing before the door, they realized
|
|
why Pico was laughing and no one was trying to stop them. They couldn't
|
|
open the door. There was no knob on the inside -- just a hole for a
|
|
key. All that was required for freedom was the twist of a key, then a
|
|
push on the door. Ruth and Paula pounded and pushed futilely on the
|
|
heavy door. Finally they gave up, looked at each other, then went
|
|
defeatedly to the waiting men.
|
|
|
|
"You can't get out without these," Pico said, holding up his keys to
|
|
taunt them. . "And you have the only set, I suppose," Ruth said
|
|
tiredly.
|
|
|
|
"Not at all, rubia. Everyone who needs keys has them."
|
|
|
|
"But none of the girls."
|
|
|
|
Pico grinned. "You're a smart one, rubia. You catch on very quickly.
|
|
Now, I'm going over there and watch while Rosa shows you how to turn
|
|
hesitant men into eager customers. Learn well the art of seduction, my
|
|
fair ones."
|
|
|
|
For over an hour Ruth and Paula took instructions from Rosa. They
|
|
approached the evil-looking men, both of whom were around sixty, time
|
|
and again learning how to smile and slink up to them, caressing them,
|
|
running their tongues in their ears and fondling their cocks. By the
|
|
time Rosa called a halt to the preliminaries, Ruth's face mirrored the
|
|
shame and humiliation seething within her.
|
|
|
|
It was different for Paula. The skinny bald man had been assigned to
|
|
her, and at the first touch of her trembling hand his cock had jumped
|
|
to life. Fondling it through his trousers aroused her slightly, because
|
|
sex was so new to her. He was soon handling her in return, feeling her
|
|
tits and putting his hand under her dress. She tried very hard not to
|
|
respond.
|
|
|
|
But it was a losing battle. After the second drink Paula's mind was
|
|
fuzzy and the butterflies were swarming in her stomach. Then the man
|
|
took his hard cock out and put her hand on it flesh to flesh. It felt
|
|
nice and hot when she gripped it, and when he pushed her head down she
|
|
could dimly hear Pico laughing as she took his cock in her mouth and
|
|
sucked it.
|
|
|
|
Something in her snapped. Moaning with lust, she bobbed her head
|
|
willingly up and down in the squirming man's lap, taking the head of
|
|
his weeping cock deep into her mouth as her cheeks hollowed in harsh
|
|
suction. A hand gripped her blonde hair, pulling her mouth from the
|
|
stiff rod with a lewd slurp.
|
|
|
|
Wagging her finger in front of Paula's face, Rosa scolded, "Never here,
|
|
little cocksucker. Always make them pay first, then take them to a room
|
|
... understand?"
|
|
|
|
Licking her lips, knowing it was crazy but wanting to suck the dick off
|
|
anyway, Paula nodded.
|
|
|
|
Turning to Pico, Rosa asked, "How much for their services? They have
|
|
learned enough teasing for now."
|
|
|
|
"No fee for these gentlemen this time. They are doing me a favor. Get
|
|
on with it."
|
|
|
|
"Come," Rosa said.
|
|
|
|
Ruth, reeling with shame, and Paula, moving as if hypnotized, held the
|
|
men's hands and followed Rosa up the stairs and down the hall to a room
|
|
containing two beds. Pico was the last one in. He stood just inside the
|
|
doorway, not bothering to shut the door.
|
|
|
|
"Please," Ruth begged. "Don't make us do it in the same room. Have you
|
|
no decency at all?"
|
|
|
|
"In the same room," Rosa sighed. "How else can I instruct you both?"
|
|
|
|
"They are mother and daughter," Pico explained to the men.
|
|
|
|
The fat one finally began to get an erection. "Make them love each
|
|
other first."
|
|
|
|
Pico grinned. "It might prove interesting, at that."
|
|
|
|
Paula blinked at her mother.
|
|
|
|
"No," Ruth pleaded. "Not that!"
|
|
|
|
"You'll do as I say!" Pico barked. "Yes ... I think I'd like to see
|
|
them together. Strip! Both of you!"
|
|
|
|
As Paula blushed and took off her clothes, Ruth stood numb and
|
|
shivering, tears trickling down her cheeks. She was soon as naked as
|
|
Paula though, because Pico had both the men help her off with her
|
|
clothing. Ruth sobbed silently as the four eager hands tugged at her
|
|
clothes and fondled her body.
|
|
|
|
"Put her on that bed," Pico said, and Ruth felt herself being lifted
|
|
and placed in the center of the bed. "She's very beautiful, isn't she?
|
|
Lie on top of your mother, little one. Show her you love her. Kiss away
|
|
her tears."
|
|
|
|
When Paula hesitated, standing beside the bed and looking down into her
|
|
mother's tear-streaked face, Pico blew the ashes off his cigar and held
|
|
the hot end near her buttock. She jerked away before the fire touched
|
|
her and, knowing he would burn her if she didn't act quickly, got onto
|
|
the bed.
|
|
|
|
"I feel awful about this," Paula whispered, getting on top of her
|
|
mother, letting their bodies contact, tits to tits and belly to belly,
|
|
holding her pubic mound just above Ruth's.
|
|
|
|
"Spread your legs, rubia. Take your daughter between them and put your
|
|
arms around her."
|
|
|
|
"I'm sorry, Mother," Paula whispered, her cunt making contact with
|
|
Ruth's as she fitted between her opening thighs. When Ruth's arms went
|
|
about her and hugged her maternally, Paula said, "I love you. I don't
|
|
want to do this. I love you so much!"
|
|
|
|
Ruth shut her eyes and sobbed, patting Paula's back.
|
|
|
|
Then, her own eyes misting over, Paula began kissing away her mother's
|
|
tears.
|
|
|
|
"Her mouth now, little one. Kiss her like you were a man."
|
|
|
|
Feeling sorrow for her mother, Paula brought her mouth to Ruth's,
|
|
pressing their lips firmly together. A hand moved between their
|
|
throats; fingers pulled at their chins. Paula did as she knew Pico
|
|
would demand anyway. Expecting to feel revulsion, she thrust her tongue
|
|
into her mother's mouth. But there was no revulsion. Ruth's mouth was
|
|
sweet and warm, very pleasant to kiss even though she wasn't kissing
|
|
back.
|
|
|
|
Hands covered her asscheeks, pushing down, rocking her pussy against
|
|
Ruth's.
|
|
|
|
"You get the idea, little one? Do it. Hunch while you kiss."
|
|
|
|
She did as she was told, and the constant rubbing of cunt against cunt
|
|
grew very enjoyable. It was terribly wrong, Paula knew, because they
|
|
were both women and also mother and daughter, but she couldn't make
|
|
those wonderful butterflies in her stomach believe it. They responded
|
|
only to the physical sensations, ignoring her mental pleas and
|
|
multiplying at an unbelievable rate.
|
|
|
|
Then hands were grasping Paula's ankles, tugging at them, urging her
|
|
mouth from Ruth's, pulling her down until her face was lying between
|
|
her mother's large breasts. It wasn't necessary for Pico to order her
|
|
this time. Paula palmed the side of those warm tits and pulled both
|
|
nipples close together. Kissing and sucking instinctively, she moved
|
|
from one to the other. Soon Ruth's pink buds grew hard to her lips and
|
|
tongue.
|
|
|
|
"Mother ... oh, Mother!"
|
|
|
|
With a mournful groan, Ruth shut her eyes tightly and bit her lower
|
|
lip.
|
|
|
|
"Suck her pussy," Rosa chuckled.
|
|
|
|
Paula could feel her mother trembling as her chest rose and fell
|
|
rapidly. "I want to, Mother! God help me ... but I do!"
|
|
|
|
"God help us both!" Ruth moaned, patting Paula's shoulder with one hand
|
|
as she pushed her head lower with the other.
|
|
|
|
Hurriedly Paula scooted down and brought her mouth to her mother's
|
|
slippery cunt. She opened her mouth wide, fitted her lips hotly to the
|
|
hairy blonde opening, then stuck in her tongue as far as it would go.
|
|
|
|
Ruth stiffened. "Ohhhh ... ohhhh!" Then a tremor passed through her
|
|
body as she flung her legs wide and held Paula's face firmly to her
|
|
loins.
|
|
|
|
The next instant Pico grabbed Paula and turned her around, pushing her
|
|
face back into her mother's cunt and her cunt into her mother's face.
|
|
When Ruth grabbed her ass and shoved her hot tongue deep into her
|
|
pussy, Paula thought she'd pass out from the bliss careening through
|
|
her. She sucked and licked furiously, Ruth doing the same to her. For
|
|
little more than a minute were they left alone, then Paula was picked
|
|
up bodily and dumped onto the other bed.
|
|
|
|
"You bastards!" Ruth cried. "You perverted bastards! "
|
|
|
|
The bed sagged as the fat man joined Ruth. He mounted her, plunged his
|
|
cock to the hilt in her spit-slick cunt, hunched twice, then pulled
|
|
out, dripping her juice, and straddled her. On his knees he walked up
|
|
the bed until his purplish glans was bumping her chin. There, without a
|
|
word, he cupped her head and lifted her mouth to him, pulling her lips
|
|
over his hot knob, forcing her teeth apart, thrusting his smelly dick
|
|
so far and fast into her moist oral cavern that she gagged as the
|
|
cockhead pressed at the back of her throat. "Suck it, rubia!"
|
|
|
|
Her mind reeling with shame and lust, Ruth gripped the man's fleshy ass
|
|
and bobbed her head on his cock.
|
|
|
|
"Ohhh ... not there! Not in my butt!"
|
|
|
|
Moaning as she sucked rapaciously on the strange man's dick, Ruth
|
|
glanced at the other bed out of the corner of her eye. There was Paula,
|
|
on her hands and knees, the skinny man taking his position behind her,
|
|
holding her hips as he sank his shaft between her quivering asscheeks.
|
|
|
|
"Oh ... too big ... it's too big!" Paula gasped. Then she sucked in her
|
|
breath raggedly, her eyes growing very wide as the man flattened her
|
|
ass with his stomach. "UNG ... UNG! Ohhh ... oh, cripes!"
|
|
|
|
Panting for breath, Paula dropped her face to the pillow and moaned
|
|
soulfully as the man began fucking her ass with rapid thrusts.
|
|
|
|
* * *
|
|
|
|
|
|
That night Ruth turned eight tricks and Paula twelve. Ruth's fifth
|
|
customer of the evening was an American sailor, a chief petty officer.
|
|
As soon as she was in a room with him, she blurted out the story of how
|
|
and why she and Paula were there. He didn't believe her. She was
|
|
horrified when he only laughed and told her what a vivid imagination
|
|
she had. While he was fucking her she begged him to help, pleaded with
|
|
him to at least report what she'd told him to the police.
|
|
|
|
"Sure, baby ... sure," he mumbled drunkenly, still humping away. "Now
|
|
shake that hot ass and make it good for me, huh?"
|
|
|
|
''Oh, thank you ... thank you so much!" Ruth wailed, hugging him,
|
|
slamming her pelvis up to meet him, making it as good for him as she
|
|
possibly could.
|
|
|
|
But as he left the room while she was cleaning herself, he glanced at
|
|
her and shook his head, muttered, "Crazy broad," then went out laughing
|
|
as Ruth stared incredulously after him.
|
|
|
|
|
|
|
|
Chapter 10
|
|
|
|
|
|
Twenty-seven days after he'd jumped from the plane, Elliott opened his
|
|
eyes. He was in a hospital room -- in casts and bandages and traction -
|
|
- with needles in his veins and bottles hanging on either side of the
|
|
bed. He blinked and turned his head. A nurse sat knitting beside his
|
|
bed.
|
|
|
|
"Don't move," she admonished. "I'll get the doctor."
|
|
|
|
Elliott watched her hurry from the room. He wondered where he was. He
|
|
even wondered who he was. Then the curtain of peaceful blackness fell
|
|
over him again.
|
|
|
|
* * *
|
|
|
|
|
|
"Jose! My darling, Jose! " Paula wailed in Spanish, her fingers digging
|
|
at his tensed ass as his cock twitched through orgasm inside her for
|
|
the second time that morning. "Me too, baby ... I'm coming with you!"
|
|
she cried.
|
|
|
|
He hugged her to him, panting harshly as his sperm jetted into her
|
|
heaving belly, his lips working over her throat and ear.
|
|
|
|
"Ohhh ... sweet man ... wonderful man!"
|
|
|
|
Paula held him on top of her when it was over, smiling up at him as she
|
|
stroked his damp back and worked her cunt on his limbering cock. "Make
|
|
it hard again," she breathed. "I love to feel you inside me. Fuck me
|
|
again, darling ... just once more before we fall asleep!"
|
|
|
|
Jose looked confused. It was the first time Paula had made any demands
|
|
at all on him. He shrugged helplessly, then withdrew and flopped onto
|
|
his back beside her.
|
|
|
|
But Paula was not to be put off so easily. Everyone in the whorehouse
|
|
was going to sleep for the day, and this was the morning she and her
|
|
mother had decided to escape. She wanted Jose drained and exhausted
|
|
when she left him sleeping. He mustn't wake up and catch her taking his
|
|
keys, and he had to sleep soundly for an hour, at least. He usually
|
|
slept so lightly that he awoke when she got up to go to the bathroom
|
|
even. But not this morning. This morning he had to sleep!
|
|
|
|
"What's the matter, honey?" she asked teasingly. "Don't you want to
|
|
fuck me again?"
|
|
|
|
He nodded and grinned, then shook his head and pointed at his limp
|
|
cock.
|
|
|
|
"I'll fix that," she said sultrily, sitting up and bending over him,
|
|
taking his slippery prick in her hand and lowering her head.
|
|
|
|
Her tongue flashed out and licked the mixture of male and female sex
|
|
juices from his shiny, black prick. Feigning a sexual hunger she didn't
|
|
really feel, she cupped his balls and rolled them gently. "Mmming," as
|
|
if she found it delicious, she licked wetly at the velvety head of his
|
|
dick until it began rising jerkily. Then, looking up into his eyes, she
|
|
took it in her mouth and sucked it back to full erection.
|
|
|
|
"Ohh," she sighed, slurping off his stiff rod and grasping it in her
|
|
hand as she swung over his loins. "This is the way I like you, darling
|
|
... nice and hard and ready!"
|
|
|
|
Bracing one hand on his chest, she guided his glans between the swollen
|
|
lips of her cunt, then sank down, sighing and trembling as she took it
|
|
all.
|
|
|
|
The head flipped maddeningly at her cervix as Paula began riding him;
|
|
and though she'd been fucked by twenty-three customers before she and
|
|
Jose went to bed, she found herself loving every inch of his massive
|
|
dick. She rarely felt anything with the men who paid for her favors,
|
|
but Jose was different. He was so gentle with her so loving and kind.
|
|
|
|
"Oh, baby ... baby," she moaned, taking his hands and pulling them up
|
|
to her tits.
|
|
|
|
It took nearly five minutes to bring Jose to his third orgasm, and
|
|
during her breathless ride Paula paused, shuddering and moaning, for
|
|
three more of her own. Then she felt his big cock throbbing a warning
|
|
and speeded up the already rapid tempo.
|
|
|
|
"I'm going to miss you, Jose," she said in English, knowing he wouldn't
|
|
understand. "Jesus ... how I'm going to miss you!"
|
|
|
|
A final weak orgasm swept over her as his prick jerked delightfully in
|
|
the depths of her sweat-soaked belly. She fell forward, glued her mouth
|
|
to his and sucked in his tongue, rotating her hips as they shared a
|
|
last moment of joy.
|
|
|
|
"That was wonderful, darling," she sighed, rolling off him and cuddling
|
|
up to his relaxed body. "Sleep now. No, I'm too warm. Don't hold me.
|
|
Let's go to sleep."
|
|
|
|
In less than a minute Jose was snoring lightly. Paula fought her own
|
|
tiredness, snapping her eyes open each time they fell shut. After Jose
|
|
seemed to fall a bit deeper asleep, she kissed his forehead and called
|
|
his name. He didn't stir.
|
|
|
|
Carefully she slipped out of bed and stole the keys from his pants
|
|
pocket. As a final gesture of affection, which she knew wasn't love in
|
|
the true sense, she bent over him and kissed his lips. Then, not
|
|
bothering to dress, she tiptoed from the room.
|
|
|
|
The hall was deserted. No voices could be heard coming from any of the
|
|
rooms. Paula crept just the same, making her way cautiously to the room
|
|
in which her mother was locked. She found the right key and opened the
|
|
door, then stepped inside and closed it noiselessly behind her.
|
|
|
|
"I was beginning to worry. What kept you?" Ruth asked.
|
|
|
|
"Jose sleeps so lightly. I had to make sure he was very tired."
|
|
|
|
"You look beat yourself."
|
|
|
|
"It was a rough night."
|
|
|
|
"Our last, thank God," Ruth sighed. "Hurry and brush your hair. I've
|
|
got your things laid out and ready for you to put on."
|
|
|
|
"Thanks, Mother. I ought to have a bath."
|
|
|
|
"Later, Paula. Let's get out of here while they're all sleeping. I
|
|
shudder to think what Pico might do if we're caught."
|
|
|
|
"Don't even mention it," Paula said, dressing hurriedly.
|
|
|
|
"I don't think we should bother with anything but what we have on."
|
|
|
|
"Yes," Paula agreed, buttoning her dress as she moved to the door.
|
|
"Come on. I'm ready."
|
|
|
|
"The keys," Ruth whispered. "Don't rattle the keys."
|
|
|
|
They eased into the hall looking both ways, found it clear, then walked
|
|
softly to the stairs and down, carrying their shoes. The large barroom
|
|
was empty and quiet, smelling of stale tobacco smoke and whiskey. Both
|
|
of them trembling with a mixture of fear and anticipation, they crossed
|
|
to the outer door and Paula held her breath as she inserted keys until
|
|
the right one opened the lock.
|
|
|
|
"Oh, God!" she whimpered with relief, pushing the door open for her
|
|
mother then following her outside.
|
|
|
|
"We're out," Ruth sighed. "We're going to make it!"
|
|
|
|
"Hurry, Mother. This is a bad section. Let's walk fast."
|
|
|
|
"Maybe we can find a taxi."
|
|
|
|
"I'd rather find a policeman," Paula said. "I never thought I'd be
|
|
looking for a policeman, but one or two of them would sure be a welcome
|
|
sight right now."
|
|
|
|
"There goes a cab," Ruth said, breaking into a trot and calling, "Taxi
|
|
... taxi!"
|
|
|
|
"He can't hear you."
|
|
|
|
"Damn it! He's gone!"
|
|
|
|
"Come on, Mother. Let's go this way ... toward those taller buildings."
|
|
|
|
"I wish we knew for sure where the downtown area is."
|
|
|
|
"I'd settle for the nearest police station," Paula said.
|
|
|
|
They walked at a fast clip through the early morning quiet. When they
|
|
were six blocks from Pico's, a police car pulled to the curb. As the
|
|
door opened and one of the uniformed men started to climb out, Ruth and
|
|
Paula rushed toward him.
|
|
|
|
"Oh, thank the Lord!" Ruth exclaimed. "Thank you for stopping,
|
|
officers."
|
|
|
|
In English almost as good as Pico's the officer asked, "You ladies out
|
|
for a breath of early air, or what?"
|
|
|
|
"You'd never believe it," Paula told him, grabbing his hand and pumping
|
|
it. "Would you give us a ride, please ... to the main police station?"
|
|
|
|
"Are you in trouble?"
|
|
|
|
"Yes. Big trouble."
|
|
|
|
The policeman opened the back door for them. "Hop in. You can tell us
|
|
about it on the way."
|
|
|
|
The police car moved slowly as Ruth and Paula poured out their story
|
|
from the caged back seat. Like police cars in many cities, the back was
|
|
designed to carry prisoners. Steel wire mesh covered the windows and
|
|
the space between them and the front, and the doors had no handles on
|
|
the inside.
|
|
|
|
"Hmmm ... I see," the policeman said when they stopped talking. "You
|
|
say this Pico had been holding you prisoner?"
|
|
|
|
"Yes," Ruth said. "It's been awful ... just awful!"
|
|
|
|
"We are not in the Canal Zone here. Would you like us to take you
|
|
there, so you can contact the proper American official?"
|
|
|
|
"Please. That would be wonderful!"
|
|
|
|
"How much money do you have?"
|
|
|
|
"What?"
|
|
|
|
"Money. Dollars American. How much do you have?"
|
|
|
|
"Why, none. Pico took it all."
|
|
|
|
"Isn't that a shame?" the policeman asked his partner who was driving.
|
|
"They have no money."
|
|
|
|
"What has that to do with it?" Paula demanded.
|
|
|
|
They both laughed, then the driver said, "I know Pico ... and he has
|
|
money."
|
|
|
|
"Do you think he'd be grateful if we did him a favor?"
|
|
|
|
"Oh, man," Ruth groaned.
|
|
|
|
"I think he would. Let's take them home and see."
|
|
|
|
"No! No, don't!" Paula pleaded. "We'll get money ... lots of it! We'll
|
|
send you a great deal of money when we get back to Tulsa!"
|
|
|
|
"Do you trust them?" the driver asked.
|
|
|
|
"You know better than that. They're whores ... and whores, as everyone
|
|
knows, are such notorious liars."
|
|
|
|
"But we're not whores!" Paula wailed.
|
|
|
|
"Don't you understand?" Ruth demanded. "We were kidnapped ... abducted!
|
|
"
|
|
|
|
"I'll ask Pico," the driver said over his shoulder. "If he says you're
|
|
not whores, then I'll take you to the Canal Zone."
|
|
|
|
"Oh my God!" Ruth screamed. "No, no no!!!"
|
|
|
|
* * *
|
|
|
|
|
|
Pico looked irritated when he opened the door. Then he saw Ruth and
|
|
Paula, handcuffed together and trembling with fear between the two
|
|
grinning policemen, and he snarled angrily as he jerked them inside.
|
|
|
|
"We found them several blocks away, Pico," the policeman who'd driven
|
|
the car said. "They made serious accusations against you."
|
|
|
|
Glaring at Ruth and Paula, Pico slapped them viciously before he turned
|
|
to the policemen and took out his wallet. "How serious?"
|
|
|
|
"Very serious, I'm afraid."
|
|
|
|
"This serious?" Pico asked, taking several bills from his wallet and
|
|
passing them to the men.
|
|
|
|
"About twice that serious, Pico."
|
|
|
|
Pico frowned, but he gave them more money. "I trust this will not be
|
|
reported."
|
|
|
|
Both policemen smiled, and the driver asked, "What is there to report?
|
|
It's a dull morning. Nothing has happened yet."
|
|
|
|
"Thank you for returning my property," Pico said. "Don't forget your
|
|
handcuffs."
|
|
|
|
When the policemen had gone, Pico vented his rage on Ruth and Paula,
|
|
cursing and slapping them till both lay sobbing on the floor.
|
|
|
|
"Get up!" he hissed.
|
|
|
|
They struggled to their feet and Pico shoved them toward the stairs,
|
|
forced them up the stairs and down the hall, flung them into Ruth's
|
|
room, and promising to deal with them later, locked the door.
|
|
|
|
That afternoon Pico returned to their room with Rosa and the two Latin
|
|
bouncers. They were all in the room before Ruth and Paula woke up. Rosa
|
|
carried two syringes and a length of rubber tubing. The Latin men came
|
|
on either side of the bed, one grabbing Ruth and the other Paula,
|
|
holding them as they tried to cringe away.
|
|
|
|
"What are you going to do to us?" Paula gasped.
|
|
|
|
"Shut up! Give me the tubing, Rosa."
|
|
|
|
Pico grasped Paula's wrist and pulled her arm out, sat on her hand,
|
|
then tied the tubing very tightly around her upper arm. He poked at her
|
|
vein, holding his other hand out for the first syringe.
|
|
|
|
"No!" Ruth yelled as Pico inserted the needle into Paula's arm. "What
|
|
are you giving her? Don't!"
|
|
|
|
The milky fluid left the syringe as Pico pushed the plunger.
|
|
|
|
Paula's eyes grew very wide. Her mouth dropped open. An expression of
|
|
complete bliss washed over her face. "Hooo ... ohhh ... oh, Lord!"
|
|
|
|
"My God!" Ruth wailed, watching in horror as Paula fell back on the bed
|
|
moaning ecstatically. "What did you give her?"
|
|
|
|
"Just a little heroin, rubia, the same as I'm going to give you. Hold
|
|
out your arm."
|
|
|
|
Using every ounce of power she could muster, Ruth struggled wildly to
|
|
break free. "No! Oh, God ... don't! Not that! Please ... not dope!"
|
|
|
|
"You don't want it?" Pico asked tauntingly, tying the rubber tubing
|
|
around her arm as the scar-faced man held it. "Look how happy it makes
|
|
Paula. "
|
|
|
|
"You dirty beast!" Ruth cried as the needle stabbed into her vein.
|
|
|
|
Pico's thumb touched the end of the plunger. "Soon you'll beg me for
|
|
it, rubia. Soon you'll do anything for this lovely stuff. Soon you
|
|
won't even think of escape."
|
|
|
|
"You swine!" Ruth screamed.
|
|
|
|
The plunger moved down into the syringe.
|
|
|
|
"You d-dirty an-an-imal ... unggggh ... oh, Jesus!"
|
|
|
|
"There," Pico said, smiling as he withdrew the needle. "How do you
|
|
feel?"
|
|
|
|
"Ohhh ... ohhh."
|
|
|
|
"It's time to eat. Would you girls like some food?"
|
|
|
|
His voice came to Ruth and Paula as if from a great distance. It was
|
|
too much trouble to answer. They lay moaning in a fantastic new world,
|
|
their eyes clamped shut and their hands clenched into trembling fists.
|
|
|
|
"I don't think they'll be wanting food for a while," Rosa said.
|
|
|
|
Ruth was dimly aware of Pico bending over her.
|
|
|
|
"How do you feel, rubia? Tell me how you feel."
|
|
|
|
"I can't describe it," she whimpered.
|
|
|
|
"Good?"
|
|
|
|
"Oh, yes ... oh good God, yes!"
|
|
|
|
"You've seen Rosa with the donkey, haven't you?"
|
|
|
|
Ruth nodded weakly.
|
|
|
|
"From now on you're the donkey girl, rubia. Tonight you will take
|
|
Rosa's place. I don't think she hears me."
|
|
|
|
Ruth did hear him, but it didn't matter. Nothing mattered. The heroin
|
|
had transported her to a state of complete euphoria. She couldn't be
|
|
alarmed at such a minor thing as being coupled with a donkey -- not
|
|
when she wouldn't even have cared if her head was cut off.
|
|
|
|
But the heroin had worn off when Pico came for them that night. Jose
|
|
was with him, and it was obvious he felt angry with Paula for stealing
|
|
his keys.
|
|
|
|
"Don't give us any more heroin," Ruth pleaded. "Don't get us hooked."
|
|
|
|
"Can you face the donkey without it?"
|
|
|
|
"Oh, Lord ... I was hoping I'd dreamed that."
|
|
|
|
"No. You're the star of the show. The donkey will ride you tonight."
|
|
|
|
Ruth glanced frantically about, her upper lip twitching. Finally she
|
|
nodded. "But no more heroin."
|
|
|
|
Pico grinned. "None for now. Later ... we'll wait and see. Come. The
|
|
customers are waiting."
|
|
|
|
The show was already in progress when the mother and daughter reached
|
|
the little area at the side of the small stage. Two of the girls were
|
|
on the bed performing a sixty-nine, the bright spotlight revealing
|
|
their every movement to the many men in the large barroom.
|
|
|
|
"Take off your clothes, rubia."
|
|
|
|
The donkey was nowhere in sight, but Ruth didn't ask why as she
|
|
stripped obediently and stood shivering while the two girls moved off
|
|
the stage.
|
|
|
|
"Jose," Pico said. "You know what to do."
|
|
|
|
Jose nodded, then grabbed Paula and flung her out to the center of the
|
|
stage. Applause came from the audience as Paula fell, screaming, to the
|
|
floor.
|
|
|
|
Before Paula could get to her feet, Jose was looming over her, lifting
|
|
her, jerking her head back and slapping her.
|
|
|
|
"Why, Jose?" Paula sobbed. "Why?"
|
|
|
|
His eyes softened a little as he took her in his arms and kissed her
|
|
roughly. Then he pushed her away and began ripping off her clothes.
|
|
|
|
Only half aware of what was going on, Paula glanced out at the leering
|
|
men as Jose's big hands ripped her clothing to shreds and jerked her to
|
|
and fro. Frightened and ashamed -- being naked in front of all those
|
|
customers wasn't like being naked with one at a time -- Paula stood
|
|
trembling as Jose quickly stripped off his clothing.
|
|
|
|
When he stepped from his shorts, Paula stared fixedly at his large
|
|
black cock. It stood out from his body, hard and throbbing. Under other
|
|
circumstances she would have welcomed the sight. But this was
|
|
different. Where his massive cock had given her pleasure in their
|
|
tender private moments, it now scared her. She didn't know what he was
|
|
going to do to her, but somehow she knew it would cause her pain rather
|
|
than pleasure.
|
|
|
|
Splat!
|
|
|
|
Her head jerked to the side from the force of his slap. Then his hands
|
|
were on her shoulders, pushing down hard, buckling her knees and
|
|
forcing her to the floor. Instinctively she grabbed his muscular
|
|
thighs, holding to them and sobbing as he grasped her head and began
|
|
slapping her face with his heavy dick.
|
|
|
|
Confusion overwhelmed Paula. She clung desperately to Jose's thighs,
|
|
his hard prick banging against one cheek, dragging across her eyes,
|
|
then whapping from the other side and moving back again and again.
|
|
|
|
Though she refused to accept it at first, Paula realized her pain and
|
|
deep humiliation were rapidly turning into masochistic pleasure. Soon,
|
|
however, she gave in to the new sensations bombarding her confused
|
|
mind. Moaning deliriously, she started kissing and licking the black
|
|
cock as it crossed her face.
|
|
|
|
It was what Jose had been waiting for. He grabbed a handful of her
|
|
blonde hair and yanked her head back, then thrust his cock deep into
|
|
her gaping mouth.
|
|
|
|
Unable to help herself, knowing full well that every eye in the place
|
|
was glued on her and Jose, Paula dug her fingernails into his tensed
|
|
thighs and sucked rapaciously on his thrusting dick. Her cheeks
|
|
hollowed obscenely; her lips distended grotesquely.
|
|
|
|
A loud slurp echoed lewdly in her ears as Jose pulled his wet dong from
|
|
her harshly sucking mouth. She grimaced in pain as his hands hooked
|
|
under her arms and lifted her face to his. Then his lips covered hers,
|
|
his tongue slipping wetly between them to fill her mouth.
|
|
|
|
As she threw her arms around him and sucked his tongue, she felt him
|
|
moving his hands down to her hips, gripping her, moving her secretion-
|
|
drenched pussy to the head of his cock. It spread her hairy lips. The
|
|
head popped in. Jose's hands left her hips and she slid jerkily onto
|
|
his long rod.
|
|
|
|
"Ohhh ... oh, darling!" she gasped, their bellies slapping together as
|
|
the last inch of his shaft slid into her.
|
|
|
|
He grasped her legs and pulled them around him.
|
|
|
|
"Fuck me! Fuck me!" she cried, locking her ankles.
|
|
|
|
Gritting his bared teeth, Jose hooked his fingers over her shoulders
|
|
and yanked her arms loose, pushed her backward, then let her upper body
|
|
fall till she hung suspended on his thick cock.
|
|
|
|
"Help me!" she wailed, trying desperately to grab him.
|
|
|
|
He took her hands so she wouldn't fall completely, but he wouldn't lift
|
|
her back up. Then, with her body hanging from his, he began hunching
|
|
rapidly.
|
|
|
|
"It hurts," she moaned, raising her head and looking at the knot his
|
|
glans brought as it pressed upward against the wall of her abdomen. The
|
|
knot moved up and down her stomach as he went on thrusting.
|
|
|
|
Gripping his hands for dear life, Paula shuddered and moaned. She felt
|
|
dizzy as he bounced her back and forth, making her buttocks bump rapid-
|
|
fire against him and her long hair sway wildly.
|
|
|
|
"Good ... oh, it hurts so good!"
|
|
|
|
Jose walked to the bed, dropped her shoulders to it, then bent over her
|
|
and fucked like a madman till Paula was yelling at the top of her lungs
|
|
with a tremendous orgasm and his cock was spurting a massive load of
|
|
hot cum directly into the mouth of her spasming womb.
|
|
|
|
She was so weak he had to carry her offstage.
|
|
|
|
"Now, rubia," Pico said as Jose carried Paula, panting breathlessly,
|
|
past them, "it's your turn to perform."
|
|
|
|
The two Latin men were already bringing the platform on-stage, and Ruth
|
|
could hear the donkey's hooves clattering even before she saw Rosa
|
|
leading him in. She hugged herself and shivered, then Pico was dragging
|
|
her on-stage.
|
|
|
|
The applause for Paula and Jose had barely stopped. When the audience
|
|
saw Ruth being brought reluctantly onto one side of the stage and the
|
|
shaggy donkey on the other, they yelled and clapped louder than ever.
|
|
|
|
Her body jerking convulsively with nearly paralyzing fear, Ruth blinked
|
|
numbly and stared at the bright spotlight.
|
|
|
|
"Here's your lover," Pico smirked, pushing her so close to the smelly
|
|
beast her tits mashed against his coarse hair. "Put your arms around
|
|
him. Hug and pet him."
|
|
|
|
"Don't make me do this," Ruth begged. "I can't go through with it. I'll
|
|
be a good whore. I'll work hard for you ... but don't make me perform
|
|
with this awful beast!"
|
|
|
|
Pico shrugged. "If you really don't want to ... but I think you should
|
|
consider."
|
|
|
|
"What do you mean?"
|
|
|
|
"Either the donkey fucks you or I give you and Paula heroin again ...
|
|
and again ... until both of you will gladly do absolutely anything and
|
|
everything I ask of you."
|
|
|
|
"Oh, no!"
|
|
|
|
"Oh, yes, rubia. I'll have my way. Count on it."
|
|
|
|
All resistance seeped out of Ruth. She knew she would already do
|
|
anything he told her in order to keep him from turning Paula into a
|
|
drug addict. Taking on the donkey was a terrible price to pay, but she
|
|
had no choice. Feeling faint, she forced herself to put her arms around
|
|
the animal's neck. His stiff hair felt like a million pins to her skin,
|
|
but she hugged him and stroked him.
|
|
|
|
"That's better," Pico said. "Okay, enough petting."
|
|
|
|
She took her arms away and stepped back. The donkey turned his head and
|
|
rubbed her stomach with his nose. Ruth automatically cringed away.
|
|
|
|
"Don't pull away from your lover!" Pico snapped. "I think he likes you.
|
|
Kiss him. Pull his head up and kiss his mouth."
|
|
|
|
"Oh, God," Ruth moaned.
|
|
|
|
"The syringe ... shall I send Rosa for it?"
|
|
|
|
"No!"
|
|
|
|
"Then kiss the donkey. Make me think you like it."
|
|
|
|
Half lifting the donkey's head and half bending to him, Ruth fought the
|
|
nausea his terribly foul breath caused and kissed his clammy mouth
|
|
quickly.
|
|
|
|
Pico laughed. "Again. Put your tongue in his mouth this time."
|
|
|
|
Ruth nearly threw up, but she did as Pico ordered, holding the
|
|
disgusting kiss as long as she could, then spitting on the floor and
|
|
wiping her mouth clean of the animal's thick saliva.
|
|
|
|
"Not bad," Pico muttered. "Even Rosa could never stomach that."
|
|
|
|
"I feel sick," Ruth croaked.
|
|
|
|
"Not yet. You may be sick later if you wish, but you know what will
|
|
happen if you don't finish."
|
|
|
|
She gulped and shook her head to clear it.
|
|
|
|
"You may fondle his cock now. Kneel beside him and take it in your
|
|
hand."
|
|
|
|
Nothing seemed real to Ruth any more. Everything was a nightmare. She
|
|
moved to the donkey, a haze clouding her vision, and dropped to her
|
|
knees.
|
|
|
|
"Do you see it?"
|
|
|
|
She saw it, all right, about six inches of it, limber and blue-black,
|
|
hanging with its almost flat glans pointing at the floor.
|
|
|
|
"Touch it."
|
|
|
|
Her hand shaking violently, Ruth reached out and touched the soft, warm
|
|
cock, then jerked away from it, then touched it tentatively again.
|
|
|
|
"That's the way. You see, it isn't as bad as you thought."
|
|
|
|
And it wasn't as bad as she'd thought, though she still detested having
|
|
to touch the animal's cock.
|
|
|
|
"Stroke it."
|
|
|
|
Leaving her hand open, Ruth stroked the soft prick gently.
|
|
|
|
"Put your fingers around it now. Take it in your hand and make it
|
|
hard."
|
|
|
|
It was already beginning to grow longer and firmer as Ruth wrapped her
|
|
fingers around it. She moved her hand back and forth along it, feeling
|
|
it become thicker and longer and hotter as she did so. Soon her fingers
|
|
wouldn't touch around it. Its size beginning to scare her, Ruth jerked
|
|
her hand away.
|
|
|
|
"Very good, rubia. Very good!"
|
|
|
|
"It's so big!"
|
|
|
|
"Yes."
|
|
|
|
"It'll kill me!"
|
|
|
|
"I think not. I think you'll manage quite well, in fact. Kiss the
|
|
donkey's cock."
|
|
|
|
"Oh, God! Not that!"
|
|
|
|
"RUBIA!"
|
|
|
|
Her heart pounding with fear, Ruth hurriedly swung her head under the
|
|
animal's body and kissed his cock. It felt very hot and hard to her
|
|
lips.
|
|
|
|
"Lick it."
|
|
|
|
Expecting to pass out at any second, she extended her tongue and
|
|
licked. But she didn't pass out. In fact, she found licking the
|
|
donkey's dick less distasteful than kissing his mouth.
|
|
|
|
"Take it in your mouth and suck it."
|
|
|
|
Wanting to get the sordid act over with as soon as possible, Ruth moved
|
|
her face in front of the blunt-ended prick and took as much of it into
|
|
her mouth as she could manage without choking. She moved her head back
|
|
and forth, letting the foul organ slide in and out of her mouth without
|
|
actually sucking it.
|
|
|
|
"All right," Pico said. "Enough. Put her on the platform and strap her
|
|
down."
|
|
|
|
The donkey's cock was as big around as her wrist, and Ruth, greatly
|
|
fearing the moment of penetration, broke away and ran. She reached the
|
|
edge of the stage before Pico overtook her.
|
|
|
|
"No, no, no!" she screamed as he dragged her back to the platform.
|
|
|
|
But Pico didn't attempt to silence her. He seemed to enjoy her shrill
|
|
screams as he held her down on her back and Rosa fastened the leather
|
|
straps tightly about her wrists. Then they moved to the other end of
|
|
the special platform and forced her legs wide apart, strapping first
|
|
one ankle into position, then the other.
|
|
|
|
"She's ready. Bring the donkey."
|
|
|
|
Ruth couldn't see the animal as they made it rear up and move over her.
|
|
She lay beneath thick boards on which the donkey's hooves clattered as
|
|
Pico and Rosa prodded him into position. Her ass rested on the very
|
|
edge of the lower part of the platform, and she couldn't move it at
|
|
all, try as she did when she felt the blunt glans jab against her cunt.
|
|
|
|
"He'll kill me! He'll kill me! Somebody help me!"
|
|
|
|
"Help him get it in her, Rosa."
|
|
|
|
The next instant Ruth felt a ripping pain race raggedly up from her
|
|
loins. The tip was in. She tried to scream but could only gasp for the
|
|
breath. Then, all at once, the enormous donkey cock battered into her
|
|
until it felt like it was coming up into her throat. The pain was too
|
|
intense. As the donkey began thrusting, Ruth's eyes snapped shut and
|
|
her head rolled to the side.
|
|
|
|
She was still unconscious when she was carried upstairs and dumped onto
|
|
the bed with Paula.
|
|
|
|
|
|
|
|
Chapter 11
|
|
|
|
|
|
Looking at his watch at least two times for each minute that dragged
|
|
by, Elliott limped nervously back and forth in the air-conditioned
|
|
hotel room. She was fifteen minutes late and he was beginning to fear
|
|
she wouldn't show up at all.
|
|
|
|
"Garza, maybe you'd better call again."
|
|
|
|
"Relax, Mr. Strickland. She'll be here any minute."
|
|
|
|
He felt like leaping at the private detective and shaking him into
|
|
action. His professional calmness grated Elliott's on-edge nerves.
|
|
|
|
"It's sort of a custom down here in the Canal Zone. Call-girls are
|
|
always a few minutes late, especially when they are assigned to an
|
|
American gentleman. The procurer instructs them to do so, knowing the
|
|
American habit of punctuality and wanting to heighten the suspense.
|
|
They think it makes their merchandise more appealing when it finally
|
|
arrives."
|
|
|
|
"She isn't merchandise!" Elliott bellowed. "Stop talking about her like
|
|
that!"
|
|
|
|
"I beg your pardon, Mr. Strickland. I meant no disrespect, sir. My
|
|
intention was merely to explain why she is late."
|
|
|
|
"I'm sorry," Elliott mumbled.
|
|
|
|
"For nothing. I understand your feelings very well. If it were --"
|
|
|
|
"That must be her," Elliott said, hurrying to answer the soft knock at
|
|
the door but stopping halfway there, turning around and coming toward
|
|
the couch. "I can't. I'm too nervous."
|
|
|
|
Garza got calmly to his feet. "Sit down, Mr. Strickland. I'll let her
|
|
in."
|
|
|
|
"Are you sure it's her?" Elliott demanded, slumping to the couch,
|
|
having trouble breathing because of the turmoil of emotions within him.
|
|
|
|
"No, sir," Garza answered, moving across the room. "I'm only sure it
|
|
will be the girl I saw in the show. You will have to determine if she
|
|
is your lady."
|
|
|
|
"Yes. Of course," Elliott said, recalling that Garza had only
|
|
tentatively identified her from the snapshot he'd given him. "Let her
|
|
in, please."
|
|
|
|
Garza opened the door and she walked sensually into the room, smiling
|
|
seductively and laughing a throaty little laugh as her hand reached
|
|
boldly to his crotch and gave his genitals a promising caress. For the
|
|
first time since Elliott had hired him, Garza seemed ill at ease. He
|
|
cleared his throat and pushed her hand away, motioning with his head to
|
|
where Elliott was sitting.
|
|
|
|
She threw Elliott a puzzled glance, then turned back to Garza. "What
|
|
are you guys trying to pull?" she demanded. "There was only supposed to
|
|
be one. If I'm going to take you both on, the price is double."
|
|
|
|
Elliott still wasn't sure. As Garza closed the door and began
|
|
explaining to her in his unhurried way why she was there, Elliott
|
|
looked her up and down carefully. She was blonde, all right, but
|
|
taller, and her body was much more shapely than he remembered. She
|
|
looked older too, but it had been over a year and it was hard to guess
|
|
her age because of the heavy make-up she wore. But she did resemble
|
|
Paula, and when he heard her voice for the second time he knew.
|
|
|
|
"Paula," he called, unable to wait for Garza to finish his explanation.
|
|
"Paula!"
|
|
|
|
Her head snapped around, her eyes growing large as she stared at him.
|
|
"Who are you?" she asked fearfully. "How did you know my name?"
|
|
|
|
Elliott could see the partial recognition in her eyes, as if she
|
|
realized she should know him but couldn't quite place him. He got to
|
|
his feet, holding out his arms, limping toward her, fighting to see
|
|
through the veil of tears forming over his eyes.
|
|
|
|
"It's your father," Garza said.
|
|
|
|
"No," she gasped. "He can't be. My father is dead! "
|
|
|
|
"Don't you recognize me, sweetie?"
|
|
|
|
"He was badly hurt when he jumped from the plane," Garza said. "He's
|
|
had plastic surgery."
|
|
|
|
Her mouth hanging open, she stared unblinkingly as he came closer. His
|
|
face was different, more youthful than she remembered it, and slightly
|
|
misshapen, but finally she realized he was her father. She rushed into
|
|
his arms, sobbing happily as she hugged him fiercely.
|
|
|
|
"Daddy ... oh, Daddy!"
|
|
|
|
"It's all right, sweetie," he soothed, patting her back. "Everything's
|
|
going to be all right now."
|
|
|
|
"Oh, my God," she moaned between sobs. "Oh, my God!"
|
|
|
|
Elliott held her until she stopped crying, talking soothingly to her
|
|
and stroking her back. Then he led her to the couch and sat holding her
|
|
hand, nervously patting it and squeezing it. "Your mother," he asked.
|
|
"How is she?"
|
|
|
|
His innocent question brought a fresh flood of tears. Paula clenched
|
|
her eyelids tightly shut and lowered her head.
|
|
|
|
"She's not dead?" Elliott gasped.
|
|
|
|
Paula shook her head.
|
|
|
|
"Then what? Is she sick? Tell me, Paula ... I've got to know!"
|
|
|
|
"Oh, Daddy," she groaned mournfully. "You should have stayed away."
|
|
|
|
"I couldn't. For God's sake, sweetie! I couldn't just leave you and
|
|
Ruth in that evil monster's clutches! I had to find you! And now that I
|
|
have, I'm going to take you home. Tell me about your mother ... how
|
|
sick is she? Can she travel?"
|
|
|
|
Paula shook her head. "She isn't sick like you think. We're both sick,
|
|
Daddy. Mother and I are addicts."
|
|
|
|
"What?"
|
|
|
|
"Pico forced us to take heroin. He had us held down to give it to us at
|
|
first." She laughed, but it sounded more like a fit of sobbing. "He
|
|
doesn't have to hold us down any more. We'll both do anything for it
|
|
now ... anything!"
|
|
|
|
"Oh, good Lord!"
|
|
|
|
"I was afraid of this," Garza said. "It complicates matters."
|
|
|
|
"You wouldn't believe some of the things, Daddy," Paula said in a tired
|
|
voice -- little more than a whisper.
|
|
|
|
"Let's go, Garza," Elliott urged. "Let's get the police and get my wife
|
|
out of that awful place right now."
|
|
|
|
Paula glanced at her father, her young eyes showing surprise at his
|
|
naivete. "Don't count on help from the police."
|
|
|
|
"She's right," Garza told him. "Too many of them profit from such
|
|
establishments. Even if we were fortunate enough to tell our story to
|
|
an honest police official, by the time any action was taken it would
|
|
probably be too late. Word of the raid would have preceded us and your
|
|
wife wouldn't be there."
|
|
|
|
"Then, what can we do? For God's sake, Garza, now that I know where she
|
|
is, you don't think I'm going to let her stay there, do you?"
|
|
|
|
"No, Mr. Strickland. We will act tonight, you and I. I have a plan. But
|
|
we can't do it alone. We will need your daughter's help. Will you help
|
|
us, Miss Strickland?"
|
|
|
|
"Miss Strickland," she breathed. "Oh, it sounds good to be called that,
|
|
after so long! Yes, Mr. Garza, I'll help you. What do you want me to
|
|
do?"
|
|
|
|
"Can you get some heroin?" he asked hopefully. "Enough to hold you and
|
|
your mother until you get home and under a doctor's care?"
|
|
|
|
"No. There's no way."
|
|
|
|
"Then I'd better see if I can find a pusher and get it that way. We can
|
|
do nothing until we have enough to tide you over."
|
|
|
|
Paula nodded. "I wouldn't dare try to make the trip without it. Once,
|
|
when I refused to do as Pico ordered, he withheld it from me until I
|
|
was wishing for death. Oh, God ... I never want to go through that
|
|
again!"
|
|
|
|
"Methadone," Elliott said. "I read an article about methadone once. If
|
|
I rememb --"
|
|
|
|
"Later, Mr. Strickland. We must act fast if we are to take your wife
|
|
and daughter out tonight. Now, here is my plan. I know you're not going
|
|
to like part of it, Mr. Strickland. But I've thought it out carefully
|
|
and can see no other way to free your loved ones safely. Hear me
|
|
through without interrupting, please."
|
|
|
|
Elliott nodded.
|
|
|
|
Garza turned his attention to Paula. "Do you and your mother have free
|
|
run of the place?"
|
|
|
|
"I do," she said. "But not mother. She's tried to escape so often that
|
|
Pico keeps her locked in her room upstairs except for her performances
|
|
on stage." Paula looked uneasy as she mentioned her mother's stage
|
|
performances.
|
|
|
|
"I feared as much," Garza said. "I got that impression when I watched
|
|
her being led on and off the stage."
|
|
|
|
"You've seen the show?" Paula gasped, blushing as she glanced quickly
|
|
at her father.
|
|
|
|
"I've seen a hundred such shows in at least a dozen cities while I was
|
|
searching for you and your mother. What time is the place the quietest?
|
|
When is everyone asleep? And I mean everyone!"
|
|
|
|
"Not until about five in the morning."
|
|
|
|
"Then that's when we'll take you out."
|
|
|
|
"That'll mean another performance for both Mother and myself," Paula
|
|
said. "We're both on tonight. "
|
|
|
|
"There must be another way!" Elliott snapped. "I don't want Paula going
|
|
back to that place."
|
|
|
|
"Hush, Daddy. I'm beginning to see what Mr. Garza has in mind."
|
|
|
|
"The windows in your mother's room?" Garza asked.
|
|
|
|
"There's just one, and it's got steel bars."
|
|
|
|
"The door?"
|
|
|
|
"Thick and sturdy, padlocked on the hall side."
|
|
|
|
Garza smiled. "I've yet to find a lock which could resist opening for
|
|
me. Good. Do you sleep with your mother?"
|
|
|
|
Paula glanced at her father, "Sometimes."
|
|
|
|
"Can you arrange to sleep with her tonight?"
|
|
|
|
"I don't know. After my performance I have to ..."
|
|
|
|
"I understand," Garza said. "But later?"
|
|
|
|
"I think I can manage."
|
|
|
|
"You must, Miss Strickland. When your father and I enter that room, you
|
|
will have to be in it." He got up and went to his suitcase to get out a
|
|
cigarette lighter. Handing the lighter to Paula, he asked, "Do you
|
|
smoke?"
|
|
|
|
She nodded.
|
|
|
|
"Good. But be sure it's this lighter you take with you into your
|
|
mother's room. It's more than a lighter. It gives off an FM signal.
|
|
That's how we'll locate the room."
|
|
|
|
"All right," she said, gulping. "You'll come at five?"
|
|
|
|
"Precisely at five."
|
|
|
|
"What if I can't manage to be in the room? You could hide in the wine
|
|
cellar and I could come down to the basement and take you to Mother's
|
|
room a few minutes before five."
|
|
|
|
"There's a wine cellar?"
|
|
|
|
"Yes. A large one. It's a very old building."
|
|
|
|
"That's where your father and I will hide," Garza said, his voice
|
|
becoming more and more confident. "We'll slip down to it while the show
|
|
is in progress. Where are the stairs?"
|
|
|
|
"To the left of the bar," Paula answered, her face beaming with hope.
|
|
|
|
"Come for us at ten minutes to five, but only if you can't manage to be
|
|
in the room with your mother. It'll be safer for all of us if you're in
|
|
the room with her. Do you understand?"
|
|
|
|
"Yes. I'll try to sleep with her tonight. After the performance I'll
|
|
pretend I'm sick. I'm rarely sick, so it should work."
|
|
|
|
"Damn the performance," Elliott hissed. "Be sick before it!"
|
|
|
|
"No, Mr. Strickland. They mustn't suspect anything. Your daughter will
|
|
have to go on as planned. And Miss Strickland ... don't tell your
|
|
mother anything about all this. If for some reason we should fail, I
|
|
think it best she not know of our attempt. "
|
|
|
|
"I agree," Paula answered quickly.
|
|
|
|
"Give your daughter a hundred dollars instead of fifty, Mr. Strickland.
|
|
And Miss Strickland ... when you give the money to this Pico animal,
|
|
try to act very pleased and tell him the extra fifty was a tip because
|
|
your customer was so delighted with you."
|
|
|
|
"Yes," she said, smiling. "That should put him off guard so far as I'm
|
|
concerned."
|
|
|
|
Elliott gave her the money and she tucked it into her purse.
|
|
|
|
"I have to get busy," Garza sighed. "I must get the heroin or we might
|
|
as well forget it for tonight. Stay with your father for the usual
|
|
length of time. I don't want you to get back too early. It would arouse
|
|
suspicions."
|
|
|
|
"We've got a million things to talk about," Elliott said, taking
|
|
Paula's hand again as Garza put on his coat and walked toward the door.
|
|
|
|
"I'll be back as soon as I can, Mr. Strickland. You won't do anything
|
|
foolish, will you?"
|
|
|
|
"I won't let him," Paula assured. "Your plan sounds like our only hope.
|
|
We'll stick to it."
|
|
|
|
Garza allowed a grin to cross his face. "You've got a very intelligent
|
|
daughter there, Mr. Strickland," he said as he went out the door.
|
|
|
|
* * *
|
|
|
|
|
|
Huddled in a corner of the dank wine cellar, Elliott sat trying to calm
|
|
himself. Though his blood was racing through his veins, his mind was in
|
|
a state of near shock from watching his wife and daughter go through
|
|
their degrading performances on the stage. The vulgar shouts of the
|
|
men, many of them American servicemen, still rang obscenely in his
|
|
ears. He'd had to sit beside Garza, helpless as he watched the huge
|
|
Negro fuck his daughter until they both shuddered through orgasm. It
|
|
had looked like an actual rape, and Elliott couldn't really believe it
|
|
was happening.
|
|
|
|
The American men there should have jumped up to stop the lewd act
|
|
rather than shouting their vile encouragements. But they didn't offer
|
|
to help Paula, not one of them, and of course Elliott couldn't, because
|
|
it would have ruined his and Garza's chances to slip Ruth and Paula out
|
|
of the wicked sin palace once and for all. When Paula had finally
|
|
thrown her arms and legs around the pumping black man, shuddering and
|
|
holding tightly to him as she screamed shrilly in orgasm, Elliott had
|
|
nearly fainted. He realized her climax was not faked in any way,
|
|
because the expression of total lust on her beautiful face was entirely
|
|
too intense to have been merely acting.
|
|
|
|
Then the unbelievable cock had slid from her sweat-soaked body, long
|
|
and shiny black with her juices, and she and the Negro were holding
|
|
hands and smiling as they took their bows. A few moments later Ruth had
|
|
been led onto the stage nude and apparently drugged out of her mind.
|
|
He'd wanted to rush to his wife and take her in his arms, to cover her
|
|
body and lead her off the stage. But the men in the audience were
|
|
clapping and stamping their feet, impatient for Ruth's performance to
|
|
begin.
|
|
|
|
Full of righteous indignation, Elliott had jumped to his feet only to
|
|
be jerked back into his chair by Garza. "No, Mr. Strickland," Garza had
|
|
said. "You'll spoil everything." And of course Garza was right, so
|
|
Elliott had sat numb and dazed as a donkey was led onto the stage.
|
|
They'd made her masturbate and lick the animal, and Elliott reeled at
|
|
the sight. But he hadn't been forced to witness her actual copulation
|
|
with the shaggy beast. Garza had punched him and motioned for him to
|
|
follow, saying the time was right because all eyes were on the stage.
|
|
But as they'd made their way to the stairs leading down to the wine
|
|
cellar, Elliott had involuntarily glanced back at the stage.
|
|
|
|
The sight had made him want to kill Pico. He'd seen the flattened,
|
|
thick glans of the donkey's cock pushing into his wife, had heard her
|
|
choking and groaning. Then the animal had hunched forward and sent his
|
|
cock deep into her, and the scream she'd uttered had made Elliott's
|
|
blood run cold.
|
|
|
|
And now as he sat waiting for five a.m., thinking it would never come,
|
|
he realized that he was going to kill Pico. He knew he would never draw
|
|
another peaceful breath as long as the man responsible for his wife's
|
|
and daughter's misery was alive. It was wrong and he knew it full well,
|
|
but every nerve in him cried out for revenge. If he roasted in hell
|
|
through all eternity for killing the vicious man, so be it; he had to
|
|
do it anyway. He had to!
|
|
|
|
Holding his knees to his chest, hiding behind a wine cask, Elliott
|
|
dozed off again and again. Each time his tired mind allowed a few
|
|
seconds of slumber he dreamed of the sordid acts he'd seen Ruth and
|
|
Paula in and hated Pico all the more. He would jerk awake for a few
|
|
minutes, gritting his teeth, then would drop off again to hear Ruth
|
|
scream as the donkey slammed into her defenseless body.
|
|
|
|
"Mr. Strickland. Wake up, Mr. Strickland."
|
|
|
|
Elliott shook his head to clear it, hooking his fingers over the rim of
|
|
the wine cask and getting to his feet.
|
|
|
|
"It's time to go, sir. Five minutes to five."
|
|
|
|
"I'm ready."
|
|
|
|
"We'll have to be very quiet."
|
|
|
|
"I'm going to cut Pico's throat."
|
|
|
|
Garza smiled. "I'll do it for you."
|
|
|
|
"No. I want him to know who and why before he dies."
|
|
|
|
Garza nodded, pulling a switchblade from his pocket and handing it to
|
|
Elliott. "It's very sharp. I bought it while I was out getting the
|
|
heroin."
|
|
|
|
"Let's go," Elliott said, putting the ugly knife in his pocket.
|
|
|
|
They went cautiously up the stairs, stopping each time their feet
|
|
brought a squeak from the aged timber, listening for sounds in the main
|
|
room above before they moved on. No one was in the barroom when they
|
|
finally entered it. Dawn was just beginning to break, sending enough
|
|
light through the frosted-glass windows for them to pick their way
|
|
silently through the tables and chairs scattered about.
|
|
|
|
The stairs leading to the second floor were carpeted. Elliott fought
|
|
back the fear rising inside him and followed Garza up. It was very
|
|
dangerous. The burly bouncers and bartenders probably lived in the
|
|
building along with the girls, and from what Elliott had seen of them
|
|
he felt sure they wouldn't hesitate to shoot intruders on sight,
|
|
especially at such an unlikely hour. But his own safety wasn't
|
|
important. The force driving him on was stronger than his fear -- much
|
|
stronger! He would never be able to live with himself if he failed Ruth
|
|
and Paula after getting this close to rescuing them.
|
|
|
|
"Oh, stop it! Go to sleep!"
|
|
|
|
Garza put his finger to his lips as they crept past the room the tired
|
|
female voice had come from. All the doors were closed, the sounds of
|
|
snoring drifted into the hall through several of them. Garza had his
|
|
compact radio out, the earplug stuck in his ear, stopping at the few
|
|
doors which were padlocked, shaking his head and going on. Finally,
|
|
after they'd rounded a corner and come near the end of the hall, Garza
|
|
smiled and jerked out the earplug, pointing to the padlocked door as he
|
|
put his radio into his pocket.
|
|
|
|
"This one's easy," he whispered. "I have a master that should take care
|
|
of it."
|
|
|
|
Elliott stood by nervously, looking up and down the hall as Garza
|
|
selected one key from the many he carried on his special key ring. It
|
|
slipped into the lock. Garza crossed himself with his free hand, then
|
|
took hold of the lock and turned the key. He let out a sigh of relief
|
|
when the lock snapped open.
|
|
|
|
Her eyes dancing with excitement and hope, Paula rushed into Elliott's
|
|
arms when he entered the room. "Oh, thank God!" she breathed. "I didn't
|
|
really think you'd make it."
|
|
|
|
"What's the matter with your mother?" Elliott asked, alarmed at seeing
|
|
Ruth stretched out on the bed fully dressed and sleeping soundly.
|
|
|
|
"I brought some sleeping pills before I came back here," Paula said. "I
|
|
thought it would be best. Mother's given up all hope. There's no
|
|
telling what kind of a commotion she would have made when she saw you.
|
|
I thought it would be better for her to wake up in your hotel room."
|
|
|
|
"Good thinking," Garza said softly. "I'll carry her out to the car."
|
|
|
|
"Where's Pico's room?" Elliott asked.
|
|
|
|
Paula shivered at the expression on her father's face. "Why? What do
|
|
you want to know that for, Daddy?"
|
|
|
|
"He has personal business with him," Garza said. "Tell your father
|
|
where Pico is."
|
|
|
|
"I'll show you," she said.
|
|
|
|
"Just tell me," Elliott insisted, and when she had told him, he said,
|
|
"Don't wait for me, Garza. Take my darlings out to the car right now.
|
|
If I'm not there in ten minutes, leave without me, understand?"
|
|
|
|
"Si, Senor. Vaya con Dios, hombre."
|
|
|
|
Garza's answer startled Elliott. It was the first time he had spoken a
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word of Spanish to him, and he realized from his voice that he was
|
|
doing so now purely out of respect for him. He nodded, waiting until
|
|
Garza had Ruth in his arms and was carrying her from the room. Then he
|
|
kissed Paula's cheek and pushed her after Garza and her mother.
|
|
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|
Paula turned back, her eyes pleading with him. "Don't, Daddy. Don't do
|
|
it. He isn't worth it."
|
|
|
|
Elliott put his finger to his lips and motioned for her to get moving.
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|
He watched until they went around the corner, then he went to the end
|
|
of the hall and pushed open the door Paula had said was Pico's. The
|
|
shades were drawn, making the room darker than the hall, but Elliott
|
|
recognized the piece of shit that could walk and talk like a man. He
|
|
moved silently and cautiously to the bed, seeing that Pico was not
|
|
alone. The form beside him was that of a girl so young she had only the
|
|
beginnings of breasts and a fine down covering her pubic mound. Both
|
|
were asleep.
|
|
|
|
Moving to the girl, wanting to get her out of the room, he put his hand
|
|
over her mouth and shook her. She looked more Indian than anything
|
|
else, though she was probably part Negro, judging from the color of her
|
|
skin and her kinky hair. Her eyelids shot up, her large eyes staring up
|
|
fearfully at him. He put his finger to his lips. The fear in the girl's
|
|
eyes lessened. Still holding his hand over her mouth, Elliott helped
|
|
her from the bed and led her into the hall.
|
|
|
|
"You won't yell, will you?" he asked, praying the girl could understand
|
|
English. She shook her head. He removed his hand, holding his breath.
|
|
When she didn't make a sound, he asked, "Do you want to get out of
|
|
here?"
|
|
|
|
She nodded.
|
|
|
|
"Go down to the main room," he whispered. "Wait for me there."
|
|
|
|
She nodded again, smiling broadly as she went quietly but swiftly down
|
|
the hall and around the corner.
|
|
|
|
Getting out the switchblade, Elliott tiptoed back into the room. Pico
|
|
hadn't moved once, nor did he stir when Elliott bent over him. He put
|
|
his hand over the sleeping man's mouth, holding the switchblade close
|
|
to his ear as he snapped it open. Pico stirred then, his body squirming
|
|
as his eyes jerked open to gawk disbelievingly at Elliott's threatening
|
|
face. But he said nothing and didn't try to pull away, for Elliott had
|
|
the point of the knife pressed -- businesslike -- into the hollow of
|
|
his throat.
|
|
|
|
"One sound and you're dead!" Elliott hissed.
|
|
|
|
Pico groaned softly, his body going limp as his eyes grew large with
|
|
fear.
|
|
|
|
"Do you know who I am?"
|
|
|
|
Pico shook his head as best he could with the point of the knife
|
|
gouging at his throat.
|
|
|
|
"I'm Elliott Strickland. You abducted me along with my wife and
|
|
daughter in Juarez more than a year ago."
|
|
|
|
Elliott felt sick as he saw stark fear filling Pico's eyes. He pulled
|
|
the knife point away, bringing the cutting edge of the long, wicked
|
|
blade into position at the front of Pico's gulping throat. But he
|
|
couldn't do it. It was cold-blooded murder, and no matter how much Pico
|
|
deserved to die, Elliott couldn't bring himself to slit the worthless
|
|
throat. He held the blade tightly against his moist skin, reaching down
|
|
to the floor and picking up Pico's discarded shorts.
|
|
|
|
"I don't want to kill you. Do as I say, and I'll turn you over to the
|
|
police. But I will kill you if I have to. If you make one sound or
|
|
resist me in any way, I'll cut your evil heart out! Do you understand?"
|
|
|
|
Pico nodded, closing his eyes.
|
|
|
|
"Open your mouth wide," Elliott ordered.
|
|
|
|
When Pico did, he stuffed the soiled shorts in to prevent him from
|
|
calling out.
|
|
|
|
He grabbed his wrist and twisted his arm, forcing Pico out of bed with
|
|
the pain he caused him, jerking his arm behind his back and shoving him
|
|
from the room and down the hall.
|
|
|
|
The pubescent girl was sitting at the bar, waiting patiently when
|
|
Elliott came into the main room pushing Pico along in front of him.
|
|
|
|
"Keel heem!" the girl shouted. "Keel heem!"
|
|
|
|
"Be quiet!"
|
|
|
|
"No! Pico mus' die! Keel heem!"
|
|
|
|
To no avail, Elliott tried to calm the girl. She acted like a demon had
|
|
suddenly taken possession of her, screaming at the top of her lungs as
|
|
she darted behind the bar and came out brandishing a large butcher
|
|
knife. She rushed them, clawing at Pico's chest as she slashed his
|
|
throat from ear to ear with one deft whack.
|
|
|
|
"Come on!" Elliott yelled, grabbing her wrist and letting Pico slump to
|
|
the floor as he hurried her toward the exit.
|
|
|
|
Footsteps sounded on the stairs, coming toward them fast and heavy.
|
|
Elliott dragged the nude girl along, hurrying her toward the door which
|
|
Garza had left standing open. They were in the doorway when the first
|
|
shot rang out. Elliott cringed at the pain in his shoulder but kept
|
|
running for all he was worth, limping as he always did now because of
|
|
his jump from the plane.
|
|
|
|
The girl crumpled as the second shot sounded, falling with a thud onto
|
|
the concrete steps. Elliott lost his grip on her wrist, stopping
|
|
immediately to bend down and pick her up. Another shot rang out, this
|
|
time coming from outside. One of the bouncers grabbed his face and fell
|
|
screaming in the doorway.
|
|
|
|
"Come on, hombre!" Garza yelled. "Hurry!"
|
|
|
|
Elliott scooped up the injured girl, the pain in his shoulder nearly
|
|
blinding him as he staggered toward the idling car. Then he was inside
|
|
and slamming the door shut, the car roaring and spinning rubber as it
|
|
sped away.
|
|
|
|
|
|
The End
|